閆晉龍 (YAN Jin-long)
閆晉龍，青年嗩呐演奏家，上海音樂學院嗩呐表演碩士研究生。第三屆CCTV民族器樂電視大賽職業組嗩呐第一名獲得者，師從著名嗩呐演奏家劉英教授。 9歲開始學習嗩呐，2004年考入武警部隊文工團，在部隊榮立三等功兩次。退役後，2010年以嗩呐專業第一的成績考入上海音樂學院民樂系。2014年又以民族管樂第一名的成績考取上海音樂學院碩士研究生。在校期間多次代表學校參加“上海之春”、“上海音樂學院新年音樂會”和國家大劇院等重要音樂會演出。並多次與著名指揮家夏飛雲、閻惠昌、王永吉、郭健明等合作獨奏作品，均獲各界人士好評。
張倩淵 (ZHANG Qian-yuan)
張倩淵，中國音樂學院嗩呐專業教師，著名青年嗩呐演奏家。20歲獲得中國音樂最高獎「金鐘獎」金獎，之後又獲得中國政府最高獎「文華獎」金獎，也是嗩呐界唯一一位國內最高雙金獎的獲得者。 張倩淵，1989出生於浙江，6歲開始學習嗩呐，師從貴州籍嗩呐演奏家許偉老師。2001年考入上海音樂學院附中，師從著名嗩呐演奏家劉英教授。2007年以民樂系第一的成績考入上海音樂學院；同年跟隨著名管子演奏家胡志厚教授學習管子演奏。2011年以優異成績保送碩士研究生，成為全國唯一一位嗩呐專業的公費研究生。
翁鎮發 (WENG Zhen-Fa )
翁鎮發，著名笙演奏家，國家一級演員，中國音樂家協會會員，全國笙專業委員會副長，上海音樂學院、上海師範大學音樂學院客座教授，上海飛雲民族樂團副團長。 青年時期已嶄露頭角，上世紀70年代代表中國最早出國訪問演出並擔任獨奏。80年代提出了在傳統笙的基礎上進行改革，並與著名笙演奏家牟善平共同研製了37簧傳統改良笙，解決了一人多笙的難題。改良笙不僅能演奏民間曲牌，還能演奏現代和西方的音樂作品，被譽為“中國第一笙”，並獲得中國文化部頒發的科技進步三等獎。翁鎮發在國內多次重大器樂比賽中獲大獎。與國內外著名唱片公司合作，灌錄了各種音樂唱片近百張；現已出版了數張個人獨奏專輯，如《笙華》、《笙——小河淌水》、《笙聲慢》、與中國笙名家共同錄製的《中國笙名家名曲》等。
張志生 (ZHANG Zhi-shen)
張志生，出身於河北吹歌世家，父親張敬文是河北省「拉花」音樂的第九代傳人。自小受嚴格的教導，加上勤奮學習，後來又進入中國音樂學院進修，在技術及藝術理論等方面進一步提高。嘗為中國廣播民族樂團中音笙首席。
楊元亨 (YANG Yuan-heng)
民間管樂演奏家楊元亨，一八九三年二月二十一日出生於河北省安平縣南王宋村，一九五八年二月二十日病逝於安平縣角丘村，七歲在呂祖廟出家當道士，道名元亨，師從永興及老蓮，學習工尺譜、管、笛、笙、嗩吶、胡琴及敲擊樂，十一歲已能登壇演奏道樂，期間他所抄寫之曲譜，已成研究河北民間音樂的珍貴資料。一九四六年，往定縣子位村吹歌會傳授民間吹管樂，一九五一年，應聘到天津中央音樂學院任教管子專業及民間打擊樂課程，一九五六年，升任副教授。 Yang Yuan-heng Yang was a folk wind instrumentalist. He was born in Hebei in 1893 and died in 1958. He became a Taoist at the age of 7 and learned various types of musical instruments from elder Taoists. He started his performance life since 11 . All the handwritten scores and materials of Yang had become the most precious materials for researching the Hebei folk music. In 1946, he began to teach his art and in 1951, he was invited to Tiantsin Conservatory to teach wind instruments and percussions music. In 1956, he was promoted to vice-professor.
