{"id":2446,"date":"2022-01-04T16:09:32","date_gmt":"2022-01-04T08:09:32","guid":{"rendered":"https:\/\/chinesemusicarchive.com\/?page_id=2446"},"modified":"2023-07-14T13:27:25","modified_gmt":"2023-07-14T05:27:25","slug":"guqin-pn","status":"publish","type":"page","link":"https:\/\/chinesemusicarchive.com\/zh_cn\/info-db\/p-notes\/guqin-pn\/","title":{"rendered":"\u6a02\u66f2\u4ecb\u7d39\u53e4\u7434"},"content":{"rendered":"
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\u53e4\u7434\u6a02\u66f2\u4ecb\u7d39 - Guqin Programme Notes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u6eaf<\/a> \u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0 Trace Back<\/p>

\u5e7d<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Silence<\/p>

\u84ee<\/a>\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Lotus<\/p>

\u4f69\u862d<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Fragrant Orchid (Peri Lan)<\/p>

\u5076\u6210<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 By Chance (Oucheng)<\/p>

\u51ef\u6b4c<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A Song of Triumph (Kaige)<\/p>

\u6536<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Ancient Sorrow (Gu Yuan)<\/p>

\u56de\u5fc6<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Thinking Back with Beautiful Memories (Hui Yi)<\/p>

\u5927\u96c5<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Dynastic Song (Da Ya)<\/p>

\u5e7d\u5c45<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Secluded Residence (Youju)<\/p>

\u5e7d\u5170<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Orchid in Seclusion<\/p>

\u5fd8\u5fe7<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Forgetting the Sorrow (Wangyou)<\/p>

\u6000\u53e4<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Thinking of Old Times (Huai Gu)<\/p>

\u62db\u9690\u00a0<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Recruitment of the Hermitic Friends (Zhao Yin)<\/p>

\u660e\u541b<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 An Intelligent Monarch (Mingjun)<\/p>

\u6625\u98ce<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Spring Breeze (Chun Feng)<\/p>

\u6a35\u6b4c\u00a0<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Song of Woodcutter (Qiao Ge)<\/p>

\u6b38\u4e43<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sound of Rowing a Boat (Ao Ai)<\/p>

\u6d41\u6c34<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Flowing Water (Liushui)<\/p>

\u6e14\u6b4c<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Song of the Fisherman (Yu Ger)<\/p>

\u7384\u9ed8<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Beyond the Region of Objective Existence (Xuanmo)<\/p>

\u767d\u96ea<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 White Snow (Bai Xue)<\/p>

\u79cb\u6c34<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Autumn Water (Qiu Shui)<\/p>

\u79cb\u796d<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Autumn Sacrifice (Qiuji)<\/p>

\u79cb\u9d3b\u00a0<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Wild Geese in Autumn (Qiuhong)<\/p>

\u807d\u96ea<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Listening to the Floating Snow (Ting Xue)<\/p>

\u843d\u6885<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Falling Plum Blossoms (Luomei)<\/p>

\u9152\u72c2<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Man Crazy for Wine (Jiu Kuang)<\/p>

\u957f\u6e05<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Long Clarity (Chang Qing)<\/p>

\u5173\u7762<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Ospreys (Guanju)<\/p>

\u9633\u6625<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sunny Spring (Yangchun)<\/p>

\u9690\u5fb7<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Hermitic Moral (Yinde)<\/p>

\u79bb\u9a9a<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Departing Sorrow (Lisao)<\/p>

\u9890\u771f<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Fostering the Moral Essence (Yizhen)<\/p>

\u9ad8\u5c71<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 High Mountains (Gaoshan)<\/p>

\u9e7f\u9e23<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Being Beck (Lu Ming)<\/p>

\u695a\u6b4c<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Song of Chu (Chuge)<\/p>

\u592a\u967d<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Sun<\/p>

\u5c71\u8c37<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Valley<\/p>

\u5fae\u7b11<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0A Smile<\/p>

\u79aa\u601d<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Zen Meditation<\/p>

\u5546\u610f<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Composition in Shang Mode<\/p>

\u89d2\u610f<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Composition in Jiao Mode<\/p>

\u74b0\u4f69<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Jade<\/p>

\u79cb\u98a8<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Autumn Wind<\/p>

\u7317\u862d<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Yi Lan<\/p>

\u96f2\u95d5<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Cloud in Qin<\/p>

\u5c71\u97ff<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sound of the Mountain<\/p>

\u5fc3\u7c5f<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sound from the Heart<\/p>

\u5f85\u6b78<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Awaiting my Lover<\/p>

\u79fb\u98a8<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Change the Tradition<\/p>

\u79cb\u601d<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Miss you in Autumn<\/p>

\u53e4\u821e<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Ancient Dance<\/p>

\u4e09\u6708<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0March (Ensemble Improvisation by Qin\u3001Flute etc.)<\/p>

\u96e2\u9a37\u4ea4\u97ff\u8a69<\/a>\u00a0 \u00a0 \u00a0 \u00a0Lisao<\/p>

\u592a\u6975<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Taichi<\/p>

\u821e\u2022\u6ba4<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0A Pitiful Parting<\/p>

\u66ae\u2022\u66e6<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dawn and Twilight<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u6e58\u6c5f\u6028<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Xiang Jiang Yuan (Lament of the Xiang Ladies)<\/p>

\u4ed9\u7fc1\u64cd<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Immortal’s Song (Xianweng Cao)<\/p>

\u4f10\u6a80\u64cd<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Song of Lumbering (Fatan Cao)<\/p>

\u4fee\u798a\u541f<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Gathering at Spring Festival (Xiuxi Yin)<\/p>

\u51cc\u865b\u541f\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Singing in the Space (Lingxu Yin)<\/p>

\u52dd\u5229\u64cd<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Triumph Celebration (Shengli Cao)<\/p>

\u5357\u85b0\u6b4c<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Song of the Gentle Warm Breeze (Nanxun Ge)<\/p>

\u5357\u98ce\u6b4c<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Song of South Wind (Nanfeng Ge)<\/p>

\u535c\u7b97\u5b50<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Abacus’s Beads for Prediction (Busuan Zi)<\/p>

\u53e4\u7434\u541f\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Sorrow Song of Guqin (Guqin Yin)<\/p>

\u53e4\u98ce\u64cd<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 An Ancient Tune (Gufeng Cao)<\/p>

\u56db\u5927\u666f<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Four Major Sites (Sida Jing)<\/p>

\u585e\u4e0a\u9d3b<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Being Homesick in the Frontier (Saishang Hong)<\/p>

\u5927\u80e1\u7b33<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Grand Hujia (Da Hujia)<\/p>

\u5b64\u7af9\u541b<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Lonely Bamboo (Guzhu Jun)<\/p>

\u5c0f\u80e1\u7b33\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Little Tune of the Barbarian Pipe (Xiao Hujia)<\/p>

\u5c71\u5c45\u541f\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Song of Life in Mountain \uff08\uff33hanju Yin\uff09<\/p>

\u5c71\u6c34\u60c5<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Lofty Sentiments of Deep Friendship (Shanshui Qing)<\/p>

\u5e7f\u5bd2\u79cb<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Cool and RefreshingBreeze in Autumn (Guanghasnqiu)<\/p>

\u5e7f\u9675\u6563<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Guang Ling Verse (Guangling San)<\/p>

\u5f7c\u5cb8\u5f15<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 An Opening Tune for the Salvation of the Other Shore (Bian Yin)<\/p>

\u601d\u8ce2\u64cd<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Remembering the Worthy (Sixian Cao)<\/p>

\u6168\u53e4\u541f\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Art of Ancient Age (Kaigu Yin)<\/p>

\u5fc6\u6545\u4eba<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Memories of an Old Friend (Yi Guren)<\/p>

\u6417\u8863\u66f2<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Cleaning Clothes at the Riverside (Daoyi)<\/p>

\u6587\u738b\u64cd\u00a0\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 Chant of Emperor Wen (Wenwang Cao)<\/p>

\u65b0\u7586\u597d<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Xinjiang is a Wonderful Place (Xinjiang Hao)<\/p>

\u6625\u5149\u597d\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0A Warm Springtime (Chun Guang Hao)<\/p>

\u6625\u66c9\u541f<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Morning in Spring (Chunxiao Yin)<\/p>

\u666e\u5eb5\u5492<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Pu-an’s Incantation (Puan Zhou)<\/p>

\u6885\u5712\u541f\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Praising of the Plum Image (Meiyuan Yin)<\/p>

\u6a13\u862d\u6563\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Tune of Loulan (Loulan San)<\/p>

\u6c34\u4ed9\u64cd<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Water Immortal (Shuixian Cao)<\/p>

\u6cdb\u6ca7\u6d6a\u00a0\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 Drifting Waves (Fan Cang Lang)<\/p>

\u6e58\u5983\u6028\u00a0\u00a0\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0Lament of Ladies Xiang (Xiangfei Yuan)<\/p>

\u6f22\u5bae\u79cb\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Autumn Moon over the Han Palace (Hangong Qiu)<\/p>

\u6f22\u7bc0\u64cd<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Faithful Song of Su Wu (Hanjie Cao)<\/p>

\u6cfd\u7554\u541f<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Chant at the Poolside (Zepan Yin)<\/p>

\u4e4c\u591c\u557c<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Midnight Crow (Wu Yeti)<\/p>

\u83b7\u9e9f\u64cd\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Getti9ng a Kylin (Huo Lin Cao)<\/p>

\u78a7\u96f2\u6df1\u00a0 <\/a>\u00a0 \u00a0 \u00a0Murmuring in the Boudoir (Biyun Shen)<\/p>

\u795e\u4eba\u7545\u00a0\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 The Song of King Yao (Shenren Chang)<\/p>

\u79cb\u585e\u541f\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Song of the Autumn Frontier (Qiusai Yin)<\/p>

\u79cb\u98a8\u8a5e\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Song of Autumn Wind (Qiufeng Ci)<\/p>

\u7af9\u679d\u8a5e\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Song of Bamboo Twigs (Zhuzhi Ci)<\/p>

\u7cbe\u5fe0\u8a5e\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Song of Steadfast Loyalty (Jingzong Ci)<\/p>

\u807d\u6cc9\u541f\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Listening to the Murmuring Stream (Tingquan Yin)<\/p>

\u826f\u5bb5\u5f15<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Tune for a Peaceful Night (Liang Xiao Yin)<\/p>

\u534e\u80e5\u5f15\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Song of Hua Xu (Huaxu Yin)<\/p>

\u9041\u4e16\u64cd<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Song of a Recluse (Dunshi Cao)<\/p>

\u9041\u4e16\u64cd\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Song of a Recluse (Dunshi Cao)<\/p>

\u9497\u5934\u51e4<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Phoenix Hairpin<\/p>

\u9577\u76f8\u601d\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Endless Longing (Chang Xiangsi)<\/p>

\u957f\u95e8\u6028\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Lament at the Chang Men Palace (Changmen Yuan)<\/p>

\u5173\u5c71\u6708<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Moon over the Mountain Pass (Guanshang Yue)<\/p>

\u96c9\u671d\u98de<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Pheasants Flying in the Morning (Zhi Zhaofei)<\/p>

\u96e2\u9a37\u5f04\u00a0\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 An Impromptu on Lisao, Encountering Sorrow (Lisao Nong)<\/p>

\u9759\u89c2\u541f<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Observing Calmly (Jingguan Yin)<\/p>

\u98a8\u5165\u677e<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Swaying Pine in the Wind (Feng Ru Song)<\/p>

\u98a8\u96f7\u5f15<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Tune of Wind and Thunder (Feng Lei Yin)<\/p>

\u98de\u9e23\u541f<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Chant of the Wild Geese (Feiming Yin)<\/p>

\u9cf3\u6c42\u51f0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Love Story of the Qin (Feng Qiu Huang)<\/p>

\u9ec4\u83ba\u541f<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Chant of Oriole (Huangying Yin)<\/p>

\u9f99\u7fd4\u64cd<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Soaring Dragon (Longxiang Cao)<\/p>

\u975c\u591c\u601d<\/a> \u00a0 \u00a0 \u00a0 \u00a0 Contemplation in the Quiet Night<\/p>

\u7435\u7436\u8a9e<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0The Sound of Pipa<\/p>

\u81e5\u9f8d\u541f<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0Life of Kong Ming<\/p>

\u846c\u82b1\u541f<\/a><\/p>

\u9577\u76f8\u601d<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0Endless Longing (Chang Xiangsi)<\/p>

\u5e7f\u9675\u6563<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0Guangling Melody(24Parts Concise Version) (Guangling San)<\/p>

\u7a7a\u57ce\u5f15<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0The Empty City<\/p>

\u6625\u4e4b\u821e<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 Spring Dance<\/p>

\u4e2d\u570b\u5922<\/a>\u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0China Dream<\/p>

\u6168\u53e4\u5f15<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 Lamenting the Past<\/p>

\u633e\u4ed9\u904a<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0Soaring in the Company of Immortals<\/p>

\u53e4\u71d5\u884c<\/a>\u00a0\u00a0 \u00a0\u00a0 \u00a0 \u00a0A Travel to the Ancient Land of Yan State<\/p>

\u6885\u82b1\u5f15<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0Three Variations of Plum Blossom<\/p>

\u4e9e\u8056\u64cd<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 Ya Sheng Cao<\/p>

\u662d\u541b\u5f15<\/a>\u00a0\u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0Chant of Zhao Jun<\/p>

\u592a\u53e4\u5f15<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0Tai Ku Yin<\/p>

\u6797\u9418\u610f<\/a>\u00a0\u00a0 \u00a0\u00a0 \u00a0 \u00a0Walking in the woods<\/p>

\u6168\u53e4\u541f<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0Art of Ancient Age (Kaigu Yin)<\/p>

\u5eb7\u8862\u8b20<\/a>\u00a0\u00a0 \u00a0\u00a0 \u00a0 \u00a0Kang Qu Yao<\/p>

\u8336 \u4e00\u5473<\/a><\/p>

\u5fc3 \u7121\u5875<\/a>\u00a0\u00a0 \u00a0 \u00a0 \u00a0My Heart is Clear<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
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\u9e25\u9e6d\u5fd8\u673a<\/a>\u00a0 \u00a0 \u00a0 \u00a0The Vulgar Ideas<\/p>

\u6f47\u6e58\u6c34\u4e91<\/a>\u00a0 \u00a0 \u00a0 \u00a0The Mist and Clouds over Xiao-Xiang Rivers<\/p>

\u6e14\u6a35\u95ee\u7b54\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0A Dialogue between a Fisherman and a Woodcutter\u3000<\/p>

\u58a8\u5b50\u60b2\u4e1d<\/a>\u00a0 \u00a0 \u00a0 \u00a0\u00a0Mozi Grieving for Silk<\/p>

\u79cb\u6c5f\u591c\u6cca<\/a>\u00a0 \u00a0 \u00a0 \u00a0\u00a0Night Mooring at the Autumn River<\/p>

\u9189\u6e14\u5531\u665a<\/a>\u00a0 \u00a0 \u00a0 \u00a0\u00a0Evening Song of the Drunken Fisherman<\/p>

