中國民族音樂資料館 Chinese Music Archive

胡栢端

胡栢端,胡琴演奏家、指揮家。出生於香港,中學時開始學習中國音樂。先後獲取香港科技大學工學士學位及香港演藝學院演奏碩士(板胡及高胡)學位。師隨魏冠華、余其偉、閔惠芬、沈誠、張尊連、劉湘、曹德維、周耀錕、程秀榮、黎小明等深造胡琴演奏藝術。指揮藝術啟蒙自夏飛雲,學習期間亦先後得到胡炳旭、瞿春泉、張列、何占豪、樸東生、王甫建、黃曉飛、劉沙、劉順、何文川、吳華、周成龍、顧冠仁等指導,習民樂指揮及音樂分析。在校期間亦隨駐院指揮家辜柏麟(Alan Cumberland)及香港管弦樂團副指揮蘇柏軒學習交響樂指揮;梁頌儀學習合唱指揮。2010年獲香港演藝學院中樂指揮演奏碩士課程取錄,師承閻惠昌,亦先後得到葉聰、張國勇、張列等指導。於「第二屆國際中樂指揮大賽」榮獲亞軍、「香港優秀青年指揮獎」及「最受觀眾喜愛指揮獎」三個獎項。曾獲邀客席指揮香港中樂團、新加坡華樂團、河南民族樂團、香港演藝學院中樂團、香港演藝學院交響樂團、天津音樂學院「凡音」室內樂團、竹韻小集等。現為香港中樂團助理指揮(教育推廣)、香港少年中樂團指揮、天津音樂學院民樂系特聘指揮教師、天津音樂學院民樂團常任指揮及研究生指揮教師、香港演藝學院音樂學院音樂學科兼任講師及指揮、香港演藝學院青少年音樂課程中樂團指揮及二胡導師,及香港青少年國樂團駐團指揮。

戴亞 (DAI Ya)

戴亞: 笛子演奏家,中央音樂學院副教授戴亞,一九六四年十一月生於浙江東陽。七歲開始吹笛,九歲起師從著名笛子演奏家、教育家趙松庭先生,一九七七年,考入浙江省藝術學校,一九八一年,在杭州《西湖之春》笛子比賽中獲第一名,一九八二年,分配至杭州歌舞團任獨奏演員,一九八六年,考入中央音樂學院,先後師從著名笛子演奏家曾永清及劉管樂先生,一九九○年,畢業留校任教。他是中國音樂家協會會員、中國民族管弦樂學會會員。曾與世界著名的瑞典哥德堡交響樂團、中央交響樂團、上海交響樂團、中國歌劇院交響樂團、中央音樂學院民族管弦樂團、香港中樂團、澳門中樂團、台北市立國樂團合作,舉辦了笛子獨奏、協奏音樂會,獲得了極高的聲譽。 DAI Ya DAI Ya was born in November 1964 in Dongyang, Zhejiang province. He started to learn the dizi at the age of seven and when he was nine years old, he further learned it under ZHAO Song-ting. In 1977, he was admitted to the Art School of Zhejiang Province. In 1981, he was awarded the first prize in the Spring of West Lake Dizi Competition in Hangzhou. In 1982, he was appointed to the Song and Dance Troupe of Hangzhou as a soloist. In 1986, he was admitted to the Central Conservatory learning the dizi under ZENG Yong-qing and LIU Guan-yue. In 1990, he graduated from the conservatory and appointed as a teacher in the conservatory. He is now a member of the Chinese Musicians’ Association,

