蘇文賢 (SU Wen-xian)
潮州音樂家蘇文賢，一九○七年十二月一日出生於潮州，一九七一年八月十一日與世長辭，享年六十四歲。一九二六年，蘇氏在泰國曼谷一金鋪工作，其少東謝少圃正從潮州琵琶師祖洪沛臣習奏琵琶，蘇氏不時偷學，為謝發現並傳其技。同時每年返故里，更得洪沛臣高足「琵琶王」王澤如賜教，盡得洪沛臣之真傳。又向新加坡籍著名箏家鄭祝三習箏，得「雞啄粟」特技之真傳。一九五六年，應邀到東北音專（即今沈陽音樂學院）任教，一九五八年，廣州音樂專科學校成立，蘇氏調任古箏與二弦主科教師，其首先運用雙手彈箏的手法改編潮樂《天上梯變奏曲》，打破潮州傳統樂曲均由頭板、拷打、三板構成的板式格局，按同宮系統，用「魚咬尾」的傳統創作手法，連接一首樂曲的首尾，這一新的板式連接法，使之成為潮樂常用之演奏格式。 SU Wen-xian SU Wen-xian was born on December 1, 1907 in Chaozhou, Guangdong province and passed away of illness on August 11, 1971. In 1926, when he was working in a gold smith shop in Bangkok, Thailand, he had a chance to watch the young master XIE Shao-pu in learning the pipa with the well known pipa master HONG Pei-chen of the Chaozhou school and tried to learn by himself. Xie discovered this and let him studied with him. When he took his annual vacation every year at homeland, he further studied the pipa under WANG Ze-ru and also the zheng under ZHENG Zhu-san. In 1956, he was appointed to te
吴振平
吳振平先生，字淡山，一九Ｏ七年出生於浙江省杭州市，一九七九年二月逝世於上海。吳先生為古琴家、音樂理論家，善金石、承西泠印泥家傳絕方。曾任上海文藝出版社音樂編輯；一九五六年上海音樂學院民樂系成立後，為第一任古琴教師；一九五七至一九六六年間，任上海“今虞琴社”社長之職。吳先生不僅是一位琴藝高超的琴家，更是一位具有深厚傳統文化和精湛琴學理論學養的學者。一九四九年後，成為中國第一位為電影（越劇《紅樓夢》）配古琴音樂的琴家。其琴風高古淡遠，為人謙和儒雅。先後發掘整理了琴曲《碣石調‧幽蘭》、《廣陵散》、《搔首問天》、《屈原問渡》、《流水》、《蘇門長嘯》等十餘首，又根據毛澤東詩詞而創作琴歌《沁園春‧雪》，曾發表《試談古琴曲的標題與形象》等論文。更不顧年邁體弱，在沒有錄音的條件下，不遺餘力地為姚丙炎記錄其打譜成果《琴曲鉤沉》。 WU Zhen-ping was born in 1907 in Hangzhou, Zhejiang Province and he passed away in February 1979 in Shanghai. He was a musician, a qin artist and preserved a secret formula to make red ink paste. He has been the music editor of the Shanghai Art Publishing Company. In 1956, He became the first man teaching the qin in the Shanghai Conservatory. From 1957 to 1966, he was appointed the chairman of the Jinyu Qin Musicians Association. In 1949, he has been the first person to play the qin in the films. His transcriptions on the qin included Orchid in Seclusion, in Jie Shi Diao, Guang Ling Verse, QU Yuan Sends Regards to the Sky, Getting
高自成 (GAO Zi-cheng)