\u6885\u82b1\u4e09\u5f04<\/a>\u00a0 \u00a0 \u00a0 \u00a0\u00a0Three Variations of Plum Blossom<\/p>

\u5e73\u6c99\u843d\u96c1<\/a>\u00a0 \u00a0 \u00a0 \u00a0\u00a0Wild Geese over the Calm Sands<\/p>

\u4e09\u5cfd\u8239\u6b4c<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Boatmen’s Song of the Three Georges (Sanxia Chuange)<\/p>

\u4e5d\u6eaa\u6f2b\u6b65<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wandering along Nine Creeks (Jiuxi Manbu)<\/p>

\u5217\u5b50\u5fa1\u98a8<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Leizi Ridingon the Wind (Leizi Yufeng)<\/p>

\u58a8\u5b50\u60b2\u4e1d<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozi Grieving for Silk (Mozi Beisi)<\/p>

\u5929\u98a8\u74b0\u73ee<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jade Pendants in a Heavenly Breeze (Tianfeng Huanpei)<\/p>

\u5b64\u9928\u9047\u795e<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Voice Grievances Through Qin Music (GuGuan Yushen)<\/p>

\u5ba2\u7a97\u591c\u8a71<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 EarnestWish in the Guest Room (Kechuang Yerhua)<\/p>

\u5c48\u539f\u554f\u6e21<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Getting Advice of Future (Qu Yuan Wendu)<\/p>

\u5cb3\u967d\u4e09\u9189<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Soaring at the Lake Dongting(Yueyang Sanzui)<\/p>

\u5e73\u6c99\u843d\u96c1<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wild Geese over the Calm Sands (Pingsha Luoyan)<\/p>

\u6414\u9996\u554f\u5929<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 QU Yuan Sends Regards to the Sky (Saoshou Wentian)<\/p>

\u6708\u4e0a\u68a7\u6850<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Moon over the Phoenix Tree (Yueshang Wutong)<\/p>

\u674f\u82b1\u5929\u5f71<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Impression of Apricot Blossoms (Xinghua Tianying)<\/p>

\u6b78\u53bb\u4f86\u8fad<\/a>\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0Returning Home after Resignation (Guiqulai Ci)<\/p>

\u6cd5\u5834\u63db\u5b50<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Changing of the Beheaded Son (Fachang Huanzi)<\/p>

\u6d1e\u5ead\u79cb\u601d<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Autumn Sentiments on Lake Dongting (Dongting Qiusi)<\/p>

\u6ec4\u6d77\u9f8d\u541f<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Crying of the Dragon in Deep Blue Sea (Canghai Longyin)<\/p>

\u6e14\u6a35\u95ee\u7b54<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A Dialogue between a Fisherman and a Woodcutter (Yuqiao Wenda)<\/p>

\u6f47\u6e58\u6c34\u4e91<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Mist and Clouds over Xiao-Xiang Rivers (Xiao-Xiang Shuiyun)<\/p>

\u733f\u557c\u79cb\u5cfd<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0Crying of the Ape atthye Autumn Valley (Yuanti Qiyxia)<\/p>

\u7389\u6a13\u6625\u66c9<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Spring Dawn over the Jade Palace (Yulou Chunxiao)<\/p>

\u7389\u6a39\u81e8\u98a8<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wind Coming from the Evergreen Tree (Yushu Linfeng)<\/p>

\u77f3\u4e0a\u6d41\u6cc9<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A Stony Stream (Shishang Liuquan)<\/p>

\u78a7\u6f97\u6d41\u6cc9<\/a>\u00a0 \u00a0 The Green Brook Running (Bijian Liuquan)<\/p>

\u79b9\u6703\u5857\u5c71<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 King Yu AssemblesHis Lords at Mount Tu (Yuhui Tushan)<\/p>

\u79cb\u591c\u8b80\u6613<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Studying the Book of Changes at Autumn Night (Qiuye Duyi)<\/p>

\u79cb\u5bb5\u6b65\u6708<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wandering under an Autumn Moonlit Night (Qiuxiao Buyue)<\/p>

\u79cb\u6c5f\u591c\u6cca<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Night Mooring at the Autumn River<\/p>

\u8015\u8398\u91e3\u6e2d<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cultivating at Shangdong and Fishing at Shensi (Gengshen iaowei)<\/p>

\u8607\u9580\u9577\u562f<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Whistling Sound at Sumen (Sumen Changxiao)<\/p>

\u897f\u6ce0\u8a71\u96e8<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Listening to Raindrops at Xi Ling (Xiling Huayu)<\/p>

\u9189\u6e14\u5531\u665a<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Evening Song of the Drunhen Fisherman (Zuiyu Changwan)<\/p>

\u9577\u6885\u7247\u6708<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 “Plum and Moon” Inkstone (Chang Mei Pian Yue)<\/p>

\u9633\u5173\u4e09\u53e0<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Song of Yangguan (Yangguan Sandie)<\/p>

\u96d9\u4e59\u53cd\u8abf<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Composition in Yifan Mode (Shuang Yifan Diao)<\/p>

\u96d9\u9db4\u807d\u6cc9<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Two Cranes are Listening to the Murmuring Stream (Shuanghe Tingquan)<\/p>

\u97cb\u7de8\u4e09\u7d55<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hard Study of Confucius (Weibian Sanjue)<\/p>

\u98a8\u96f2\u969b\u6703<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Unstable Assemble (Fengyun Jihui)<\/p>

\u9ad8\u5c71\u6d41\u6c34<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 High Mountains and Flowing Water (Gao Shan Liu Shui)<\/p>

\u9cf3\u7fd4\u5343\u4ede<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Flying Phoenix (Fengxiang Qianren)<\/p>

\u9db4\u821e\u6d1e\u5929<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Soaring Crane (Hewu Dongtian)<\/p>

\u9db4\u9cf4\u4e5d\u7690 <\/a>\u00a0 \u00a0 \u00a0 The Crane’s Cry (Heming Jiugao)<\/p>

\u9e25\u9e6d\u5fd8\u673a<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Forgetting the Vulgar Ideas (Oulu Waqngji)<\/p>

\u9ec3\u96f2\u79cb\u585e<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Autumn Frontiers (Huangyun Qiusai)<\/p>

\u5b8b\u7389\u60b2\u79cb<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sorrow of Emperor Chu<\/p>

\u5c71\u5c45\u79cb\u669d<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Life in the Mountain in Autumn<\/p>

\u591c\u96e8\u5357\u7a97<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 South Window in the Rainy Night<\/p>

\u9189\u6e14\u5531\u665a<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Evening Song of a Fisherman<\/p>

\u838a\u5468\u5922\u8776<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Zhuang Zhou Dreaming of the Butterfly<\/p>

\u8e8d\u9032\u6b4c\u8072<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sound of Improvement<\/p>

\u5373\u8208\u6f14\u594f<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Ensemble Improvisation (Qin\u3001Flute\u3001Mandolin\u3001Drum)<\/p>

\u91ce\u82b1\u4e4b\u821e<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dance of the Wild Flower (Ensemble Improvisation by Qin\u3001Flute etc.)<\/p>

\u7434\u8a60\u6625\u79cb<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 History narrated by Qin<\/p>

\u5e73\u6c99\u843d\u96c1\uff08\u5531\u5f26\uff09<\/a> Wild Geese over the Calm Sands<\/p>

\u897f\u6e56\u5922\u5c0b<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dream in west Lake<\/p>

\u5343\u5e74\u98a8\u96c5<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Everlasting Elegance<\/p>

\u6a90\u4e0b\u96e8\u610f<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sending my thinking and wish<\/p>

\u6708\u6eff\u897f\u6a13<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Moon high up the House<\/p>

\u96f2\u6c34\u79aa\u5fc3<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Buddism Feel<\/p>

\u6843\u6e90\u6625\u66c9<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 China Dream<\/p>

\u5c11\u5973\u8207\u6d77<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Girl and Sea<\/p>

\u592a\u6e56\u98a8\u8eca<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Windmill in Lake Taihu<\/p>

\u4ed9\u4f69\u8fce\u98a8<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A Fairy Tale<\/p>

\u5373\u8208\uff08\u50b3\u7d71\uff09<\/a>\u00a0 Improvisation (Traditional)<\/p>

\u5373\u8208\uff08\u73fe\u4ee3\uff09<\/a>\u00a0 Improvisation (Modern)<\/p>

\u975c \u8056\u9999\u5f15<\/a>\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Quietness<\/p>

\u79aa \u89c0\u81ea\u5728<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0Zen<\/p>

\u884c \u9032\u7d42\u5357<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0Go Ahead<\/p>

\u5c71\u4e2d\u601d\u53cb\u4eba<\/a>\u00a0\u00a0 \u00a0\u00a0Thinking of an Old Friend (Shanzhong Si Youren)<\/p>

\u6625\u5c71\u807d\u675c\u9d51<\/a>\u00a0\u00a0 \u00a0\u00a0Cuckoo-call in the Spring Mountain (Chunshan Ting Dujuan)<\/p>

\u6625\u6c5f\u82b1\u6708\u591c<\/a>\u00a0\u00a0 \u00a0\u00a0Moonlight over the River in Spring (Chunjiang Huayueye)<\/p>

\u68a7\u8449\u821e\u79cb\u98a8<\/a>\u00a0\u00a0\u00a0 \u00a0Parasol Leaves Dancing with the Autumn Wind (Wuyie Wuqiufeng)<\/p>

\u79cb\u6708\u7167\u8305\u4ead<\/a>\u00a0\u00a0 \u00a0\u00a0The Autumn Moon a Thatched Pavilion (Qiuyue Zhao Maoting)<\/p>

\u80e1\u7b33\u5341\u516b\u62cd<\/a>\u00a0 \u00a0\u00a0\u00a0Sound of Hujia with 18 Parts (Hujia Shibapai)<\/p>

\u78a3\u77f3\u8abf\u2022\u5e7d\u862d<\/a>\u00a0 \u00a0Orchid in Seclusion, inJie Shi Diao (You Lan)<\/p>

\u5b9a \u6167\u6d77\u822a\u821f<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0Sailing in Wisdom<\/p>

\u9858 \u5927\u76f8\u822c\u82e5<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0My Wish<\/p>

\u6c89\u601d\u7684\u65cb\u5f8b<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0Melody of Meditation<\/p>

\u53e4\u8001\u7684\u9f8d\u821e<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0Ancient Dragon Dance<\/p>

\u53e4\u7434\u8207\u68b5\u5504<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0Qin and Chant<\/p>

\u8001\u967d\u95dc\u4e09\u758a<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0Parting at Yangquan (old)<\/p>

\u6b78\u53bb\u4f86\u516e\u8fad<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0Returning Home after Resignation (Guiqulai Ci)<\/p>

\u4e00\u9583\u71c8\u82b1\u58ae<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0The Oil-Lamp Flickered<\/p>

\u7a7a\u5c71\u61b6\u6545\u4eba<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0Thinking of an Old Friend<\/p>

\u56de\u5411 \u91d1\u525b\u5713\u6eff<\/a>\u00a0\u00a0 \u00a0Salute to Buddha<\/p>

\u660e\u6708\u5343\u91cc\u5bc4\u76f8\u601d<\/a>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Miss you so much<\/p>

\u9cf3\u51f0\u53f0\u4e0a\u61b6\u5439\u7c2b<\/a>\u00a0 \u00a0Missing of the Xiao Melody at Phoenix Terrace (Fenghuang Taishang Yicuixiao)<\/p>

\u7b2c\u5341\u4ea4\u97ff\u66f2\uff0d\u300a\u6c5f\u96ea\u300bop.42<\/a>\u00a0 \u00a0 Symphony No.10 – Fishing in Snow op.42 (Jiang Xue)<\/p>

\u5927\u8e8d\u9032\u7684\u6b4c\u8072\u9707\u5c71\u6cb3<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0The Praising Song of the Great Improvement Campaign<\/p>

\u53e4\u7434\u5957\u66f2\u300a\u888d\u4fee\u7f85\u862d\u300b\u2013\u5730<\/a> \u00a0Qin Suite of Buddhism<\/p>

\u53e4\u7434\u5957\u66f2\u300a\u888d\u4fee\u7f85\u862d\u300b\u2013\u6c34\u00a0<\/a> Qin Suite of Buddhism<\/p>

\u53e4\u7434\u5957\u66f2\u300a\u888d\u4fee\u7f85\u862d\u300b\u2013\u706b<\/a>\u00a0 Qin Suite of Buddhism<\/p>

\u53e4\u7434\u5957\u66f2\u300a\u888d\u4fee\u7f85\u862d\u300b\u2013\u98a8<\/a>\u00a0 Qin Suite of Buddhism<\/p>

\u53e4\u7434\u5957\u66f2\u300a\u888d\u4fee\u7f85\u862d\u300b\u2013\u7a7a<\/a>\u00a0 Qin Suite of Buddhism<\/p>

\u53e4\u7434\u5957\u66f2\u300a\u888d\u4fee\u7f85\u862d\u300b\u2013\u898b<\/a>\u00a0 Qin Suite of Buddhism<\/p>

\u53e4\u7434\u5957\u66f2\u300a\u888d\u4fee\u7f85\u862d\u300b\u2013\u8b58\u00a0<\/a> Qin Suite of Buddhism<\/p>

\u53e4\u7434\u5957\u66f2\u300a\u888d\u4fee\u7f85\u862d\u300b\u2013\u5982\u4f86\u85cf<\/a>Qin Suite of Buddhism<\/p>

\u5373\u8208\u541f\u5531\u738b\u7dad\u8a69 “\u967d\u95dc<\/a>” \u00a0\u00a0\u00a0\u00a0Wandering in the Forest(Ensemble Improvisation by Qin\u3001Flute etc.<\/p>

\u7434\u547d\u984c\u5373\u8208\u6f14\u594f\uff1a\u5be7\u9cf4\u800c\u6b7b\uff0c\u4e0d\u9ed8\u800c\u751f<\/a>\u00a0\u00a0\u00a0 Qin Improvisation<\/p>

\u8a69\u8a5e\u5373\u8208\u64ab\u7434\u541f\u5531<\/a>\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Qin Song Improvisation<\/p>

\u5373\u8208\u91cd\u594f\uff08\u53e4\u7434\u3001\u9577\u7b1b\u3001\u66fc\u9640\u6797\u3001\u5357\u7f8e\u6d32\u9f13<\/a>\uff09Ensemble Improvisation (Qin\u3001Flute\u3001Mandolin\u3001Drum)<\/p>

\u5373\u8208\u91cd\u594f\uff08\u53e4\u7434\u3001\u9577\u7b1b\u3001\u92fc\u7434\uff09<\/a> \u00a0\u00a0\u00a0\u00a0Ensemble Improvisation (Qin\u3001Flute\u3001Piano)<\/p>

\u97f6\u6a02\u2027\u6b4c\u5287\u3008\u8ced\u547d\u3009\u9078\u66f2\u00a0<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Selections from the Opera “The Bet”<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00a0<\/h2>