胡兆軒

胡兆軒,胡琴演奏家。香港演藝音樂學院二胡、高胡學士及碩士。在學期間曾獲五個獎學金,為中樂界一股新力量。胡氏師從余其偉、程秀榮、宋飛、蕭白鏞及陸志成老師。現任香港中樂團特約樂師及樂團教育部導師、香港音樂事務處導師,匯聲(演藝)音樂中心行政經理及匯聲音樂工作室主任。2007年獲政府邀請,在香港會議展覽中心參與香港回歸10周年酒會演出,在前特首曾蔭權先生及各高官面前,奏響《戰馬奔騰》及《新賽馬》。2010年,受香港醫務組織聯會邀請,除同場高胡獨奏外,與世界著名小提琴家西崎崇子同台合奏《梁山伯與祝英台》協奏曲。本港不少報刊都以予好評,同場司儀廖安麗小姐更稱讚其演奏「每顆音符都有生命、都有感情」。2011年及2013年,分別舉辦了個人胡琴演奏會。2016年與青協中樂團合作,於大會堂再演《梁山伯與祝英台》協奏曲,全場爆滿。2016年,獲已故聲樂泰斗費明儀女士邀請,於香港文化中心,以獨奏者身份與國際著名女歌唱家吳碧霞女士、明儀合唱團同台合演。2020年,受香港電台邀請參與《我們在乎你》音樂會作獨奏嘉賓,節目在網上及電視轉播,同心抗疫。胡氏致力推廣中國音樂,演出及大學教學交流遍佈英國、中國、日本、芬蘭、韓國、新加坡等地。英國皇家音樂學院駐校小提琴教授Professor Juan Miguel亦是其二胡門生。

曾永清  (ZENG Yong-qing)

曾永清: 笛子演奏家曾永清,一九四四年三月二日出生於天津市,二零一九年十二月十八日逝世。曾氏於一九五五年入中央音樂學院附中,主修笛子專業,一九六一年入大學,一九六六年,畢業於中國音樂學院,一九七二年,入總政歌舞團,為該團一級獨奏演員,著名笛子演奏家,中國音樂家協會會員,中央音樂學院客席教授。曾師從劉管樂、劉恒之、胡炳智、馮子存、趙松庭等十三位著名演奏家,掌握多種風格流派,演奏性格粗獷豪邁,激情昂揚,為北派笛子代表性演奏家。曾配合著名笛子大師趙松庭,培養造就一批優秀青年演奏家詹永明、王次恒、王明君、張維良、戴亞等。曾參與一九八九年中國民族器樂「山城杯」電視大獎賽評委,一九九五年中國國際民樂大賽笛子組決賽評委。 ZENG Yong-qing ZENG Yong-qing was born on March 2, 1944 in Tianjin, Hebei province and passed away on December 18, 2019. In 1955, he was admitted to the affiliated secondary school of the Central Conservatory majoring in dizi performing. In 1961, he started his university studies and graduated from the China Conservatory in 1966. In 1972, he was appointed to the Song and Dance Troupe of the General Political Department and later be appointed as a national first class performer. He was a member of the Chinese Musicians’ Association and the visiting professor of the Central Conservatory. He has learned the dizi under LIU Guan-yue, LIU Heng-zhi, HU Bing-zhi, FENG Zi-cun, ZHAO Song-ting

曲祥 (QU Xiang)

曲祥: 笛子演奏家、作曲家、指揮家曲祥,一九四五年一月出生於山東省煙台市。曲氏幼時即隨兄曲台習笛,一九五九年,在煙台藝術學校畢業後,即在躍進歌舞團樂隊任職演奏,一九六○年,調入山東藝術劇院,集演奏、作曲、指揮於一身。一九八七年,被評為國家一級演奏員、一九八八年,授一級尖子演員稱號、山東省拔尖人材,榮獲文化部優秀專家稱號。曲氏曾二十八次獲得獨奏、作曲、指揮獎,創作的器樂曲《綠色的思念》(二胡曲)榮獲全國第八屆「文化新節目獎」,若干作品均已出版。一度受山東省政府「通令嘉獎」。一九八五年,錄製了《沂河歡歌》(曲祥笛子獨奏曲選)由唱片公司出版,其曲集《笛子練習曲選》,由出版社出版;曲氏亦善嗩呐,一九八九年,錄製並出版了嗩呐獨奏曲《歡慶秧歌》。 QU Xiang QU Xiang was born in January 1945 in Yantai, Shandong province. When he was young, he learned the dizi under his elder brother QU Tai. After he graduated from the Arts School of Yantai in 1959, he joined the Yao Jin Song and Dance Troupe as a member of the ensemble. In 1960, he was transferred to the Shandong Arts Theater as a performer, a composer and a conductor. In 1987, he was appointed to be a national first class performer. He has won twenty-eight awards on solo, composition and conducting. His erhu work the Green Mood has won the 8th cultural New Programme Award. Many of his works were honoured by the Government of Shandong Province. His book Excise Mat