山東箏家高自成，一九一八年十二月一日出生於山東省鄆城高莊一農家，二零一零年八月二十一日病逝於西安。鄆城為魯西南著名之古箏之鄉、嗩呐之鄉、曲藝之鄉。而高莊亦為鄆城一帶著名之「戲疙瘩」，鄉民甚好戲曲與音樂。高氏字銘勳，自幼喪母，亦好音樂，由彈箏高手的祖父高廣思及叔父高繼賢啟蒙，學奏箏、揚琴及唱琴書。六歲時，高氏入學堂念「洋書」，因家境不濟而輟學，但迷於箏藝。稍長，經同窗高克奇介紹，於每晚收工後，步行至相隔二十五里路的張坑村隨箏家張為昭習大板曲子，至深夜方歸，歷時三年。一九三一年，高氏又向由東北返故里之張為台、黃懷德，張念勝、黎連俊習箏與揚琴。一九三五年，又得王殿玉收為徒，並參加王氏之「東魯雅樂團」。一九五五年，入總政文工團，一九五七年，調西安音樂專科學校（後改西安音樂學院）任教，一九六二年，西安音樂學院聘河南箏家王省吾到校講課，高氏與王氏均發現河南箏與山東箏之曲調與風格甚為相近，有將兩者合為重奏之設想，歷經半年，編曲十首，定名為《魯豫大板套曲》，在西安曾有演出，一九八零年，再作整理完稿。一九八三年六月，「秦箏學會」在西安成立，高氏被選為該會會長。 GAO Zi-cheng GAO Zi-cheng was born 0n December 1,1918 in Yuncheng, Shandong province and passed away of illness on August 21,2010 in Xi’an. His first name was Ming-xun and he started to learn the zheng and yangqin from his grandfather GAO Guang-si and his uncle GAO Ji-xian since his childhood. Later, he was introduced by his classmate GAO Ke-qi to learn the zheng under ZHANG Wei-zhao who lived twenty five miles away from his home. In 1931, he further studied the zheng and yangqin under ZHANG Wei-tai, HUANG Huai-de,
繆琪女士
繆琪女士，出生於上海，八歲開始學習柳琴，並接受嚴格音樂教育。十一歲師從尹淑珠老師，學習琵琶。1977年考入中央音樂學院附中，師從王范地教授；1980年轉入中國音樂學院附中。1983年以優異成績，被保送進入中國音樂學院大學部，開始本科學習。在此期間，還師從林石城教授學習兩年。1987年，再以優異成績畢業於中國音樂學院民樂系，獲得學士學位。1987年，大學畢業後，繆琪進入全總文工團工作，擔任獨奏演員。1988年隨團出訪法國、德國等國家，擔任獨奏，獲得一致好評.次年。參加“山城杯”全國琵琶大獎賽，獲得二等獎。1990年移居瑞典。旅居海外的生活，使她對琵琶藝術有了更深的領悟。多年來，她孜孜以求撫琴不輟，經常被邀至瑞典國家級電台、電視台及博物館表演琵琶獨奏，亦被誠邀參加瑞典王室盛典演出。作為傑出華人琵琶演奏家，還多次被中國駐瑞典大使館邀請，出席外事慶典活動，傳播民族藝術精粹。繆琪的琵琶演奏亦文亦武（琵琶文曲和武曲），亦古亦今，細膩奔放。“繆琪的琵琶技巧深得真傳，又融會貫通”，這是一代琵琶大家王範地如是評價繆琪和她的琵琶藝術。
李禹賢 (LI Yu-xian)
李禹賢先生，號勁草，又號琴童，山東桓台人，一九三六年出生，二Ｏ一一年因病逝世於福建。十六歲時受張正吟之啟蒙，後從學操縵於夏一峰，一九五六年在上海音樂學院附中時，受業於劉景韶、張子謙，課餘時又向管平湖、吳景略等大師請益，博採各家之長，而形成自己的風格。其在琴學研究上的著述屢獲殊榮，被評為國家級非物質文化遺產古琴藝術代表性傳承人。他嘗在福建省藝術學校執教，又於一九八六年創辦“勁草琴堂”，培育琴界新秀。一九九九年創立厦門古琴學會，二ＯＯ一年又創建福建古琴研究會，並任會長。 LI Yu-xian was born in 1936 and passed away of illness in 2011 in Fujian. His name was Jin-cao and other name was Qin-tong. His ancestral home was in Huantai, Shandong Province. When he was sixteen, he learned the qin under ZHANG Zheng-yin and further studied under XIA Yi-feng. In 1956, he was admitted to the Shanghai Conservatory and Studied under LIU Jing-shao and ZHANG Zi-qian. He always visited and studied under GUAN Ping-hu and WU Jing-lue. He has proclaimed as one of the representative successors of qin music of the Intangible Heritage of Humanity by Cultural Department of China. In 1986, he founded the Jin-cao Qin School. In 1999, he established the Qin Society of Xiamen. In 2001, he founded the Fujian Qin Association and was appointed the chairm