\u300a\u4f69\u862d\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u4e09\u4e5d\u5e74\uff09\u5fbd\u85e9\u6731\u539a\u721d\u8f2f\u300a\u98a8\u5ba3\u7384\u54c1\u300b\u5377\u516b\u4e2d\u3002\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u4e91\uff1a\u201c\u6230\u570b\u6642\uff0c\u6709\u865b\u9748\u5b50\u8005\uff0c\u904a\u5d69\u5c71\uff0c\u9047\u7fbd\u4eba\u9f13\u7434\u77f3\u7a97\u4e4b\u4e0b\u3002\u9db4\u821e\u65bc\u5ead\uff0c\u862d\u99a8\u65bc\u5ba4\uff0c\u5ef6\u5165\u6664\u8a9e\uff0c\u56e0\u6388\u4ee5\u6e05\u7fbd\u4e4b\u8abf\uff0c\u540d\u66f0\u4f69\u862d\u3002\u201d<\/p>

\u00a0 \u00a0 \u81ea\u300a\u7389\u68a7\u7434\u8b5c\u300b\u4ee5\u5f8c\u7686\u4e91\u6b64\u66f2\u4e43\u6bdb\u654f\u4ef2\u6240\u4f5c\u3002\u84cb\u8ff0\u695a\u8fad\u7d09\u79cb\u862d\u70ba\u4f69\u4e4b\u610f\u4e5f\uff0c\u5176\u97f3\u6de1\u975c\u5e7d\u6c89\uff0c\u611f\u60bc\u6df1\u4e4e\u5176\u4e2d\u77e3\u3002<\/p>

\u00a0<\/p>

\u00a0This is a piece firstly published in the Feng Xuan Xuan Pin (1539). According to the explanatory notes of Xilutang Qintong (1549) reads that, \u201cIn Warring States Period, when Xu Ling Zi was travelling in Mount Song, he heard someone playing the qin. He then was invited as a gust and be taught of this piece.\u201d<\/p>

\u00a0<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00a0<\/h2>

\u300a\u51f1\u6b4c\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u6e05\u2027\u5149\u7dd2\uff08\u516c\u5143\u4e00\u516b\u4e03\u516d\u5e74\uff09\u4f5a\u540d\u64b0\u300a\u97ff\u96ea\u9f4b\u7434\u8b5c\u300b\u9214\u672c\u5377\u4e0b\u4e2d\u3002\u6309\u8a72\u9214\u672c\u4e2d\u6709\u201c\u5609\u6176\u4e01\u536f\u5341\u4e8c\u5e74\u856d\u7acb\u79ae\u7434\u8aaa\u624b\u7a3f\u672c\uff0c\u6709\u6f54\u5eb5\u6c88\u660e\u70fa\u5609\u6176\u5341\u516b\u5e74\u51ac\u4ef2\u4e0a\u6d63\u66f8\u65bc\u97ff\u96ea\u5c71\u623f\u4e4b\u897f\u7255\u5e8f\u6587\u201d\u7b49\u6587\u5b57\u8a18\u8f09\uff0c\u66f8\u524d\u5f8c\u96d6\u7121\u64b0\u8457\u4eba\uff0c\u4ea6\u672a\u9304\u51fa\u5e74\u6708\uff0c\u4e5f\u53ef\u8996\u70ba\u6e05\u4ee3\u4e4b\u7269\u3002
\u8b5c\u5167\u6536\u6709\u300a\u51f1\u6b4c\u300b\u4e00\u66f2\uff0c\u5fb5\u97f3\u56db\u6bb5\uff0c\u70ba\u4ed6\u8b5c\u6240\u7121\uff0c\u7591\u70ba\u6e05\u4ee3\u88fd\u66f2\u3002\u8b5c\u4e2d\u591a\u64ae\u97f3\uff0c\u5beb\u5f97\u52dd\u6b78\u4f86\uff0c\u51f1\u6b4c\u9ad8\u594f\u7684\u610f\u8da3\u3002<\/p>

This is a piece firstly published in the Qin Scores of Xiang Xue Zhai (1876). It was a piece of Qing Dynasty which depicts the winning of a victory. It can only be found in the Qin Scores of Xiang Xue Zhai.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u53e4\u6028\u300b<\/strong><\/h2>

\u3000\u3000\u5b8b\u672b\u5609\u6cf0\u4e8c\u5e74\uff08\u516c\u5143\u4e00\u4e8c\uff2f\u4e8c\u5e74\uff09\u9322\u5e0c\u6b66\u6240\u523b\u300a\u767d\u77f3\u9053\u4eba\u6b4c\u66f2\u300b\u5df1\u8f09\u6709\u6b64\u59dc\u5914\u7684\u4f5c\u54c1\uff0c\u70ba\u73fe\u5b58\u6700\u65e9\u7684\u6e1b\u5b57\u8b5c\u7434\u6b4c\u66f2\u8b5c\uff1b\u7434\u7528\u5074\u5546\u8abf\uff0c\u5171\u56db\u6bb5\uff0c\u8b5c\u65c1\u6709\u8a5e\uff1a<\/p>

\u4e00\u3001\u65e5\u66ae\u56db\u5c71\u516e\uff0c\u7159\u9727\u6697\u524d\u6d66\uff0c\u5c07\u7dad\u821f\u516e\u7121\u6240\uff0c\u8ffd\u6211\u524d\u516e\u4e0d\u902e\uff0c\u61f7\u5f8c\u4f86\u516e\u4f55\u8655\uff1f\u5c62\u56de\u9867\u3002<\/p>

\u4e8c\u3001\uff08\u7434\u6a02\u594f\u6cdb\u97f3\u7684\u63d2\u66f2\u6bb5\uff09<\/p>

\u4e09\u3001\u4e16\u4e8b\u516e\u4f55\u64da\uff1f\u624b\u7ffb\u8986\u516e\u96f2\u96e8\uff0c\u904e\u91d1\u8c37\u516e\u82b1\u8b1d\u59d4\u5875\u571f\uff0c\u60b2\u4f73\u4eba\u516e\u8584\u547d\u8ab0\u70ba\u4e3b\uff1f\u8c48\u4e0d\u7336\u6709\u6625\u516e\uff1f\u59be\u81ea\u50b7\u516e\u9072\u66ae\uff0c\u9aee\u5c07\u7d20\uff01<\/p>

\u56db\u3001\u6b61\u6709\u7aae\u516e\u6068\u7121\u6578\uff1b\u5f26\u6b32\u7d55\u516e\u8072\u82e6\uff01\u6eff\u76ee\u6c5f\u5c71\u516e\u6dda\u6cbe\u5c68\uff0c\u541b\u4e0d\u898b\u5e74\u5e74\u6c7e\u6c34\u4e0a\u516e\uff0c\u60df\u79cb\u96c1\u98db\u53bb\uff01<\/p>

\u66f2\u8abf\u54c0\u5b9b\uff0c\u6d41\u9732\u51fa\u5c0d\u4e16\u4e8b\u591a\u8b8a\uff0c\u6c5f\u5c71\u6613\u8272\uff0c\u671b\u8208\u5fa9\uff0c\u6b4e\u4e09\u624d\u7684\u611f\u6168\u3002<\/p>

In Southern Song Dynasty (1202), QIAN Xi-wu published the Baishi Daoren Gequ by JIANG Kui. This song album includes the earliest qinge \u201cAncient Sorrow (Gu Yuan)\u201d. Which the qin is tuned in ceshang Diao and play at four paragraphs with lyrics. The melody is deploring and melancholy. Showing intentionally the change of the environment. Hoping to reviving the collapsed nation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u56de\u61b6\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u662f\u7ba1\u5e73\u6e56\u5148\u751f\u65bc\u4e00\u4e5d\u516d\uff2f\u5e74\u4ee3\u521d\u539f\u5275\u7684\u7434\u66f2\u4f5c\u54c1\uff0c\u5167\u5bb9\u8868\u8ff0\u4e86\u7ba1\u5148\u751f\u5c0d\u5f80\u6614\u4e8b\u7269\u7684\u4e00\u4e9b\u7f8e\u597d\u601d\u61b6\uff0c\u85c9\u7434\u97f3\u4ee5\u8868\u8877\u60c5\u3002<\/p>

This piece was the original composition of GUAN Ping-hu in early 1960\u2019s. The music depicts the beautiful memories by Mr. GUAN Ping-hu. He narrated it through qin music.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u5927\u96c5\u300b<\/strong><\/h2>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0b\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u5927\u96c5\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u5468\u516c\u4e4b\u6240\u4f5c\u4e5f\u3002\u6309\u8a69\u7d93\u4e91\uff1a\u2018\u96c5\u8005\uff0c\u6b63\u4e5f\u3002\u6b63\u6a02\u4e4b\u6b4c\u4e5f\u3002\u2019\u5176\u7bc7\u6709\u5927\u5c0f\u4e4b\u6b8a\uff0c\u5148\u5112\u6709\u6b63\u8b8a\u4e4b\u5225\uff0c\u6b63\u5c0f\u96c5\uff0c\u4e43\u71d5\u9957\u4e4b\u6a02\uff1b\u6b63\u5927\u96c5\uff0c\u4e43\u671d\u6703\u4e4b\u6a02\uff0c\u53d7\u91d0\u9673\u6212\u4e4b\u8fad\uff1b\u61fd\u6b23\u548c\u6085\uff0c\u4ee5\u76e1\u7fa4\u4e0b\u4e4b\u60c5\uff1b\u606d\u656c\u9f4a\u838a\uff0c\u4ee5\u767c\u5148\u738b\u4e4b\u5fb7\uff1b\u662f\u4ee5\u8a5e\u6c23\u4e0d\u540c\uff0c\u97f3\u7bc0\u4ea6\u7570\uff0c\u81f4\u6709\u5927\u96c5\u5c0f\u96c5\u4e4b\u5225\u3002\u4e88\u6545\u5220\u5176\u5c0f\u96c5\u71d5\u9957\u8005\u800c\u4e0d\u7528\uff0c\u7368\u53d6\u5176\u5927\u96c5\u6b63\u8072\u4e4b\u97f3\u800c\u8a02\u6b63\u4e4b\u3002\u201d<\/p>

\u00a0 \u00a0 \u4f9d\u6b64\u770b\u4f86\uff0c\u672c\u66f2\u6216\u8207\u660e\u4ee3\u4ee5\u524d\u7684\u5edf\u5802\u4e4b\u6a02\u6709\u8457\u6df5\u6e90\u95dc\u4fc2\u3002\u807d\u4f86\u9817\u6709\u7aef\u838a\u8085\u7a46\u4e4b\u6c23\uff0c\u7136\u5176\u97f3\u968e\u5947\u7279\uff0c\u6a02\u53e5\u6709\u6642\u5411\u4e0a\u4f5c\u5927\u4e8c\u5ea6\u7684\u7a81\u7136\u79fb\u8abf\uff0c\u4ee4\u4eca\u4eba\u9817\u8cbb\u731c\u6e2c\u3002<\/p>

\u00a0<\/p>

\u00a0This is a piece firstly published in the Mysterious Scores of Qin (1425).All of the qin documents attributed the piece to the Duke Zhou, that proves its remoteness. Literally the Dynastic Song is a part of the Book of Songs, edited by Confucius himself. It is therefore, the music may originate from early court music genres.\u00a0<\/p>

\u00a0The atmosphere of the music is solemn, and, if viewed from the modality, the transposition of a major second is worthy to be special mentioned.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u5e7d\u5c45\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u662f\u674e\u7965\u9706\u65bc\u4e00\u4e5d\u4e5d\u4e09\u5e74\u7684\u539f\u5275\u7434\u66f2\u4f5c\u54c1\u3002\u8fd1\u4e9b\u6642\uff0c\u5f88\u591a\u7434\u4eba\u90fd\u5728\u8ffd\u6c42\u6de1\u96c5\uff0c\u300a\u5e7d\u5c45\u300b\u4fbf\u662f\u674e\u6c0f\u7528\u50b3\u7d71\u984c\u76ee\u53ca\u50b3\u7d71\u98a8\u683c\uff0c\u4ee5\u53e4\u4eba\u6de1\u96c5\u4e4b\u984c\u4f5c\u6de1\u96c5\u4e4b\u594f\uff0c\u4ee5\u61c9\u60c5\u8da3\u3002<\/p>

This piece was the original composition of LI Xiang-ting in 1993. It is an improvised performance of LI Xiang-ting with a traditional style. A retreating, peaceful, and quiet life style is the theme of the music.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u5e7d\u5170\u300b<\/strong><\/h2>

\u3000\u3000\u65e5\u672c\u4eac\u90fd\u897f\u8cc0\u8302\u795e\u5149\u9662\u73cd\u85cf\u6709\u4e00\u624b\u6284\u5510\u4eba\u5377\u5b50\u300a\u5e7d\u862d\u300b\uff0c\u662f\u73fe\u5b58\u6700\u65e9\u7528\u6587\u5b57\u8b5c\u5f0f\u5beb\u6210\u7684\u4e00\u9996\u53e4\u7434\u66f2\uff0c\u70ba\u5357\u671d\u6881\u4ee3\u4e18\u660e\u6240\u50b3\uff08\u516c\u5143\u4e5d\uff2f\u516b\u5e74\u524d\uff09\uff0c\u539f\u8b5c\u672a\u7f72\u4f5c\u8005\u59d3\u540d\uff0c\u8b5c\u524d\u51a0\u6709\u201c\u78a3\u77f3\u8abf\u201d\uff0c\u6545\u53c8\u7a31\u300a\u78a3\u77f3\u8abf\u2027\u5e7d\u862d\u300b\u3002\u4e00\u516b\u516b\u56db\u5e74\uff0c\u694a\u5b88\u656c\u5c07\u4e4b\u5f71\u5370\u5e36\u56de\u4e2d\u570b\uff0c\u88ab\u9ece\u5eb6\u660c\u6536\u5165\u300a\u53e4\u9038\u53e2\u66f8\u300b\uff08\u4e00\u516b\u516b\u4e94\u5e74\uff09\u4e2d\u3002\u5176\u5f8c\u7434\u5bb6\u5011\u76f8\u7e7c\u5c0d\u8a72\u66f2\u9032\u884c\u201c\u6253\u8b5c\u201d\uff0c\u5728\u7814\u7a76\u57fa\u790e\u4e0a\u518d\u5ea6\u9032\u884c\u89e3\u8b6f\uff0c\u7a81\u51fa\u4e86\u66f2\u4e2d\u5e7d\u61a4\u3001\u50b7\u611f\u3001\u5149\u660e\u3001\u5766\u8569\u3001\u96c5\u6f54\u3001\u6e05\u9ad8\u3001\u6e05\u58ef\u3001\u611f\u596e\u7b49\u5167\u6db5\uff0c\u5c31\u597d\u50cf\u6df1\u5c71\u5e7d\u8c37\u7684\u862d\u82b1\uff0c\u6292\u767c\u61f7\u624d\u4e0d\u9047\uff0c\u9b31\u9b31\u4e0d\u5f97\u5fd7\u7684\u5fc3\u60c5\u3002<\/p>