李增光 (LI Zeng-guan)*
笛子演奏家李增光，一九六一年三月十九日出生於北京，少時隨何維青習笛，繼從師趙松庭、王鐵錘、劉森、曾永清及俞遜發等。北京社會音樂學院民族音樂系畢業，現為中國廣播藝術團民族樂團管樂聲部部長、笛子首席，國家一級演奏員，兼任中國戲曲學院客座教授。一九八九年四月，參加「山城杯」全國笛子電視大獎賽，獲三等獎，一九九五年，參加「富利通」國際中國民族音樂獨奏大賽，獲優秀表演獎，一九九七年，與同仁合作研製出「調音孔音階笛」，獲文化部頒科技進步三等獎。 LI Zeng-guan LI Zeng-guan was born on March 19, 1961 in Beijing. He learned the dizi from HE Wei-qing since he was young. Later on he further studied it under the famous musicians like ZHAO Song-ting, WANG Tie-chui, LIU Sen, ZENG Yong-qing and YU Xun-fa. He graduated from the music department of the Social Music Academy of Beijing and became the section head of wind instruments and the principal dizi of the Central Broadcasting Chinese Orchestra. He was appointed the national first class performer and was the guest professor of the Drama Institute of China. In April 1989, he participated in the dizi section of the Mountain Cup TV Competition and won a prize. In 1995, he participated in the International Chinese Instrumental Com
陳濤 (CHEN Tao)
管樂演奏家陳濤，一九六四年生於上海，一九八九年在全國民族器樂電視大獎賽中獲笛子二等獎第一名，一九九二年獲海內外江南絲竹比賽演奏一等獎。先後出訪了十多個國家和地區，曾任中央音樂學院民樂系講師，中國音樂家協會會員。 CHEN Tao CHEN Tao was born in 1964 in Shanghai. In the National Instruments TV Competition 1989, he received the second-class prize in dizi section. He also won the first-class prize in the International Competition in Jiangnan String and Wind Instrumental Music. He has performed in many countries and has been the lecturer in national music in the Central Conservatory. He is a member of the Chinese Musicians’ Association.
蔣國基 (JIANG Guo-ji)
笛子演奏家蔣國基，一九五○年七月五日出生於浙江省杭州市，是一位成長於西湖畔的音樂家，師從著名笛子大師趙松庭。一九七五年，參加浙江省歌舞團任演奏員，後升任隊長，國家一級演奏員。一九七六年，全國大賽中以一曲《水鄉船歌》嶄露頭角，自此連獲首獎，聲譽日隆。蔣氏的演奏，立足南派，博採眾長，相容並蓄，既取北派之長，又繼承和發展南派笛子精華，形成自己極富江南水鄉情調的藝術風格。蔣氏曾成功地創作和改編了大量笛曲，其代表作有《水鄉船歌》、《採桑曲》和《吐魯番的夏天》等。蔣氏一九九三年被香港演藝學院聘請為兼職教授及校外考官，此後每年兩次去該學院講學。一九九六年初，蔣氏與他人合作的巨笛試製成功，填補了民族吹管樂器低音的空白，同年五月被世界吉尼斯總部確認。還發表過理論文章《趙松庭笛曲賞析七篇》和《笛子演奏五講》等。蔣氏現為中國音樂家協會會員、中國民族管弦樂學會理事、浙江省民族學會副會長。 JIANG Guo-ji JIANG Guo-ji was born on July 5, 1950 in Hangzhou, Zhejiang. He learned the dizi under the famous musician ZHAO Song-ting. In 1975, he was appointed to the Song and Dance Troupe of Zhejiang Province as a performer. Later, he was appointed as a national first class performer and the team leader of the orchestra. In 1976, he made his debut in a national musical contest with the titular piece Floating Melodies of a Water Village, and thereafter, collecting a series of awards in musical competitions at various levels. He has composed many dizi pieces such as Floating Melodies of a Water Village,