曹正 (CAO Zheng)
古箏教育家曹正，一九二○年十二月三十一日出生於遼寧省新民縣，一九九八年四月十三日病逝於北京，曹氏原名郭緝光，後易名為曹正。一九三六年，得姑父之助到北平，參加民間社團「道德學社」，得晤該社河南箏家魏子猷及其學生婁樹華，並拜婁為師學箏，一九四五年，又得婁師引薦，拜梁在平門下習箏，一九四八年春，經程午加介紹在南京國立音樂院任教古箏一學期，其間，向夏一峰習古琴，同年，與范樂天、鄭培新、童宜風等人在徐州發起成立「薰風箏社」，一九五○年，曹氏調瀋陽魯迅藝術學院任教，並於一九五七年至一九八九年期間，分別往西安音樂學院及上海音樂學院各任教一年。在瀋陽任教期間，與朱郁之合作，將箏曲《漁舟唱晚》改編為高胡與箏二重奏，廣為流傳，並獲遼寧省音樂創作一等獎。一九六四年秋，中國音樂學院在北京成立，被調往該院任教。曹氏為北京古箏研究會第一任會長。 CAO Zheng CAO Zheng was born on December 31, 1920 in Xinmin, Liaoning province and passed away of illness on April 13, 1998 in Beijing. He was originally named GUO Ji-guang. In 1936, his uncle introduced him to join a local society in Beijing, where he had a chance to learn the zheng under WEI Zi-you of the Henan school and also his student LOU Shu-hua. In 1945, he was introduced by Lou to learn the zheng under LIANG Zai-ping. In 1948, he was recommended by CHENG Wu-jia to teach the zheng in the Nanjing National Conservatory for a term. During that time, he lear
程雨雨
程雨雨，中國音樂學院講師，中國民族管弦樂學會會員，中國琵琶專業委員會會員。2002年獲文化部全國民族樂器獨奏比賽琵琶專業組金獎，2005年獲文化部全國器樂大賽“文華獎”琵琶青年專業組金獎。2013年8月榮獲2013海內外江南絲竹邀請賽金獎。2008年8月8日參加北京第29屆奧運開幕式演出。多次參加中日韓亞洲音樂會，擔任琵琶協奏。近年來多次出訪澳大利亞、瑞士、義大利、奧地利、德國、盧森堡、埃及、韓國、新加坡、馬來西亞、越南以及中國港澳地區，並在大陸各地巡演。
侯作吾 (HOU Zuo-wu)
侯作吾先生，名卓，又名遇辰，祖籍四川省營山縣四喜場人，一九一Ｏ年出生於家鄉，一九六三年初，在四川音樂學院任教時，因患食道癌，往上海醫治無效逝世。侯先生自幼牲敏好學，尤愛琴藝繪畫，一九三三年畢業於上海藝專，後放洋日本求學，竟逆父意，棄政從藝。回國後，參加上海古琴界雅集，鼓彈自己創編的《高山流水》，名噪浦江。新中國成立後，侯先生先後任職中央音樂學院、上海音樂學院、四川音樂學院，教授古琴，又與楊蔭瀏先生整理出版《古琴曲匯編》，他是我國第一個將古琴減字譜譯成五譜出版的人。 HOU Zuo-wu was born in 1910 in his ancestral home Yingshan County, Sichuan Province and he passed away of illness in early 1963 in Shanghai. He was fond of arts, especially in playing the qin and painting. In 1933, he graduated from the Art Academy of Shanghai and went abroad for further study in Japan. After coming back from abroad, he visited the qin players in Shanghai and got fame in playing his arrangement of High Mountains and Flowing Water. After the formation of the new China, he taught the qin in Central Conservatory, Shanghai Conservatory. Sichuan Conservatory. He was the first man to translate the traditional qin scores to the staff and published the Music Scores of Guqin together with YANG Yin-liu.