In the Royal Museum of Kyoto, Japan, there sits one hand-written tablature of Orchid in Seclusion, which is believed to be the oldest qin score. It is attributed to QIU Ming of the Southern Dynasty, although the composer did not put down his signature. A prefix \u201cJie Shi Diao\u201d was found on the score, so it is sometimes referred to as Orchid in Seclusion, in Jie Shi Diao. In 1884 YANG Shou-jing brought the facsimile back to China and it was subsequently included into the Gu Yi Series. A lot of qin players have published their transcriptions of this piece. They highlight some inner qualities found in the music: the hidden resentment, the sadness, the brightness, the frankness, the elegance, the unworldliness and the passion. Which characterize someone who resembles an orchid in a deep valley. Who is very depressed because nobody recognizes his talent.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u5fd8\u6182\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u56db\u4e5d\u5e74\uff09\u6c6a\u829d\u8f2f\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u5377\u4e8c\u5341\u4e94\u4e2d\u3002\u64da\u7434\u7d71\u89e3\u984c\u4e91\uff1a\u201c\u662f\u66f2\u4e0d\u77e5\u6240\u5f9e\u8d77\u56e0\uff0c\u56e0\u89c0\u5b8b\u672c\u5f97\u6b64\u8b5c\uff0c\u4ea6\u5916\u8abf\u4e4b\u4e00\uff0c\u5b58\u4e4b\u4ee5\u5099\u53c3\u8003\u3002\u201d
\u300a\u5fd8\u6182\u300b\u66f2\u96d6\u77ed\u5c0f\uff0c\u4f46\u5176\u8abf\u7d43\u8f03\u70ba\u7279\u6b8a\uff0c\u4e43\u4e00\u822c\u7434\u66f2\u6240\u5c11\u898b\uff0c\u5176\u53d6\u97f3\u5947\u7279\uff0c\u9664\u4e8c\u8b8a\u5916\uff0c\u66f4\u6709\u5546\u3001\u89d2\u3001\u5fb5\u3001\u7fbd\u56db\u6e05\u4e4b\u8072\uff0c\u66f2\u8abf\u8f15\u9b06\u6d41\u7f8e\u3002<\/p>


This is a piece firstly published in the Xilutang Qintong (1549). According to the explanation notes of this collection, \u201cIt was hard to find the origin. This version was obtained from a score of Song Dynasty. It could be played in special tuning only.\u201d
The delighted and natural tune brings out the high spiritual conception of ancient people.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u61f7\u53e4\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u6e05\u2027\u9053\u5149\uff08\u516c\u5143\u4e00\u516b\u4e09\u516d\u5e74\uff09\u9ec3\u666f\u661f\uff08\u715f\u5357\uff09\u7e82\u8f2f\u4e4b\u300a\u609f\u96ea\u5c71\u623f\u7434\u8b5c\u300b\u5377\u4e00\u4e2d\u3002\u6a19\u660e\u70ba\u300a\u53e4\u5ca1\u907a\u8b5c\u300b\uff0c\u662f\u5b8b\u907a\u6c11\u50b3\u81f3\u5ee3\u6771\u7434\u66f2\u4e4b\u4e00\uff0c\u5176\u8da3\u6fb9\u9060\u6c89\u975c\uff0c\u56de\u53e4\u98a8\u65bc\u6307\u4e0b\uff0c\u5b51\u5b51\u7136\u82e5\u907a\u4e16\u7368\u7acb\u65bc\u7121\u4f55\u6709\u4e4b\u9109\u4e5f\uff0c\u9f13\u4e4b\u8005\uff0c\u64ab\u4eca\u8ffd\u6614\uff0c\u8208\u61f7\u4e4e\u4e00\u5531\u4e09\u6b4e\u4e4b\u9593\uff0c\u6709\u907a\u97f3\u8005\u77e3\u3002<\/p>


This is a piece firstly published in the Qin Scores of Wu Xue Shan Fang (1836). According to the explanation notes, \u201cThis is one of the qin piece handed down from the Song Dynasty and flourished in Guangdong. Originated probably from the Gugang Yipu.\u201d The music itself is simple but elegant. When you get the meaning of it, your playing would like to think of the old times.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u62db\u96b1\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u521d\u898b\u65bc\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0a\u5377\u592a\u53e4\u795e\u54c1\uff0c\u81de\u4ed9\u6309\uff0c\u300a\u7434\u53f2\u300b\u66f0\uff1a\u201c\u662f\u66f2\u4e43\u897f\u6649\u6642\u5de6\u601d\uff08\u5b57\u592a\u6c96\uff09\u898b\u5929\u4e0b\u6eb7\u6fc1\uff0c\u5c07\u62db\u5c0b\u96b1\u8005\uff0c\u6b32\u9000\u4e0d\u4ed5\uff0c\u4e43\u4f5c\u62db\u96b1\u3002\u201d\u53c8\u300a\u6a02\u5e9c\u53e4\u984c\u8981\u89e3\u300b\u8a18\u4e91\uff1a\u201c\u300a\u62db\u96b1\u300b\u672c\u695a\u8fad\uff0c\u6f22\u6dee\u5357\u738b\u5b89\u5c0f\u5c71\u6240\u4f5c\u4e5f\u3002\u8a00\u5c71\u4e2d\u4e0d\u53ef\u4ee5\u4e45\u7559\u3002\u5f8c\u4eba\u6539\u4ee5\u70ba\u4e94\u8a00\uff0c\u82e5\u6649\u5de6\u601d\u4ed7\u7b56\u62db\u96b1\u7b49\u6578\u7bc7\uff0c\u6700\u70ba\u9996\u51fa\u3002\u201d\u5c0d\u7167\u4f86\u770b\uff0c\u5de6\u601d\u62db\u96b1\u8a69\u986f\u7136\u662f\u53cd\u6dee\u5357\u738b\u5b89\u5c0f\u5c71\u7684\u201c\u8a00\u5c71\u4e2d\u4e0d\u53ef\u4e45\u7559\u201d\u4e4b\u610f\uff0c\u800c\u91cd\u5728\u6b4c\u980c\u5c71\u6797\u4e4b\u7f8e\uff0c\u96b1\u8005\u4e4b\u6a02\u4e86\u3002
\u6a02\u66f2\u65cb\u5f8b\u6d41\u66a2\u4f3c\u6c11\u6b4c\uff0c\u5728\u540c\u4e00\u4e3b\u8abf\u91cd\u8986\u4e09\u904d\u5f8c\uff0c\u7a0d\u4f5c\u8b8a\u5316\uff0c\u7d50\u5c3e\u5bcc\u6709\u611f\u53ec\u6027\u3002
This is a piece firstly published in the Mysterious Scores of Qin (1425). The explanatory notes for this piece, according to the History of Qin reads, \u201cThe piece was composed by a hermitic literati of the Western Jin Dynasty. The melody could be fit into poetic words\u201d. The music is ease and smooth.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u660e\u541b\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u56db\u4e5d\u5e74\uff09\u6c6a\u829d\u8f2f\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u5377\u4e8c\u5341\u4e94\u4e2d\u3002\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u8a72\u66f2\u5f8c\u8a18\u8f09\u6709\u50b3\u8aaa\uff0c\u610f\u8b02\uff1a\u6f22\u6b66\u5e1d\u6642\u6709\u7570\u4eba\u5949\u53ec\u62b1\u7434\u5165\u6bbf\uff0c\u9f13\u7434\u4f5c\u660e\u541b\u64cd\u6642\uff0c\u6709\u7fa4\u9e7f\u7a81\u5165\u6bbf\u5ead\uff0c\u66f2\u7d42\uff0c\u4e00\u9e7f\u5563\u7434\u8de8\u4e4b\u800c\u53bb\u3002
This is a piece firstly published in the Xilutang Qintong (1549). According to the explanation notes of this collection, \u201cLegend told that, Emperor Wu of Han Dynasty called in a musician to play the qin. After that a deer rushed in and kept the qin out in the mouth.\u201d
This piece has a profound meaning, liveliness, mobility and happiness. It depicts the people in the ancient time hoped for an intelligent monarch and an ideal society.<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u6625\u98a8\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u5275\u4f5c\u65bc\u4e00\u4e5d\u516b\u4e8c\u5e74\uff0c\u662f\u8a31\u570b\u83ef\u548c\u9f94\u4e00\u5408\u4f5c\u7684\u7434\u66f2\u4f5c\u54c1\uff0c\u6a02\u66f2\u4ee5\u660e\u5feb\u6292\u60c5\u7684\u8abf\u5b50\uff0c\u4f86\u8868\u73fe\u4eba\u5011\u5728\u6625\u610f\u76ce\u7136\u7684\u74b0\u5883\u4e0b\uff0c\u596e\u767c\u5411\u4e0a\u7684\u60c5\u8da3\u3002\u70ba\u4e86\u5c07\u53e4\u7434\u9019\u7a2e\u53e4\u8001\u6a02\u5668\u7684\u8868\u73fe\u6f5b\u529b\u767c\u5c55\uff0c\u5728\u7e7c\u627f\u50b3\u7d71\u7684\u57fa\u790e\u4e0a\uff0c\u65bc\u66f2\u5f0f\u7d50\u69cb\u3001\u8abf\u6027\u8f49\u63db\u3001\u6f14\u594f\u6280\u5de7\u7b49\u65b9\u9762\u90fd\u4f5c\u4e86\u8f03\u5927\u7684\u7a81\u7834\u3002
This piece was the original composition of XU Guo-hua and GONG Yi in 1982. The lucid and lively music depicts the warm and bright spring days makes people raise all strength to achieve their goals.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u6a35\u6b4c\u300b<\/strong><\/h2>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e2d\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u6a35\u6b4c\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u4e4b\u4f5c\u4e5f\uff0c\u56e0\u5143\u5175\u5165\u81e8\u5b89\uff0c\u654f\u4ef2\u4ee5\u6642\u4e0d\u5408\uff0c\u6b32\u5e0c\u5148\u8ce2\u4e4b\u5fd7\uff0c\u6666\u8de1\u5ca9\u58d1\uff0c\u96b1\u906f\u4e0d\u4ed5\uff0c\u6545\u4f5c\u6b4c\u4ee5\u62db\u540c\u5fd7\u8005\u96b1\u7109\u3002\u81ea\u4ee5\u70ba\u906f\u4e16\u7121\u60b6\u4e5f\u3002\u201d
\u6b64\u66f2\u7bc0\u594f\u81ea\u7531\uff0c\u8abf\u6027\u8c50\u5bcc\uff0c\u6f14\u594f\u8b1b\u6c42\u529f\u529b\u3002\u4e0b\u6307\u61f8\u843d\uff0c\u89f8\u5f26\u5982\u5288\u8001\u5e72\u3002\u97f3\u6a02\u5ffd\u5982\u80a9\u67f4\u4f5c\u6b4c\uff0c\u701f\u7051\u4e0d\u5875\uff1b\u5ffd\u5982\u6b47\u64d4\u9577\u562f\uff0c\u5212\u7136\u8c37\u61c9\u3002\u771f\u6709\u84bc\u677e\u7fe0\u67cf\u4e4b\u97fb\uff0c\u5e7d\u5dd6\u5947\u58d1\u4e4b\u8da3\u3002
This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cThe composer of the piece was MAO Min-zhong of the Southern Song Dynasty. It was a period when the court was corrupted, the country was invaded by other nations and the people had no means of livelihood, and those people of ideals and integrity would not associate with the crafty people in the court and lived in seclusion in the mountains one after another. It was with the passion of cynicism of such a world that the composer expressed his feelings by describing the bold and unruly life and unlimited delight in mountains.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u6b38\u4e43\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u56db\u4e5d\u5e74\uff09\u6c6a\u829d\u8f2f\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u5377\u5341\u4e5d\u4e2d\u3002\u6309\u8a72\u96c6\u4e91\uff1a\u201c\u53e4\u6614\u97dc\u540d\u62b1\u9053\u4e4b\u58eb\uff0c\u591a\u6258\u8de1\u6f01\u6a35\u4ee5\u81ea\u9069\u3002\u6b64\u66f2\u771f\u6709\u96f2\u51b7\u5c71\u7a7a\uff0c\u6c5f\u5bd2\u6708\u767d\u4e4b\u8208\u3002\u201d
\u672c\u66f2\u53c8\u540d\u300a\u6b38\u4e43\u6b4c\u300b\u6216\u300a\u5317\u6f01\u6b4c\u300b\uff0c\u662f\u5f8c\u4eba\u64da\u5510\u67f3\u5b97\u5143\u300a\u6f01\u7fc1\u300b\u8a69\u4e2d\u201c\u6b38\u4e43\u4e00\u8072\u5c71\u6c34\u7da0\u201d\u53e5\u800c\u4f5c\u3002\u201c\u6b38\u4e43\u201d\u662f\u8239\u592b\u6416\u6ad3\u62c9\u7e34\u4e4b\u8072\u3002\u5728\u6a02\u66f2\u4e2d\u6b38\u4e43\u8072\u4ee5\u4e0d\u540c\u5f62\u5f0f\u5148\u5f8c\u51fa\u73fe\uff0c\u5de7\u5999\u5730\u8868\u9054\u4e86\u4e00\u7a2e\u975c\u4e2d\u6709\u52d5\u7684\u610f\u5883\uff0c\u8b9a\u980c\u4e86\u5927\u81ea\u7136\u79c0\u9e97\u7684\u666f\u8272\uff0c\u53cd\u6620\u4e86\u4f5c\u8005\u5b64\u82b3\u81ea\u8cde\u7684\u60c5\u7dd2\u3002
This is a piece firstly published in the Xilutang Qintong (1549). The music was also named Song of Ao Ai or Northern Fishermen\u2019s Song as well. It was created based on the verse in Fisherman, a poem by Tang Dynasty poet LIU Zhong-yuan. Ao Ai is the sound while rowing a boat. The sound was repeated in the music in different forms, depicting the conception of calm and movement, in praise of the beautiful natural scenery and reflecting the author\u2019s admiration of his own talent.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u6d41\u6c34\u300b<\/strong><\/h2>

\u3000\u3000\u300a\u5217\u5b50\u2027\u6c64\u95ee\u300b\u8bb0\u8f7d\uff1a\u4f2f\u7259\u5584\u5f39\u7434\uff0c\u953a\u5b50\u671f\u5584\u542c\u7434\u3002\u4e00\u6b21\u4f2f\u7259\u5f39\u4e86\u4e00\u9996\u9ad8\u5c71\u5c79\u7acb\u3001\u6c14\u52bf\u96c4\u4f1f\u7684\u4e50\u66f2\u3002\u953a\u5b50\u671f\u8b9a\u8d4f\u5730\u8bf4\uff1a\u201c\u5dcd\u5dcd\u4e4e\u5fd7\u5728\u9ad8\u5c71\u201d\u3002\u4f2f\u7259\u53c8\u5f39\u4e86\u4e00\u9996\u60ca\u6d9b\u9a87\u6d6a\u3001\u6c79\u6d8c\u6f8e\u6e43\u7684\u66f2\u5b50\u953a\u5b50\u671f\u53c8\u8bf4\uff1a\u201c\u6d0b\u6d0b\u4e4e\u5fd7\u5728\u6d41\u6c34\u201d\u3002\u953a\u5b50\u671f\u80fd\u6df1\u523b\u5730\u9886\u4f1a\u4e50\u66f2\u7684\u5185\u6db5\u3002\u4ece\u6b64\u4ed6\u4eec\u4fe9\u4eba\u7ed3\u6210\u4e86\u77e5\u97f3\uff0c\u4f20\u4e3a\u5343\u53e4\u4f73\u8bdd\u3002<\/p>

