中國民族音樂資料館 Chinese Music Archive

陳鴻燕:

陳鴻燕,笛子演奏家,中國民族管弦樂學會會員、中國音樂家協會民族管樂研究會會員、香港音樂協會會員、香港中國音樂協會會員。一九七九年居港後應聘為香港中樂團笛子樂師,九四年起出任樂團笛子助理首席至退休。陳氏生於被稱為“音樂曲藝之鄉”的廣東台山,自幼深受音樂薰陶,少年時代得陳品豪老師的啟蒙,以擅操笛曲名聞閭裡,二十二歲畢業於廣州星海音樂學院笛子專業,師承陳添壽老師及羅德栽教授,並曾拜學中國笛子大師趙松庭門下,趙松庭先生特地為陳氏設計U形低音大笛(亦稱彎管大笛),鄭重囑託他“首先在香港地區推廣普及,進一步能為完善中國民族管弦樂團的低音聲部而共同努力”。陳氏專攻笛子演奏,在長年的藝術實踐中博採眾長,並有所創新,逐漸形成自己的風格;其演奏技巧全面,音色純淨優美,感情細膩,收放自如,兼具南北兩派的風格特點。來港二十多年,或隨團演出,或應邀參加各種音樂會,或舉行個人音樂會,或錄製音像作品,一直活躍於本港,中國和國外的音樂舞台上,得到聽眾和音樂界的好評,在國內外有頗高的知名度。陳氏最受好評之作,是由其移植的笛子協奏曲《梁山伯與祝英台》,該協奏曲交替使用十支中國竹笛與交響樂隊協奏,中西合璧,交織天然,如詩如畫,別具特色,自從推出以來,每次演出均獲得良好的反響,錄灌錄的CD也深受歡迎。另一燴炙人口之笛子協奏曲《鴻燕展翅》,乃廣東音樂吹管樂泰斗陳添壽先生親為其學生陳鴻燕而寫,優美的音樂語言寄託了大師對民族音樂事業發展的喜悅,對其弟子的殷切期盼和深情勉勵;原上海民族樂團團長兼指揮,著名作曲家顧冠仁先生親自為此曲配器。陳氏還積極投身於音樂教育及民族音樂的推廣工作,現任香港演藝學院、浸會大學音樂系、城市大學、香港音樂專科學校的笛子導師,及樂樂國樂團音樂顧問。一九九四年六月起接受上海音樂學院邀請,出任上海音樂學院香港地區的音樂定級考試委員會委員,二零零一年四月應香港中國器樂考級協會之聘,任評審委員,二零零二年十月更應中國民族管弦樂學會的聘請出任第一屇(中國竹笛學會)名譽理事,和二零零三年六月應中國民族音樂線上《華音》網站(http://www.huain.com)之聘,為《華音》網站藝術專家團竹笛專家,對弘揚祖國博大精深的民族音樂、培養香港的青少年笛子演奏家貢獻良多。

CHAN Hung-yin

            CHAN Hung-yin was born in 1948 in Taishan, Guangdong province. He started to learn the dizi under CHEN Pin-hao since his childhood. At the age of twenty-two, he graduated from the Guangzhou Conservatory under the tutelage of CHEN Tian-shou and LUO De-zai. In 1979, he migrated to Hong Kong and joined the Hong Kong Chinese Orchestra as a dizi performer. In 1994, he was promoted to assistant principal of the dizi section. He also received training from dizi master ZHAO Song-ting. He was further acquainted with dizi performers YU Xun-fa, JIANG Guo-ji and ZHOU Lin-sheng with whom he shared his artistic experiences. In 1986, he premiered the dizi concerto Zou Xi Kou with the Pan Asia Philharmonic Orchestra in Hong Kong. In 1988, he premiered ZHANG Xiao-feng’s dizi concerto Three Chapters of Poetic Tune. In 1989, he performed LU Chun-ling’s dizi works The present and the Past and The New Look of a Fishing Village in the concert “The Sixty-year Artistic Career of Dizi Virtuoso LU Chun-ling”, winning high acclaim from critics and the composer himself. At present he is the dizi instructor of the music department of the Baptist University and the Hong Kong Academy for Performing Arts, making contributions towards grooming young talented dizi players.

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