孫欣 (SUN Xin)
青年古箏演奏家孫欣，出身音樂家庭，六歲習箏，歷經名師，邱大成、許菱子、王中山、李婉芬等現代箏宿教導，受到嚴格、系統、全面的訓練培養，加以其天資聰穎，與音樂有深緣，在她習箏的二十年中，名師提耳嚴訓，家長諄諄鼓勵，鮮花獎項相伴，故心無旁騖，專心致志。古人云「學固一也」。孫欣性格剛烈直爽，對工作兢兢業業，對朋友坦誠直言，天真活潑，冰清玉潔，其人其箏玉中之錚錚者。 SUN Xin SUN Xin was born in a musician’s family and started to play the zheng when she was only six years old. Her teachers, QIU Da-cheng, XU Ling-zi, WANG Zhong-shan and LI Wan-fen are all renowned zheng masters with different characteristics. Some are known for their remarkable craftsmanship, some for their inspiring performance, some for their originality and brilliance. The art of zheng play has also stained full maturity, after systematically incorporating different schools. Therefore, today’s young musicians have received strict, systematic and comprehensive training. She is very smart and has very good aptitude for music. For the twenty years after she picked up the instrument, competent teachers have given her strict training and her parents have made positi
黃翎欣
黃翎欣，琵琶演奏家。畢業於香港演藝學院中樂系，先後獲音樂學士(榮譽)學位及演奏音樂碩士(琵琶)學位，主修琵琶，師承陳敏莊和張瑩。曾多次榮獲「匯豐銀行慈善基金──香港內地學生交流獎學金」前往北京隨琵琶大師楊靖、張強及劉德海等學習，2005至2008年連續三年以優秀的成績，奪得「香港賽馬會獎學金」。黃氏曾在香港學校音樂節中屢獲殊榮，包括琵琶深造組冠軍及粵華琴行杯等，近年亦獲「2012 CCTV民族器樂電視大賽」傳統民間組合銀獎、「廣東省第二屆中國民族器樂大賽」合奏類節目金獎、「青樂杯」第二屆國際琵琶大賽專業青年獨奏組銀獎。曾先後擔任多個中樂團的琵琶首席、香港演藝學院兼職講師及澳門演藝學院琵琶專業導師，現為竹韻小集樂團聯合首席、凝音樂坊團長及玥琵琶室內樂團團長。先後於香港、澳門及台灣舉辦音樂會，以及為多間大學舉辦導賞音樂會，並於香港電台錄音，廣獲樂迷及音樂界人士的肯定。曾以獨奏者及團員身份多次出訪內地、台灣、新加坡、日本、德國、荷蘭、奧地利、比利時、法國及美國等地。首演作品包括王惠然的琵琶協奏曲《故土》及茅沅的琵琶與交響樂團作品《舞影》等；亦曾為「粵樂教科書」出版計劃及嶺南大學「中國音樂的風格」計劃灌錄CD。2018年舉行「瑩音．凝音．黃翎欣琵琶獨奏會」，廣獲好評。黃氏先後與香港話劇團、香港舞蹈團、桃花源粵劇舍作跨界演出，拓展琵琶與不同藝術結合的無限可能。