\u3000\u3000\u636e\u6587\u732e\u8bb0\u8f7d\uff0c\u81ea\u5510\u4ee3\u4ee5\u540e\uff0c\u300a\u9ad8\u5c71\u300b\u4e0e\u300a\u6d41\u6c34\u300b\u5206\u4e3a\u4e24\u4e2a\u72ec\u7acb\u7684\u7434\u66f2\u3002\u66f2\u8c31\u521d\u89c1\u4e8e\u660e\u4ee3\u300a\u795e\u5947\u79d8\u8c31\u300b\uff08\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\uff0c\u8f7d\u4e8e\u300a\u767e\u74f6\u658b\u7434\u8c31\u300b\uff08\u4e00\u516b\u4e94\u516d\u5e74\uff09\u4e0e\u300a\u5929\u95fb\u9601\u7434\u8c31\u300b\uff08\u4e00\u516b\u4e03\u516d\u5e74\uff09\u4e2d\u7684\u300a\u6d41\u6c34\u300b\u5747\u4e3a\u6e05\u4ee3\u5ddd\u6d3e\u7434\u5bb6\u51af\u5f64\u4e91\u4f20\u4e0e\u5f20\u5b54\u5c71\uff0c\u5176\u540e\u518d\u4f20\u800c\u884d\u751f\u51fa\u4e0d\u540c\u7684\u4e24\u4e2a\u7ece\u4f20\u8c31\u672c\uff1b\u8be5\u66f2\u662f\u5728\u300a\u795e\u5947\u79d8\u8c31\u300b\u672c\u7684\u300a\u6d41\u6c34\u300b\u57fa\u7840\u4e0a\u52a0\u4ee5\u53d1\u5c55\uff0c\u7279\u522b\u662f\u5728\u7b2c\u516d\u6bb5\u4e2d\u589e\u52a0\u4e86\u4e03\u5341\u4e8c\u6eda\u62c2\uff0c\u7ed8\u58f0\u7ed8\u8272\u5730\u5c55\u73b0\u51fa\u4e00\u5e45\u6ce2\u6d9b\u8d77\u4f0f\uff0c\u6c79\u6d8c\u6e4d\u6025\uff0c\u5954\u817e\u6f8e\u6e43\u7684\u58ee\u6ff6\u753b\u9762\u3002<\/p>

\u3000\u7ba1\u5e73\u6e56\uff1a\u4e00\u4e5d\u4e94\u516d\u5e74\u636e\u300a\u5929\u95fb\u9601\u7434\u8c31\u300b\u672c \u00a07:35<\/strong><\/p>

\u987e\u6885\u7fb9\uff1a\u4e00\u4e5d\u516d\u4e09\u5e74\u636e\u300a\u767e\u74f6\u658b\u7434\u8c31\u300b\u672c \u00a07:18<\/strong><\/p>

\u00a0<\/strong><\/p>

Flowing Water<\/em><\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The ancient story records that Bo Ya was good at playing\u00a0qin<\/em>\u00a0and only ZHONG Zi-qi could perceive the meaning and conjecture in his music. They became bosom friends due to the mutual appreciation. It was recorded that\u00a0High<\/em>\u00a0Mountain<\/em>\u00a0and\u00a0Flowing Water<\/em>\u00a0were separated into two individual pieces after Tang Dynasty. The music was originally found in\u00a0Mysterious Scores of Qin\u00a0<\/em>(1425).<\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The two versions of\u00a0Flowing Water<\/em>\u00a0in the\u00a0Qin Scores of Bai Ping Zhai\u00a0<\/em>(1856) and the\u00a0Qin Scores of Tian Wen Ge<\/em>\u00a0(1876)were both passed down by FENG Tong-yun of Sichuan School in Qing Dynasty. The music was developed on the base of\u00a0Mysterious Scores of Qin<\/em>, especially the techniques of seventy-two rolling being added into the sixth and seventh paragraph to vividly depicted a grandeous scene of roaring waves and running waters.<\/p>

GUAN Ping-hu\u00a0<\/strong>: Transcribed in 1956 according to the\u00a0Qin Scores of Tian Wen Ge<\/em>\u00a0\u00a0 7:35<\/strong><\/p>

GU Mei-geng\u00a0<\/strong>: Transcribed in 1963 according to the\u00a0Qin Scores of Bai Ping Zhai<\/em>\u00a0\u00a0 7:18<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u6f01\u6b4c\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5f18\u6cbb\uff08\u516c\u5143\u4e00\u56db\u4e5d\u4e00\u5e74\uff09\u9f94\u7d93\uff08\u7a3d\u53e4\uff09\u7de8\u91cb\u7684\u300a\u6d59\u97f3\u91cb\u5b57\u7434\u8b5c\u300b\u5377\u4e4b\u4e0a\u3002\u5176\u5f8c\u591a\u7a2e\u8b5c\u96c6\u90fd\u6709\u6536\u9304\u6b64\u66f2\uff0c\u60df\u5404\u8b5c\u89e3\u984c\u6709\u4e8c\u7a2e\u4e0d\u540c\u8aaa\u6cd5\uff0c\u5176\u4e00\uff1a\u5982\u300a\u6d59\u97f3\u91cb\u5b57\u7434\u8b5c\u300b\u7b49\u8a8d\u70ba\u662f\u5510\u4ee3\u6587\u5b78\u5bb6\u67f3\u5b50\u539a\u4e4b\u4f5c\uff0c\u66f2\u8005\u6240\u8ff0\u4e43\u6f01\u4eba\u5f90\u5f90\u51fa\u821f\uff0c\u8569\u6f3e\u6e56\u4e0a\uff0c\u6cbd\u9152\u9ad8\u6b4c\uff0c\u8606\u82b1\u6df1\u8655\uff0c\u98c4\u98c4\u6b32\u4ed9\uff0c\u60c5\u7e6b\u65bc\u5c71\u6c34\u9593\u4e5f\uff1b\u5176\u4e8c\uff1a\u5982\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u7b49\uff0c\u4e3b\u5f35\u70ba\u5b8b\u672b\u6d59\u6d3e\u7434\u5bb6\u6bdb\u654f\u4ef2\u4eff\u53e4\u300a\u6a35\u6b4c\u300b\u800c\u4f5c\uff0c\u4e43\u9054\u5176\u96b1\u9038\u4e4b\u601d\u3002
This is a piece firstly published in the Zheyinshizi Qinpu (1491). The work is often attributed to the great Tang Poet LIU Zhong-yuan (773 \u2013 819). The music has been set up according to a Liu\u2019s famous poem \u201cOld Fisherman\u201d. The melody is undulating, the dynamics is waving, and a variety of the images shows as if in a morning scene of a misty autumn river. The fishing boats are rowed out, the nets are thrown into the cool water, and the antiphonal song of the fishermen comes up and down.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u7384\u9ed8\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u53c8\u540d\u300a\u5750\u5fd8\u300b\uff0c\u64da\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0a\u5377\u592a\u53e4\u795e\u54c1\u4e2d\u300a\u7384\u9ed8\u300b\u4e00\u66f2\u4e4b\u89e3\u984c\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u6216\u8b02\u5e2b\u66e0\u4e4b\u6240\u4f5c\uff0c\u53c8\u4e91\u5d47\u5eb7\uff0c\u83ab\u77e5\u5b70\u662f\uff0c\u84cb\u53e4\u66f2\u4e5f\uff1b\u81ea\u5468\u6625\u79cb\u4e4b\u4e16\u6709\u4e4b\u3002\u5176\u4e4b\u66f2\u8da3\u4e5f\uff0c\u5c0f\u5929\u5730\u800c\u9698\u516d\u5408\uff0c\u8207\u9020\u5316\u7af6\u5954\uff0c\u6e38\u795e\u65bc\u6c96\u865b\u4e4b\u5916\uff0c\u4f7f\u7269\u6211\u5169\u5fd8\uff0c\u8207\u9053\u540c\u5316\uff0c\u6709\u4e0d\u80fd\u5f62\u5bb9\u4e4b\u8da3\u7109\uff0c\u9054\u8005\u5f97\u4e4b\u3002\u201d
This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cThis is an ancient piece of music since the period of Chun Qiu, composed by Shi Kuang. Another saying, it was composed by Ji Kang. The music describes that one\u2019s mind is wandering beyond the region of objective existence.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u767d\u96ea\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e2d\u5377\u971e\u5916\u795e\u54c1\uff0c\u7e8c\u898b\u65bc\u660e\u6e05\u4ee5\u4f86\u4e8c\u5341\u4e00\u7a2e\u520a\u672c\u3002\u300a\u795e\u5947\u79d8\u8b5c\u300b\u89e3\u984c\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u5e2b\u66e0\u6240\u4f5c\u4e5f\u3002\u5f35\u83ef\u8b02\u5929\u5e1d\u4f7f\u7d20\u5973\u9f13\u4e94\u7d43\u4e4b\u7434\uff0c\u594f\u967d\u6625\u767d\u96ea\u4e4b\u66f2\uff0c\u6545\u5e2b\u66e0\u6cd5\u4e4b\u800c\u88fd\u662f\u66f2\u3002\u967d\u6625\uff0c\u5bae\u8abf\u4e5f\uff1b\u767d\u96ea\uff0c\u5546\u8abf\u4e5f\u3002\u967d\u6625\u53d6\u842c\u7269\u77e5\u6625\u548c\u98a8\u6de1\u8569\u4e4b\u610f\uff1b\u767d\u96ea\u53d6\u51dc\u7136\u6e05\u6f54\u96ea\u7af9\u7433\u7405\u4e4b\u97f3\u3002\u56e0\u6709\u767d\u96ea\uff0c\u59cb\u88fd\u967d\u6625\u4e4b\u66f2\u3002\u201d\u66f2\u8abf\u5e73\u6de1\u53e4\u96c5\uff0c\u6bd4\u55bb\u4eba\u5177\u6709\u6f54\u8eab\u81ea\u597d\u7684\u5d07\u9ad8\u60c5\u64cd\u3002
This is a piece firstly published in the Mysterious Scores of Qin (1425) and also seen in twenty one different collections since Ming and Qing Dynasties. The explanatory notes of Mysterious Scores of Qin reads, \u201cThe music was composed by Shi Kuang. According to ZHANG Hua, the Lord of Heaven had once asked a girl in white to play the classical Sunny Spring and White Snow. The story gave inspiration to Shi Kuang, and he composed the music.\u201d The classic and plain melody in this piece is trying to depict the purity of snow and the most important all, the spirit of preserving purity of personality.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u79cb\u6c34\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5d07\u798e\uff08\u516c\u5143\u4e00\u516d\u56db\u4e03\u5e74\uff09\u5c39\u66c4\uff08\u723e\u97dc\u3001\u829d\u4ed9\uff09\u8f2f\u300a\u5fbd\u8a00\u79d8\u65e8\u300b\u4e2d\u3002\u6309\u8a72\u8b5c\u96c6\u539f\u8a3b\u8b02\u5373\u300a\u795e\u5316\u66f2\u300b\uff1b\u53c8\u300a\u6625\u8349\u5802\u7434\u8b5c\u300b\u4e91\uff1a\u201c\u79cb\u6c34\uff0c\u838a\u5b50\u7bc7\u540d\u3002\u5373\u795e\u5316\u66f2\uff0c\u53c8\u540d\u795e\u5316\u5f15\u3002\u543e\u676d\u5f90\u592a\u73cd\u5617\u9f13\u662f\u66f2\u9817\u4f73\u3002\u6642\u4e0b\u622a\u53bb\u7b2c\u4e09\u3001\u56db\u3001\u4e94\u3001\u516d\u6bb5\u540d\u662d\u541b\u6028\u3002\u201d
\u662f\u66f2\u7434\u8abf\u6085\u8033\uff0c\u4f7f\u4eba\u6709\u8d85\u5875\u812b\u4fd7\u4e4b\u611f\uff0c\u501f\u838a\u5b50\u4e4b\u7bc7\u540d\uff0c\u4ee5\u55bb\u9053\u5bb6\u5929\u4eba\u5408\u4e00\u4e4b\u601d\u60f3\u3002
This is a piece firstly published in the Huiyan Mizhi (1647). In the Book of Zhuang Zi, there is a chapter called the Autumn Water. There is a qin piece also called the Autumn Water which has another names called Magical Tune or Magical Yin. The graceful melody and the name of the qin piece from Zhuang Zi\u2019s book reflects the Taoism of the Heaven and human beings are with the same thought.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u79cb\u796d\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u662f\u8b1d\u4fca\u4ec1\u539f\u5275\u65bc\u4e00\u4e5d\u4e5d\u4e03\u5e74\u7684\u7434\u66f2\u4f5c\u54c1\u3002
\u7121\u8a00\u4e4b\u8a69 \u2013 \u737b\u7d66\u646f\u611b\u7684\u5148\u7956\u6bcd
\u5922\u8ff4
\u79cb\u796d
\u5047\u82b1
\u71ed\u6dda
\u7528\u73fe\u4ee3\u97f3\u6a02\u624b\u6cd5\u5beb\u6210\u7684\u56db\u6bb5\u77ed\u7434\u66f2\u3002
This piece was the original composition of TSE Chun-yan in 1997.
A poem without words \u2013 in loving memory of my late grandmother.
Composed in modern style and in four parts:
1. Back from a dream
2. The autumn sacrifice
3. Artificial flowers
4. Candle tears<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u79cb\u9d3b\u300b<\/strong><\/h2>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0b\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6700\u5f8c\u6536\u6709\u300a\u79cb\u9d3b\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u7434\u64cd\u4e4b\u5927\u8005\uff0c\u81ea\u5ee3\u9675\u6563\u800c\u4e0b\uff0c\u4ea6\u7a31\u6b64\u66f2\u70ba\u5927\uff0c\u84cb\u53d6\u8af8\u9ad8\u9060\u9050\u653e\u4e4b\u610f\uff0c\u904a\u5fc3\u65bc\u592a\u865b\uff0c\u6545\u5fd7\u5728\u9704\u6f22\u4e5f\u3002\u662f\u4ee5\u9054\u4eba\u9ad8\u58eb\uff0c\u61f7\u4e0d\u4e16\u4e4b\u624d\uff0c\u62b1\u7570\u4e16\u4e4b\u8209\uff0c\u8207\u6642\u4e0d\u5408\uff0c\u77e5\u9053\u4e4b\u4e0d\u884c\u800c\u8b02\u9053\u4e4b\u5c07\u5ee2\uff0c\u4e43\u6177\u6168\u4ee5\u81ea\u50b7\uff0c\u6b32\u907f\u5730\u5e7d\u96b1\uff0c\u803b\u6df7\u65bc\u6d41\u4fd7\uff0c\u4e43\u53d6\u55bb\u65bc\u79cb\u9d3b\uff1b\u51cc\u7a7a\u660e\uff0c\u5e72\u9752\u9704\uff0c\u64f4\u4e4e\u56db\u6d77\uff0c\u653e\u4e4e\u6c5f\u6e56\uff0c\u6f54\u8eab\u65bc\u5929\u58e4\uff0c\u4e43\u4f5c\u662f\u64cd\u7109\u3002\u201d
\u6a02\u66f2\u65cb\u5f8b\u84bc\u96c4\u6e3e\u6a38\uff0c\u7bc0\u594f\u8d77\u4f0f\u8dcc\u5ca9\u3002\u8c61\u8072\u5bd3\u610f\uff0c\u5beb\u666f\u6292\u60c5\uff0c\u53d6\u610f\u65bc\u9d3b\u96c1\u632f\u7fc5\u9ad8\u7fd4\uff0c\u77e5\u6642\u8cd3\u79cb\uff0c\u9060\u843d\u5e73\u6c99\uff0c\u929c\u8606\u6e38\u5f0b\uff0c\u8eab\u5357\u5fc3\u5317\uff0c\u6392\u96f2\u51fa\u585e\uff0c\u4e00\u8209\u842c\u91cc\uff0c\u640f\u64ca\u9577\u7a7a\u4e4b\u5357\u5f81\uff0c\u4ee5\u5bd3\u66e0\u9054\u4e4b\u5fd7\uff0c\u9ad8\u9060\u4e4b\u61f7\u3002
This is a piece firstly published in the Mysterious Scores of Qin (1425).This work is often attributed to either GUO Mian of Southern Dynasty (1127 \u2013 1279), or ZHU Quan of Ming Dynasty (1368 \u2013 1644). It is a large scale qin music. The composer through the musical imagery of the autumn migration of wild geese to warmer climates expresses human lofty aspiration and the breadth of vision.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u807d\u96ea\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u662f\u4f5c\u66f2\u5bb6\u738b\u752b\u5efa\u65bc\u4e00\u4e5d\u4e5d\uff2f\u5e74\u4ee3\u521d\u539f\u5275\u7684\u7434\u6a02\u4f5c\u54c1\uff0c\u56e0\u6709\u611f\u65bc\u201c\u97f3\u7531\u5fc3\u751f\u201d\u7684\u9053\u7406\uff0c\u800c\u609f\u51fa\u501f\u7434\u97f3\u8207\u6a02\u8072\u5c07\u5927\u81ea\u7136\u4e2d\u672c\u4f86\u7121\u8072\u7684\u98c4\u96ea\u666f\u8c61\uff0c\u4ee5\u6709\u5f62\u7684\u73fe\u5be6\uff0c\u8868\u73fe\u7121\u5f62\u7684\u5fc3\u5e95\u60c5\u61f7\uff0c\u5f9e\u800c\u6fc0\u767c\u8d77\u807d\u8005\u5fc3\u5e95\u6df1\u8655\u5404\u7a2e\u4e0d\u540c\u7684\u5171\u9cf4\u3002<\/p>