江先渭 (JIANG Xian-wei)

江先渭: 笛子演奏家江先渭,一九二四年出生於山東威海一盛行京劇之村落,二零一四年逝世。江氏幼時隨兄長習京胡、竹笛、嗩呐等樂器。稍長,即往大連「福記班」從事「舊藝」生涯四年。一九四七年參軍,在山東軍區學兵訓練處文工團服役,一九五五年,調華東野戰軍文工團歌舞團,該團後易為南京軍區前線歌舞團,江氏在此任職多年,直至離休。一九六○年代初,江氏以昆曲曲調創作笛曲《姑蘇行》,數十年來,流行海內外。一九九四年,該曲原譜由在滬英國留學生約翰‧斯多克改編為長笛曲樂譜,一併收入,英國斯考特公司出版之《中國長笛音樂》樂譜,一九六二年,又與龍飛、朱南溪合作,創作笛曲《腳踏水車唱豐收》。 JIANG Xian-wei JIANG Xian-wei was born in 1924 in Weihai, Shandong province and passed away in 2014. When he was young, he started to learn the jinghu, dizi, suona, etc. from his elder brother. He used the old techniques to work in Dalian for four years. In 1947, he joined the Chinese People’s Liberation Army and was appointed to the song and dance troupe under the Shandong military region. In 1955, he was transferred to the Song and Dance Troupe of the East China Military Force until his retirement. In the early 1960s, he composed the Travel in Suzhou according to the Kunqu melody which was then well received and was popular everywhere. In 1994, this piece was transcribed to a flute piece by a overseas s

郭嘉瑩

郭嘉瑩,揚琴演奏家。郭氏生於廣州,曾先後入讀廣東粵劇學校及星海音樂學院附中,2005年以優異成績考取全額獎學金入讀香港演藝學院,先後師從胡若雄,王文禮,陳森林,張汝珠及余美麗。香港演藝學院首名揚琴專業碩士。在學期間曾任香港演藝學院中樂團揚琴首席; 2006年至2010年間參與《粵樂薪傳》出版計劃; 2010及2012年於學院先後舉辦兩次個人揚琴演奏會及舉辦揚琴講座,發表論文《廣東揚琴音樂之回顧與風格體現》,大獲好評;同年參與CCTV全國民族器樂電視大賽“傳統器樂組合”榮獲銀獎佳績。2013年創辦香港揚琴學會並獲邀赴台灣出席 “第12屆世界揚琴大會”,舉辦廣東揚琴流派專題演奏會及講座,又多次應香港,台灣等大學及機構之邀請舉辦『蝴蝶琴的前世今生』,『廣東音樂風格詮釋與實踐』『香港學校音樂節邀請賽前講座』等一系列揚琴音樂推廣講座。2014年由康樂及文化事務署舉辦『揮竹狂想』揚琴個人演奏會,2015年由東方民族樂團主辦『揚琴遊蹤』及入選香港中樂團『躍動的音符』計劃舉辦『粵揚香江』兩場個人揚琴演奏會。首演作品包括『尋蹤』『楓香古道』『越秀隨影』等,演奏足跡遍及法國,德國,荷蘭,英國,比利時,盧森堡,匈牙利,中國內地,香港,澳門,台灣等國家和地區。郭氏現為香港演藝學院揚琴導師,音樂事務處兼職導師,竹韻小集常任樂師,香港中樂團特約樂師,世界揚琴協會會員,香港揚琴學會創辦人兼會長。

尹維鶴 (YIN Wei-he)