俞遜發 (YU Xun-fa)
管樂演奏家俞遜發，一九四六年一月八日出生於上海，二○○六年一月二十一日病逝於上海，享年六十一歲。十三歲參加上海「紅孩子」業餘藝術團演出後，被陸春齡收為學生，一九六○年七月，考入上海民族樂團學館，一九六二年，參加「上海之春」音樂會選拔賽獲第一名。在學館結業後，長期在該團任職，並受益於馮子存、劉管樂、趙松庭等。期間曾借調至上海樂團、上海京劇團及中國藝術團任職。一九七一年，成功創製「口笛」，一九七三年五月一日，首次在上海體育館演出，一九七四年，獲作曲家白誠仁為其創作第一首「口笛」作品《苗嶺的早晨》，一度風靡海內外，遂亦得於推廣。多年來，並創用唇擊音、彈吐音、笛哨雙音等十七種演奏笛子的新技法。經其改、創、編之作品有笛子獨奏曲《瑯琊神韻》、《秋湖月夜》及口笛獨奏曲《雲雀》等等。 YU Xun-fa YU Xun-fa was born on January 8, 1946 in Shanghai and passed away of illness on January 21, 2006 in Shanghai. He was became the student of LU Chun-ling after he jointed the Arts Troupe of Red Children at the age of thirteen. In July 1960, he was admitted to the attached school of the Shanghai Traditional Orchestra. After graduated from the attached school, he became a member of the orchestra. He learned the dizi from FENG Zi-cun, LIU Guan-yue, ZHAO Song-ting, etc. He has temporary transferred to the Shanghai Philharmonic Orchestra, the Beijing Opera Troupe of Shanghai and the China Arts Performing Group. In 1971, he successfully researched an
梁秋 (Liang Qiu)
廣東管樂演奏家梁秋，一九○七年八月十五日出生於廣東省南海縣佛山市一個小商之家，一九八二年五月十九日病逝於廣州，享年七十五歲。梁氏少時即好音樂，在父兄的音樂薰陶下，耳濡目染，又於家鄉的「八音班」及戲台表演中仿習，自學而成，十四歲開始入大民國、鈞天樂、新春秋、孔雀屏等劇團，任「棚面上手」（伴奏樂隊之領奏員）。梁氏長於廣東喉管（短管），有「喉管秋」，之美稱，亦善嗩呐與簫，他那支喉管受人氣手氣滋潤了幾十年，雖然有些地方己被蟲蛀，但音色始終如一，並經得起嚴寒酷暑的考驗。三十年代初，曾為新月唱片公司錄製過一批粵樂與粵曲唱片。一九四六年，梁氏隨鳳凰劇團在小呂宋演出，首次將粵樂的傳統吹管樂器向海外介紹。一九五三年作為中國代表團成員之一，參加了在羅馬尼亞舉行的世界青年聯歡節的音樂比賽獲得四等獎。一九五九年，廣東民間音樂團在莫斯科演出，梁秋以喉管獨奏《下漁舟》，小小竹管發出渾厚洪亮的聲音，全場觀眾為之轟動。 LIANG Qiu Liang Qiu was born on August 15, 1907 in Foshan, Guangdng province and passed away of illness at the age of seventy-five on May 19, 1982 in Guangzhou. Since he was a child, he was fond of music. Influenced by his father, brothers and the native ensembles, he learned the traditional music by himself. At the age of fourteen, he had been the music leader of many famous operatic groups. He was good at playing the Guangdong houguan and was called “Houguan Qiu”. He had a very good instrument which performed by him for a long time. Although there