This piece was the original composition of WANG Pu-jian in 1990\u2019s. The composer used the qin to depict the soundless floating snow in winter which reflected the tidal surge of emotion of the composer and finally had audience\u2019s resonance.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u843d\u6885\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u662f\u8b1d\u4fca\u4ec1\u65bc\u4e00\u4e5d\u516b\u4e5d\u5e74\u70ba\u7434\u7c2b\u5408\u594f\u6240\u5beb\u7684\u539f\u5275\u4f5c\u54c1\uff0c\u5167\u5bb9\u53c3\u8003\u50b3\u7d71\u53e4\u7434\u66f2\u5f0f\uff0c\u7528\u8b8a\u5fb5\u97f3\u968e\u5beb\u6210\u3002\u7434\u7c2b\u7528\u81ea\u7531\u5c0d\u4f4d\uff0c\u8ddf\u50b3\u7d71\u9f4a\u594f\u6a21\u5f0f\u4e0d\u540c\u3002\u6a02\u66f2\u6d41\u9732\u674e\u715c\u8a5e\uff1a\u201c\u780c\u4e0b\u843d\u6885\u5982\u96ea\u4e82\uff0c\u62c2\u4e86\u4e00\u8eab\u9084\u6eff\u201d\u4e4b\u610f\uff0c\u63cf\u8ff0\u4ea1\u570b\u4e4b\u54c0\u6101\u3002
This piece was the original composition of TSE Chun-yan in 1989. It is a duet of qin and xiao composed on the Bianzhi (#fa) scale in the traditional form of qin music. These two instruments have been brought together by free counterpoint instead of the traditional unison.
The music describes the sorrow of LI Yu (937-978), the king of a subjugated nation (Nan Tang), as expressed in a poem of his, \u201cLike heavy snow the plum blossoms fall, I wipe time and again but cannot get rid of them all.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u9152\u72c2\u300b<\/strong><\/h2>

\u3000\u3000\u6309\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0a\u5377\u592a\u53e4\u795e\u54c1\u6240\u8f09\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u962e\u7c4d\u6240\u4f5c\u4e5f\u3002\u7c4d\u5606\u9053\u4e4b\u4e0d\u884c\uff0c\u8207\u6642\u4e0d\u5408\uff0c\u6545\u5fd8\u4e16\u616e\u65bc\u5f62\u9ab8\u4e4b\u5916\uff0c\u8a17\u8208\u65bc\u9157\u9152\uff0c\u4ee5\u6a02\u7d42\u8eab\u4e4b\u5fd7\u3002\u5176\u8da3\u4e5f\u82e5\u662f\uff0c\u8c48\u771f\u55dc\u65bc\u9152\u8036\uff1f\u6709\u9053\u5b58\u7109\u3002\u201d\u7385\u5728\u65bc\u5176\u4e2d\uff0c\u6545\u4e0d\u70ba\u4fd7\u5b50\u9053\uff0c\u9054\u8005\u5f97\u4e4b\u3002<\/p>


RUAN Ji (210-263), a celebrated Wei literati, composed the piece. Except the vivid image of being drunk, the piece, according to the program notes of Mysterious Scores of Qin, also has deep philosophical meaning in regarding to RUAN Ji\u2019s life and time.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u9577\u6e05\u300b<\/strong><\/h2>

\u3000\u3000\u6a02\u8b5c\u51fa\u81ea\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e2d\u5377\u971e\u5916\u795e\u54c1\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u6f22\u8521\u9095\u6240\u4f5c\u4e5f\u3002\u6709\u9577\u6e05\u3001\u77ed\u6e05\u4e8c\u66f2\uff0c\u53d6\u8208\u65bc\u96ea\uff0c\u8a00\u5176\u6e05\u6f54\u800c\u7121\u5875\u6ed3\u4e4b\u5fd7\uff0c\u53ad\u4e16\u9014\u8d85\u7a7a\u660e\u4e4b\u8da3\u4e5f\u3002\u5fd7\u5728\u9ad8\u53e4\uff0c\u5176\u8da3\u6df1\u9060\uff0c\u82e5\u5bd2\u6f6d\u4e4b\u6f84\u6df1\u4e5f\u3002\u610f\u9ad8\u5728\u6c96\u6f20\u4e4b\u8868\uff0c\u904a\u89bd\u5343\u53e4\uff0c\u6709\u7d2b\u865b\u5927\u7f85\u4e4b\u60f3\uff0c\u604d\u82e5\u751f\u7fbd\u7ff0\u98db\u8b01\u7389\u4eac\u8005\u4e5f\u3002\u201d\u66f2\u8abf\u9ad8\u96c5\uff0c\u5bd3\u610f\u6df1\u9060\uff0c\u4ee5\u793a\u4e0d\u70ba\u4e16\u5875\u6c61\u67d3\u7684\u9ad8\u6f54\u60c5\u64cd\u3002
This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cThe music was composed by CAI Yong of Han Dynasty, but there\u2019s another saying that it\u2019s from JI Kang of Jin Dynasty. Chang Qing, together with Duan Qing (Short Clarity), Chang Ce and Duan Ce are called Ji\u2019s Four Chapters. The elegant and expressive music was originated from the sighting of white snow which symbolized the composer\u2019s own personality of preserving purity for himself and not to be affected by the filthy world.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u95dc\u7762\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5f18\u6cbb\uff08\u516c\u5143\u4e00\u56db\u4e5d\u4e00\u5e74\uff09\u9f94\u7d93\uff08\u7a3d\u53e4\uff09\u7de8\u91cb\u7684\u300a\u6d59\u97f3\u91cb\u5b57\u7434\u8b5c\u300b\u5377\u4e4b\u4e0a\u3002\u5e0c\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u4e5f\uff0c\u7956\u81ea\u5468\u516c\uff0c\u4e43\u5f8c\u4eba\u589e\u76ca\u800c\u4f5c\u3002\u6309\u7956\u738b\u8b5c\u7121\u6b64\u66f2\uff0c\u4ee5\u95dc\u7762\u4e43\u8a69\u4e4b\u9996\u7bc7\uff0c\u5357\u570b\u88ab\u6587\u738b\u4e4b\u5316\uff0c\u5c07\u4ee5\u8208\uff0c\u6587\u738b\u540e\u5983\u5584\u5339\u5584\u8655\uff0c\u6a02\u4e4e\u548c\u5e73\uff0c\u5be6\u4e43\u4eba\u502b\u4e4b\u9996\uff0c\u7db1\u7d00\u4e4b\u5927\u4e5f\u3002\u566b\uff01\u548c\u6a02\u4e4b\u610f\uff0c\u70ba\u4f55\u5982\u54c9\uff1f\u201d
\u6a02\u66f2\u96d6\u7136\u6e90\u9060\u6d41\u9577\uff0c\u4f46\u50b3\u81f3\u660e\u4ee3\u865e\u5c71\u6d3e\uff0c\u7434\u5b97\u56b4\u6f82\u4ee5\u6e05\u5fae\u6de1\u9060\u7684\u5be9\u7f8e\u5b97\u65e8\uff0c\u5145\u4efd\u9ad4\u73fe\u4e86\u662f\u66f2\u7684\u300c\u6a02\u800c\u4e0d\u6deb\u3001\u54c0\u800c\u4e0d\u50b7\u300d\u7684\u5112\u5bb6\u98a8\u7bc4\u3002
This is a piece firstly published in the Zheyinshizi Qinpu (1491). This piece is adopted from a poem of Shi Jin (The Book of Songs), and the prototype of the tune might be a qin song having the original poem as the words. According to the Qin Scores of Song Xian Guan, the compiler YAN Cheng who was the leading master of the Yushan Qin Music School in the time, having the clear, subtle, elemental and remote as his aesthetic advocate. It is therefore, brings this version of the music into a full play of the Confucius doctrine of the Mean.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u9633\u6625\u300b<\/strong><\/h2>