尹維鶴: 笛子演奏家尹維鶴,一九四○年出生於武漢市,二零一九年七月十六日病逝於加拿大。中學時以竹笛演奏參加合奏,而獲得全國民族器樂合奏一等獎。一九五七年,到湖北省廣播樂團參加專業演奏工作。他師承孔建華,又求教於陸春齡等人。一九六二年,調到湖北省歌舞團,同年考入湖北省藝術學院進修,曾任湖北省歌舞團獨奏演員。他的演奏清秀,音色清脆,比較注重於音樂的表現,多善長於演奏明快、輕鬆的作品,他在一九六零年代創作並演奏了《春山採茶》、《清河頌》二首樂曲,而獲得同行的好評。代表作品還有《揚子江音畫》、《飛翔吧,美麗的百靈》等。尹維鶴為中國音樂家協會湖北分會會員。 YIN Wei-he  YIN Wei-he was born in 1940 in Wuhan, Hubei province and passed away of illness on July 16, 2019 in Canada. When he was in secondary school, he joined an ensemble as a dizi player and got a national ensemble first honour award. In 1957, he was appointed to the Broadcasting Orchestra of Hubei Province which started his professional performance job. He learned the dizi under KONG Jian-hua and further studied it under LU Chun-ling. In 1962, he was transferred to the Song and Dance Troupe of Hubei Province and was the soloist of dizi. At the same year, he was admitted to the Institute of Fine Arts of Hubei Province. In 1960s, he composed and performed the Picking Tea on the Hill in Spring and Od

司徒健

司徒健,二胡演奏家。出生於香港,小學二年級於音樂事務統籌處(現稱音樂事務處)隨錢永利學習二胡,亦曾分別受教於曾志偉,李佩君及王志聰。在香港演藝學院就讀期間,師從胡琴大師余其偉及黃安源,雙主修二胡高胡,更曾隨何文川學習指揮,擴闊其在音樂上的領域。多次與香港演藝學院中樂團合作演出協奏曲目,包括高胡協奏曲《梁山伯與祝英台》、《粵魂》、三重奏《江南風韻》。更獲邀與音樂事務處九龍青年中樂團合作演出板胡協奏曲《花梆子》,大獲好評。以樂團首席身份隨香港青年中樂團前往台灣演出,擔任擂琴、板胡及高胡領奏。在學期間,曾獲「匯豐銀行慈善基金 ─ 香港內地學生交流獎學金」赴北京中央音樂學院隨板胡大師沈誠學習;葛量洪獎學金;Yamaha獎學金;2009至2011年間更連續三年獲頒「香港賽馬會獎學金」以表揚其卓越表現。香港學校音樂節中獲得雨果中樂獨奏獎優勝及二胡深造組冠軍等獎項。2011年,香港演藝學院學士(音樂)學位畢業後,隨即通過香港中樂團之全球聯招考試,獲取錄加入胡琴聲部,成為全團最年輕樂師。2017年,獲特區政府主辦的香港卓越獎學金計劃,辭去香港中樂團全職合奏樂師一職,入讀美國伊薩卡學院,修讀指揮學音樂碩士學位。

王鐵錘 (WANG Tie-chui)

王鐵錘: 笛子演奏家王鐵錘,一九三二年六月十一日出生於河北省定縣子位村,定縣為吹歌音樂之鄉,王氏七歲即向其父與吹歌會藝人習奏管及笛,後向民間管樂演奏家楊元亨習藝。一九四七年,王氏入華北聯合大學文藝學院音樂系就讀,後在該校文工團任職。一九四九年,王氏在北京第一屆全國文代會上演奏河北吹歌《放驢》後,即隨中國青年文工團赴匈牙利演出,其後參加了第二屆至第五屆的世界青年聯歡節,在第五屆的民間管樂四重奏與笛子獨奏,分別獲二等及三等獎。一九六○年,加入中央民族樂團,後被評為國家一級獨奏演員,王氏創作有笛子曲《慶豐收》、《草原牧歌》、《趕路》、《油田的早晨》及《黃河邊的故事》等。 WANG Tie-chui WANG Tie-chui was born on June 11, 1932 in Ding county, Hebei province whose native-land was famous of wind art. When he was seven years old, he started to learn the dizi and guanzi under his father and the native artists. Later on, he further studied them under the renowned musician YANG Yuan-heng. In 1947, he was admitted to the music department of the literary faculty of North China United University and then joined their performing group. In 1949, he was selected to participate in the performance of the 1st National Cultural Representatives Conference and then went along with the representatives to perform in Hungary. Later on, he was selected to participate in the 2nd to 5th World Yout

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