\u3000\u3000\u300a\u967d\u6625\u300b\u4e00\u66f2\u70ba\u5f8b\u5442\u4e2d\u4e4b\u7a00\u8072\u4e5f\uff0c\u6700\u65e9\u6536\u9304\u5728\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0a\u5377\u592a\u53e4\u795e\u54c1\u4e2d\u3002\u81de\u4ed9\u6309\uff0c\u5b8b\u7389\u5c0d\u695a\u8944\u66f0\uff1a\u201c\u967d\u6625\u3001\u767d\u96ea\uff0c\u66f2\u5f4c\u9ad8\u800c\u548c\u5f4c\u5be1\u3002\u201d\u81f3\u5510\u9ad8\u5b97\u6642\uff0c\u5176\u66f2\u7d55\u7109\u3002\u986f\u6176\u4e8c\u5e74\uff0c\u547d\u592a\u5e38\u589e\u4fee\u820a\u66f2\uff0c\u5442\u624d\u4e0a\u8a00\uff1a\u201c\u967d\u6625\u767d\u96ea\uff0c\u8abf\u9ad8\u5be1\u548c\uff0c\u5b8b\u7389\u4ee5\u4f86\uff0c\u8fc4\u4eca\u5343\u8f09\uff0c\u672a\u6709\u80fd\u8005\u3002\u4eca\u4f9d\u7434\u4e2d\u820a\u66f2\uff0c\u5b9a\u5176\u5bae\u5546\uff0c\u800c\u4f5c\u662f\u66f2\u3002\u201d\u6545\u6709\u50b3\u7109\u3002
\u66f2\u8abf\u4e2d\u6b63\u548c\u5e73\uff0c\u758e\u758e\u6fb9\u6fb9\uff0c\u84cb\u53d6\u842c\u7269\u56de\u6625\uff0c\u548c\u98a8\u6de1\u8569\u4e4b\u610f\u3002\u7434\u5b97\u56b4\u5929\u6c60\u65bc\u9087\u5e74\u59cb\u5f97\u5176\u610f\uff0c\u8ce6\u8a69\u4e91\uff1a\u201c\u5e7e\u56de\u62c8\u51fa\u967d\u6625\u8abf\uff0c\u6708\u6eff\u897f\u6a13\u4e0b\u6307\u9072\u3002\u201d
The earliest extant notation is from Mysterious Scores of Qin (1425). Mysterious Scores of Qin has a note on this piece which reads, \u201cA portrait of ten thousand things in peace and harmony with Spring.\u201d
The Sunny Spring and White Snow was a famous ancient piece. Later, it was separated into two independent tunes. LU Cai of the Tang Dynasty re-composed them in accordance with the old qin tradition. The music is lively and vivacious, as if the spring came to the earth and everything looked fresh and gay.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u96b1\u5fb7\u300b<\/strong><\/h2>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\uff0c\u4e2d\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6536\u6709\u300a\u96b1\u5fb7\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u6614\u5728\u592a\u6a38\u4e4b\u4e16\u5fd7\u58eb\u4ec1\u4eba\u62b1\u4e0d\u4e16\u4e4b\u624d\uff0c\u61f7\u9ad8\u6f54\u4e4b\u5fd7\uff0c\u6216\u96b1\u540d\u65bc\u5ca9\u58d1\uff0c\u6216\u5c45\u65bc\u5e02\u5edb\uff0c\u88ab\u8910\u61f7\u741b\uff0c\u4ee5\u990a\u6d69\u7136\u4e4b\u6c23\uff0c\u4e0d\u70ba\u4eba\u77e5\u3002\u6545\u66f0\uff0c\u541b\u5b50\u76db\u5fb7\uff0c\u5bb9\u8c8c\u82e5\u611a\uff0c\u4e43\u4f5c\u662f\u66f2\uff0c\u4ee5\u901a\u4e4e\u795e\u660e\u800c\u8a34\u5df1\u4e4b\u5fd7\u4e5f\u3002\u201d This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cThe music described that one who has unalterable great ambitious and seek neither fame nor gain, has no choice but to go into hiding and become a hermit\u201d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u96e2\u9a37\u300b<\/strong><\/h2>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0b\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u96e2\u9a37\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u96e2\u9a37\u4e4b\u64cd\u6709\u4e8c\uff0c\u5176\u5341\u516b\u6bb5\u8005\uff0c\u5c48\u539f\u81ea\u4f5c\u4e5f\uff1b\u5341\u4e00\u6bb5\u8005\uff0c\u5f8c\u4eba\u8ffd\u611f\u800c\u4f5c\u4e5f\u3002\u6309\u96e2\u9a37\u7d93\u66f0\uff1a\u2018\u5c48\u539f\u540d\u5e73\uff0c\u8207\u695a\u540c\u59d3\uff0c\u4ed5\u65bc\u61f7\u738b\u70ba\u4e09\u95ad\u5927\u592b\uff0c\u4e09\u95ad\u4e4b\u8077\u638c\u738b\u65cf\u4e09\u59d3\uff0c\u66f0\u662d\u3001\u5c48\u3001\u666f\u3002\u5c48\u539f\u5e8f\u5176\u8b5c\u5c6c\uff0c\u7387\u5176\u8ce2\u826f\uff0c\u4ee5\u53b2\u570b\u58eb\u3002\u5165\u5247\u8207\u738b\u5716\u8b70\u653f\u4e8b\uff0c\u6c7a\u5b9a\u5acc\u7591\uff1b\u51fa\u5247\u76e3\u5bdf\u7fa4\u4e0b\uff0c\u61c9\u5c0d\u8af8\u4faf\uff0c\u8b00\u884c\u8077\u4fee\u3002\u738b\u4ee5\u89aa\u89aa\uff0c\u73cd\u4e4b\u3002\u5f8c\u88ab\u8b92\uff0c\u738b\u758f\u5c48\u539f\uff0c\u89aa\u89aa\u65e5\u8870\uff0c\u539f\u6182\u5fc3\u7169\u4e82\uff0c\u4e0d\u77e5\u6240\u612c\uff0c\u4e43\u4f5c\u96e2\u9a37\u3002\u4e0a\u8ff0\u5510\u3001\u865e\u4e09\u540e\u4e4b\u6cbb\uff0c\u4e0b\u5e8f\u6840\u3001\u7d02\u3001\u7fbf\u3001\u6f86\u4e4b\u4e82\uff0c\u5180\u541b\u89ba\u609f\uff0c\u53cd\u65bc\u6b63\u9053\uff0c\u800c\u9084\u5df1\u4e5f\u3002\u2019\u662f\u6642\u79e6\u4f7f\u5f35\u5100\u8b4e\u8a50\uff0c\u8a98\u8207\u4ff1\u6703\u6b66\u95dc\uff0c\u539f\u8aeb\u61f7\u738b\u52ff\u884c\uff0c\u4e0d\u807d\u800c\u5f80\uff0c\u9042\u70ba\u6240\u8105\uff0c\u5352\u5ba2\u6b7b\u65bc\u79e6\uff1b\u800c\u8944\u738b\u7acb\uff0c\u5fa9\u7528\u8b92\u8a00\uff0c\u9077\u5c48\u539f\u65bc\u6c5f\u5357\u3002\u539f\u5fa9\u4f5c\u4e5d\u6b4c\u3001\u5929\u554f\u3001\u9060\u904a\u3001\u6f01\u7236\u7b49\u7bc7\uff0c\u5180\u4f38\u5df1\u5fd7\uff0c\u4ee5\u609f\u541b\u5fc3\uff0c\u800c\u7d42\u4e0d\u898b\u7701\u3002\u4e0d\u5fcd\u898b\u5176\u5b97\u570b\u5c07\u9042\u5371\u4ea1\uff0c\u4e43\u4ed8\u8af8\u5fbd\u8eeb\u544a\u4e4e\u4e0a\u4e0b\u4e5f\u3002\u201d
\u662f\u66f2\u4e43\u5f8c\u4eba\u64ec\u4f5c\uff0c\u4f7f\u5c48\u539f\u5805\u6301\u771f\u7406\uff0c\u4e0d\u5c48\u4e0d\u6493\u7684\u7cbe\u795e\uff0c\u5f97\u5230\u6df1\u523b\u7684\u5c55\u73fe\u3002
This is a piece firstly published in the Mysterious Scores of Qin (1425).The compiler attributes the work to QU Yuan, a great poet dating back to 343-ca. 277 B.C., himself, but scholars admittedly relate this version to CHEN Kang-shi, a qin master of the Tang Dynasty.
The music is characteristic, reflecting QU Yuan\u2019s mood while he was maliciously slandered and unjustly banished from the Kingdom. Here is an exploration.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u9824\u771f\u300b<\/strong><\/h2>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\uff0c\u4e0a\u5377\u592a\u53e4\u795e\u54c1\u6700\u5f8c\u4e00\u66f2\u70ba\u300a\u9824\u771f\u300b\uff0c\u81de\u4ed9\u6309\uff0c\u300a\u7434\u53f2\u300b\u66f0\uff1a\u201c\u9824\u771f\u8005\uff0c\u5510\u8463\u5ead\u862d\u4e4b\u6240\u4f5c\u4e5f\u3002\u9824\uff0c\u990a\u4e5f\u3002\u9053\u66f8\u8b02\u5be1\u6b32\u4ee5\u990a\u5fc3\uff0c\u975c\u606f\u4ee5\u990a\u771f\uff1b\u5b88\u4e00\u8655\u548c\uff0c\u9ed8\u5951\u81f3\u9053\u3002\u77e7\u7434\u70ba\u5a1b\u6027\u4e4b\u6a02\uff0c\u6545\u88fd\u662f\u66f2\u8005\uff0c\u4ee5\u9824\u771f\u540d\u4e4b\u3002\u201d<\/p>


This is a piece firstly published in the Mysterious Scores of Qin (1425). The explanatory notes for this piece, according to the History of Qin reads, \u201cThe piece was composed by DONG Ting-lan. According to the book of Dao, playing the qin can preserve one\u2019s health and keep it fit to live comfortably.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u9ad8\u5c71\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u6536\u9304\u5728\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0a\u5377\u592a\u53e4\u795e\u54c1\u4e2d\u3002\u81de\u4ed9\u66f0\uff1a\u201c\u9ad8\u5c71\u6d41\u6c34\u4e8c\u66f2\uff0c\u672c\u53ea\u4e00\u66f2\u3002\u521d\u5fd7\u5728\u4e4e\u9ad8\u5c71\uff0c\u8a00\u4ec1\u8005\u6a02\u5c71\u4e4b\u97f3\uff0c\u5f8c\u5fd7\u5728\u4e4e\u6d41\u6c34\uff0c\u8a00\u667a\u8005\u6a02\u6c34\u4e4b\u610f\u3002\u81f3\u5510\uff0c\u5206\u70ba\u5169\u66f2\uff0c\u4e0d\u5206\u6bb5\u6578\u3002\u81f3\u5b8b\uff0c\u5206\u9ad8\u5c71\u70ba\u56db\u6bb5\uff0c\u6d41\u6c34\u70ba\u516b\u6bb5\u3002\u201d\u9ad8\u5c71\u4e00\u66f2\uff0c\u50b3\u81f3\u8fd1\u4ee3\u70ba\u5ddd\u6d3e\u6700\u5bcc\u9e97\u4e4b\u7bc7\uff0c\u8868\u73fe\u7a7a\u5c71\u5c65\u97ff\uff0c\u56db\u9867\u7121\u4eba\uff0c\u77bb\u671b\u767d\u96f2\uff0c\u6709\u9ad8\u5c71\u4ef0\u6b62\u4e4b\u610f\u8da3\u3002 This masterpiece was first found in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cHigh Mountains and Flowing Water are actually one single piece, with the former depicting the high mountain and expressing the gentlemen\u2019s interests in the mountain scenery while the later shows the fondness in flowing water. In Tang Dynasty, the piece is divided into two individual ones. And in Song Dynasty, it becomes the High Mountains with four sections and Flowing Water with eight sections. Nowadays, the High Mountains has been the richest and splendid piece of the Chuan School.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u9e7f\u9cf4\u300b<\/strong><\/h2>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u842c\u66c6\uff08\u516c\u5143\u4e00\u516d\u4e00\u516b\u5e74\uff09\u5f35\u5ef7\u7389\u7de8\u8f2f\u4e4b\u300a\u7406\u6027\u5143\u96c5\u300b\u4e2d\u3002\u64da\u8a72\u66f8\u89e3\u984c\u4e91\uff1a\u201c\u6b64\u8a69\u5c0f\u96c5\uff0c\u5468\u738b\u4e5e\u8a00\u65bc\u5609\u8cd3\uff0c\u88ab\u4e4b\u7d43\u5fbd\u70ba\u71d5\u4eab\u901a\u7528\u4e4b\u6a02\u6b4c\u4e5f\u3002\u4eca\u4e4b\u9e7f\u9cf4\u4f73\u5bb4\uff0c\u9109\u98f2\u9152\u79ae\uff0c\u7686\u4f5c\u70ba\u8072\u6b4c\uff0c\u800c\u7d72\u6850\u5c11\u50b3\u3002\u592b\u4ee5\u5927\u5178\u79ae\u800c\u96c5\u6a02\u4e0d\u50b3\uff0c\u975e\u4e00\u5927\u7f3a\u5178\u4e4e\uff1f\u4f59\u7279\u7de8\u4e4b\u8b5c\uff0c\u7948\u96c5\u97f3\u4e4b\u4e0d\u5ee2\u3002\u201d\u300a\u7434\u64cd\u300b\u5247\u4e91\uff1a\u201c\u79bd\u7378\u5f97\u7f8e\u7518\u4e4b\u98df\u5c1a\u77e5\u76f8\u547c\uff0c\u50b7\u6642\u5728\u4f4d\u4e4b\u4eba\u4e0d\u80fd\uff0c\u4e43\u63f4\u7434\u800c\u523a\u4e4b\uff0c\u6545\u66f0\u9e7f\u9cf4\u4e5f\u3002<\/p>

\u201d This is a piece firstly published in the Lixing Yuanya (1618). The explanation notes said that this was a poem. Emperor Zhou made it to be a qin music and had it played during feast and carouse. But in the book Music of Qin said that, \u201cWhen animals got sweet and refreshing food, they might call out for their race. But for those who had power and position, they would not do so.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

\u300a\u695a\u6b4c\u300b<\/strong><\/h2>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0b\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u695a\u6b4c\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u53e4\u66f2\u4e5f\u3002\u6309\u9805\u7fbd\u81f3\u5793\u4e0b\uff0c\u8207\u6f22\u6230\u4e0d\u52dd\uff0c\u5165\u65bc\u58c1\uff0c\u6f22\u5175\u570d\u4e4b\u6578\u91cd\u3002\u97d3\u4fe1\u4f7f\u8ecd\u4e2d\u7686\u4f5c\u695a\u6b4c\u4e4b\u8072\uff0c\u9805\u7fbd\u591c\u805e\uff0c\u5927\u9a5a\u66f0\uff1a\u2018\u6f22\u7686\u5df2\u5f97\u695a\u4e4e\uff1f\u662f\u4f55\u695a\u4eba\u4e4b\u591a\u4e5f\uff01\u2019\u4e43\u591c\u8d77\u98f2\u5e33\u4e2d\uff0c\u60b2\u6b4c\u6177\u6168\uff0c\u6b32\u8207\u865e\u59ec\u76f8\u5225\u3002\u81ea\u70ba\u6b4c\u66f0\uff1a\u2018\u529b\u62d4\u5c71\u516e\u6c23\u84cb\u4e16\uff0c\u6642\u4e0d\u5229\u516e\u9a05\u4e0d\u901d\uff0c\u9a05\u4e0d\u901d\u516e\u53ef\u5948\u4f55\uff0c\u865e\u516e\u865e\u516e\u5948\u82e5\u4f55\uff01\u2019\u6b4c\u6578\u95cb\uff0c\u865e\u59ec\u548c\u4e4b\u3002\u56e0\u6ce3\u4e0b\uff0c\u5de6\u53f3\u7686\u6ce3\uff0c\u83ab\u80fd\u4ef0\u8996\uff0c\u800c\u865e\u59ec\u56e0\u53d6\u528d\u81ea\u520e\u3002\u65bc\u662f\u7fbd\u4e58\u99ff\u99ac\uff0c\u9ebe\u4e0b\u58ef\u58eb\u5f9e\u8005\u516b\u767e\u9918\u4eba\uff0c\u76f4\u591c\u6f70\u570d\u5357\u51fa\u3002\u5e73\u660e\uff0c\u6f22\u8ecd\u89ba\u800c\u8ffd\u4e4b\uff0c\u65bc\u662f\u91cd\u77b3\u7121\u5149\uff0c\u5175\u6563\u52e2\u53bb\uff0c\u81f3\u65bc\u70cf\u6c5f\u7562\u77e3\uff0c\u4e8e\u6642\u4e4b\u4eba\uff0c\u611f\u5176\u4e8b\u800c\u4f5c\u7d43\u6b4c\u4ee5\u60bc\u7109\u3002\u201d
\u81f3\u65bc\u662f\u66f2\u4f5c\u8005\uff0c\u300a\u592a\u97f3\u88dc\u907a\u300b\u66f0\uff1a\u201c\u7559\u4faf\u4f5c\uff0c\u5f8c\u4eba\u589e\u76ca\u4e4b\u3002\u201d\u53c8\u300a\u592a\u53e4\u907a\u97f3\u300b\uff08\u694a\u6384\uff09\u4e91\uff1a\u201c\u6309\u662f\u66f2\uff0c\u4e43\u6f22\u5e2b\u5f35\u5b50\u623f\u6240\u4f5c\u4e5f\u3002\u201d<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads that, this is an old piece. It concerns XIANG Yu of Chu (who is defeated by LIU Bang led to the latter establishing the Han Dynasty in 202 BC) coming to Gai Xia, being unable to defeat the Han soldiers, entering a ravine, where the Han soldiers surrounded him several layers deep. HAN Xin (the Han general) caused his soldiers all to sound out with songs of Chu. XIANG Yu heard this at night, and was greatly alarmed, saying, \u201cHas Han already overcome Chu? If this is so, how can the men of Chu be so numerous!\u201d Then he got up and drank in his tent. He sadly sang about forgetting his troubles, and planned to bid farewell to his wife Yu Ji. He himself made a song which said, \u201cMy strength can lift mountains, and my horse Zhui is no longer quick; When Zhui is no longer quick, what can I do? Alas, Yu Ji; alas, Yu Ji; what will become of you?\u201d
He sang this several times, and Yu Ji joined him. Thus their tears flowed down, and all his followers cried. When none could look up at them, Yu Ji took a sword and slit her throat. Thereupon XIANG Yu mounted his fast horse, together with over 800 strong comrades under his banner, and went out into the night and broke through the blockade toward the south. At dawn, when the Han soldiers realized this they chased them, consequently his double pupils had no more hope. His soldiers scattered and his power lost. He came to the Wu River, after refusing the offer of a boatman to take him across to safety by saying that he had lost all his honor, he then perished by slitting his throat.
Someone of that time was moved by this affairs, and composed a qin song to commemorate it.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h1>

\u300a\u79cb\u6c34\u300b<\/strong><\/h1>

\u3000\u3000\u5e84\u5b50\u7bc7\u540d\u4e2d\u6709\u300a\u79cb\u6c34\u300b\u7bc7\u3002\u7434\u66f2\u300a\u79cb\u6c34\u300b\u4ea6\u5373\u300a\u795e\u5316\u66f2\u300b\uff0c\u53c8\u540d\u300a\u795e\u5316\u5f15\u300b\uff0c\u66f2\u8c03\u60a6\u8033\uff0c\u4f7f\u4eba\u6709\u8d85\u5c18\u8131\u4fd7\u4e4b\u611f\uff0c\u501f\u5e84\u5b50\u4e4b\u7bc7\u540d\uff0c\u4ee5\u55bb\u9053\u5bb6\u5929\u4eba\u5408\u4e00\u4e4b\u601d\u60f3\u3002<\/p>

\u55bb\u7ecd\u6cfd\uff1a\u4e00\u4e5d\u516d\u4e00\u5e74\u516d\u6708\u4e8c\u65e5\u636e\u300a\u5929\u95fb\u9601\u7434\u8c31\u300b\u672c \u00a07:15<\/strong><\/p>

\u00a0<\/strong><\/p>

Autumn Water<\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In the Book of Zhuang Zi<\/em>, there is a chapter called the Autumn Water<\/em>. There is a qin<\/em> piece also called the Autumn Water<\/em> which has another names called Magical Tune<\/em> or Magical Yin<\/em>. The graceful melody and the name of the qin<\/em> piece from Zhuang Zi\u2019s book reflects the Taoism of the Heaven and human beings are with the same thought.<\/p>

YU Shao-ze <\/strong>: Transcribed on June 2, 1961 according to the Qin Scores of Tian Wen Ge \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0\u00a07:15<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h1>

\u300a\u9633\u6625\u300b<\/strong><\/h1>

\u3000\u3000\u6b64\u66f2\u6388\u81ea\u6c89\u8349\u519c\uff0c\u5168\u66f2\u51b2\u548c\u96c5\u6fb9\uff0c\u97f5\u81f4\u9ad8\u9038\u3002\u300a\u795e\u5947\u79d8\u8c31\u300b\u4e2d\u300a\u767d\u96ea\u300b\u89e3\u9898\u8c13\uff1a\u201c\u9633\u6625\u53d6\u4e07\u7269\u77e5\u6625\uff0c\u548c\u98ce\u6de1\u8361\u4e4b\u610f\u3002\u201d<\/p>

\u8521\u5fb7\u5141\uff1a\u4e00\u4e5d\u516b\u25cb\u5e74\u4ee3\u64da\u300a\u8aa0\u4e00\u5802\u7434\u8b5c\u300b\uff08\u4e00\u4e03\u25cb\u4e94\u5e74\uff09\u672c \u00a07:52<\/strong><\/p>

\u00a0<\/strong><\/p>

Sunny Spring<\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The earliest extant notation is from Mysterious Scores of Qin<\/em>, this version is from the Qin Scores of Cheng Yi Tang<\/em> (1705). Mysterious Scores of Qin<\/em> has a note on this piece which reads, \u201cA portrait of ten thousand things in peace and harmony with Spring.\u201d<\/p>

TSAR The-yun <\/strong>: Transcribed in 1980\u2019s according to the Qin Scores of Cheng Yi Tang <\/em>(1705)\u00a0\u00a0 7:52<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h1>

\u300a\u9152\u72c2\u300b<\/strong><\/h1>

\u3000\u3000\u6309\u300a\u795e\u5947\u79d8\u8c31\u300b\u6240\u8f7d\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u962e\u7c4d\u6240\u4f5c\u4e5f\u3002\u7c4d\u53f9\u9053\u4e4b\u4e0d\u884c\uff0c\u4e0e\u65f6\u4e0d\u5408\uff0c\u6545\u5fd8\u4e16\u8651\u4e8e\u5f62\u9ab8\u4e4b\u5916\uff0c\u8a17\u5174\u4e8e\u9157\u9152\uff0c\u4ee5\u4e50\u7ec8\u8eab\u4e4b\u5fd7\u3002\u5176\u8da3\u4e5f\u82e5\u662f\uff0c\u5c82\u771f\u55dc\u4e8e\u9152\u8036\uff0c\u6709\u9053\u5b58\u7109\u3002\u201d\u7385\u5728\u4e8e\u5176\u4e2d\uff0c\u6545\u4e0d\u4e3a\u4fd7\u5b50\u9053\uff0c\u8fbe\u8005\u5f97\u4e4b\u3002<\/p>

\u59da\u4e19\u708e\uff1a\u4e00\u4e5d\u4e94\u4e5d\u5e74\u516b\u6708\u4e8c\u5341\u4e00\u65e5\u636e\u300a\u795e\u5947\u79d8\u8c31\u300b\u672c \u00a02:12<\/strong><\/p>

\u00a0<\/strong><\/p>

Man Crazy for Wine <\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 RUAN Ji (210-263), a celebrated Wei literati, composed the piece. Except the vivid image of being drunk, the piece, according to the program notes of Mysterious Scores of Qin<\/em>, also has deep philosophical meaning in regarding to RUAN Ji\u2019s life and time.<\/p>

YAO<\/strong> Bing-yan <\/strong>: Transcribed on August 21, 1959 according to the Mysterious Scores of Qin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0 2:12<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h1>

\u300a\u5e7d\u5170\u300b<\/strong><\/h1>

\u3000\u3000\u65e5\u672c\u4eac\u90fd\u897f\u8d3a\u8302\u795e\u5149\u9662\u73cd\u85cf\u6709\u4e00\u624b\u6284\u5377\u5b50\u300a\u5e7d\u5170\u300b\uff0c\u662f\u73b0\u5b58\u6700\u65e9\u7528\u6587\u5b57\u8c31\u5f0f\u5199\u6210\u7684\u4e00\u9996\u53e4\u7434\u66f2\uff0c\u4e3a\u5357\u671d\u6881\u4ee3\u4e18\u660e\u6240\u4f20\uff0c\u539f\u8c31\u672a\u7f72\u4f5c\u8005\u59d3\u540d\uff0c\u8c31\u524d\u51a0\u6709\u201c\u78a3\u77f3\u8c03\u201d\uff0c\u6545\u53c8\u79f0\u300a\u78a3\u77f3\u8c03\u2027\u5e7d\u5170\u300b\u3002\u4e00\u516b\u516b\u56db\u5e74\uff0c\u6768\u5b88\u656c\u5c06\u4e4b\u5f71\u5370\u5e26\u56de\u4e2d\u56fd\uff0c\u88ab\u9ece\u5eb6\u660c\u6536\u5165\u300a\u53e4\u9038\u4e1b\u4e66\u300b\uff08\u4e00\u516b\u516b\u4e94\u5e74\uff09\u4e2d\u3002\u5176\u540e\u7434\u5bb6\u4eec\u76f8\u7ee7\u5bf9\u8be5\u66f2\u8fdb\u884c\u201c\u6253\u8c31\u201d\uff0c\u4e00\u4e5d\u516b\u4e09\u5e74\u5434\u6587\u5149\u5728\u524d\u4eba\u7814\u7a76\u57fa\u7840\u4e0a\u518d\u5ea6\u89e3\u8bd1\uff0c\u7a81\u51fa\u4e86\u66f2\u4e2d\u5e7d\u6124\u3001\u4f24\u611f\u3001\u5149\u660e\u3001\u5766\u8361\u3001\u96c5\u6d01\u3001\u6e05\u9ad8\u3001\u6e05\u58ee\u3001\u611f\u594b\u7b49\u5185\u6db5\uff0c\u5c31\u597d\u50cf\u6df1\u5c71\u5e7d\u8c37\u7684\u5170\u82b1\uff0c\u6292\u53d1\u6000\u624d\u4e0d\u9047\uff0c\u9b31\u9b31\u4e0d\u5f97\u5fd7\u7684\u5fc3\u60c5\u3002<\/p>

\u5434\u6587\u5149\uff1a\u4e00\u4e5d\u516b\u4e09\u5e74\u4e03\u6708\u636e\u300a\u53e4\u9038\u4e1b\u4e66\u300b\u672c \u00a010:52<\/strong><\/p>

\u00a0<\/strong><\/p>

Orchid in Seclusion<\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In the Royal Museum of Kyoto, Japan, there sits one hand-written tablature of Orchid in Seclusion<\/em>, which is believed to be the oldest qin<\/em> score. It is attributed to QIU Ming of the Southern Dynasty, although the composer did not put down his signature. A prefix \u201cJie Shi Tune<\/em>\u201d was found on the score, so it is sometimes referred to as Jie Shi Tune, Orchid in Seclusion<\/em>. In 1884 YANG Shou-jing brought the facsimile back to China and it was subsequently included into the Gu Yi Series<\/em>. A lot of qin <\/em>players have published their transcriptions of this piece. The one offered by WU Wen-guang in 1983 was based on the research of scholars before him and his own interpretation. It highlights some inner qualities found in the music: the hidden resentment, the sadness, the brightness, the frankness, the elegance, the unworldliness and the passion. They characterize someone who resembles an orchid in a deep valley. He is very depressed because nobody recognizes his talent<\/p>

WU Wen-guang <\/strong>: Transcribed in July 1983 according to the Gu Yi Series\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0\u00a0 10:52<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u5546\u610f\u300b<\/strong><\/p>

\u5728\u300a\u795e\u5947\u79d8\u8b5c\u300b\uff081425\uff09\u4e2d\u5377\u7684\u5546\u8abf\u66f2\u6709\u500b\u5947\u7279\u7684\u97f3\u968e\uff0c\u591a\u7528\u534a\u97f3\uff0c\u4e4d\u807d\u4f3c\u5bae\u8abf\u800c\u5be6\u5728\u4e0d\u662f\uff1b\u53ef\u60dc\u9019\u4e9b\u66f2\u5b50\u5728\u5f8c\u671f\u7684\u8b5c\u88e1\u6f38\u88ab\u6de8\u5316\uff0c\u534a\u97f3\u88ab\u522a\u9664\uff0c\u97f3\u968e\u7279\u8272\u76e1\u5931\u3002\u662f\u66f2\u4f7f\u7528\u9019\u53e4\u97f3\u968e\u5beb\u6210\uff0c\u5617\u8a66\u91cd\u62fe\u9019\u53e4\u8001\u800c\u807d\u4f86\u6e05\u65b0\u7684\u97fb\u5473\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u89d2\u610f\u300b<\/strong><\/p>

\u4e2d\u570b\u50b3\u7d71\u97f3\u6a02\u6709\u7528\u5bae\u8abf\u3001\u5546\u8abf\u3001\u5fb5\u8abf\u548c\u7fbd\u8abf\u5404\u8abf\u5f0f\uff1b\u9664\u5c11\u6578\u6c11\u4fd7\u97f3\u6a02\u5916\uff0c\u89d2\u8abf\u6a02\u66f2\u6975\u5c11\u3002\u662f\u66f2\u8a66\u7528\u4e03\u8072\u8b8a\u5fb5\u97f3\u968e\u4e4b\u89d2\u8abf\u5beb\u6210\uff0c\u52a0\u4e0a\u660e\u671d\u7434\u66f2\u7528\u7684\u300c\u6dd2\u6dbc\u8abf\u300d\u97f3\u968e\uff0c\u8ddf\u50b3\u7d71\u6e05\u671d\u7434\u66f2\u76f8\u6bd4\uff0c\u53e6\u6709\u4e00\u756a\u65b0\u610f\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u74b0\u4f69\u300b<\/strong><\/p>

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\u300a\u79cb\u98a8\u300b<\/strong><\/p>

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\u300a\u5e7d\u300b<\/strong><\/p>

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\u300a\u7317\u862d\u300b<\/strong><\/p>

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\u300a\u79aa\u601d\u300b<\/strong><\/p>

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\u300a\u96f2\u95d5\u300b<\/strong><\/p>

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\u300a\u96f2\u9059\u300b<\/strong><\/p>

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\u300a\u53e4\u821e\u300b<\/strong><\/p>

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\u300a\u821e\u2022\u6ba4\u300b<\/strong><\/p>

\uff08\u7434\u3001\u7b1b\u5b50\u3001\u4e2d\u962e\u3001\u4e8c\u80e1\u3001\u6253\u64ca\u6a02\uff09\u843d\u6728\u856d\u856d\uff0c\u4f3c\u61b6\u6c5f\u5357\u4e3b\uff0c\u66fe\u5e7e\u4f55\u6642\uff0c\u6216\u70ba\u541b\u7368\u821e\uff0c\u5948\u4f55\u4e00\u77ac\uff0c\u541b\u5fc3\u5df2\u4e0d\u5fa9\uff0c\u975c\u5f85\u6d41\u5e74\uff0c\u5fc3\u601d\u8352\u57ce\u8ce6\u3002\u5922\u6bc0\u5fc3\u5b89\uff0c\u7e41\u83ef\u7d42\u672a\u609f\uff0c\u534a\u4e16\u6d41\u96e2\uff0c\u672b\u6b64\u5225\u96e2\u8def\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u300a\u66ae\u2022\u66e6\u300b<\/strong><\/p>

\u53e4<\/strong>\u7434\u8207\u4e2d\u962e\u4e8c\u91cd\u594f\u300a\u66ae\u2022\u66e6\u300b\uff0c\u7c3f\u66ae\u6668\u66e6\uff0c\u65ed\u65e5\u6771\u6607\uff0c\u9010\u6f38\u662f\u71be\u71b1\u71e6\u721b\u7684\u664c\u5348\u3002\u5fae\u98a8\u8f15\u64ab\uff0c\u5915\u9732\u6efe\u4e0b\u82b1\u74e3\uff0c\u6697\u591c\u5bc2\u975c\u7121\u8072\uff0c\u7136\u800c\u8f49\u773c\u9593\uff0c\u4e00\u8f2a\u7d05\u65e5\u53c8\u5c07\u6607\u8d77\uff0c\u6642\u9593\u4e0d\u505c\u6b62\u8f49\u52d5\uff0c\u4ea6\u5728\u6c38\u9060\u8f2a\u8ff4\u3002<\/strong><\/p>

\u00a0<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u96e2\u9a37\u300b<\/strong><\/p>

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\u300a\u592a\u967d\u300b<\/strong><\/p>

\u662f\u6210\u516c\u4eae\u65bc<\/strong>2006\u5e74\u6839\u64da\u540c\u540d\u92fc\u7434\u66f2\u6539\u7de8\uff0c\u539f\u92fc\u7434\u66f2\u70ba\u5fb7\u570b\u5e74\u8f15\u4e00\u4ee3\u92fc\u7434\u5bb6\u3001\u4f5c\u66f2\u5bb6\u6d77\u7d0d\u2022\u683c\u862d\u6b3d\uff08Rainer Granzin\uff09\u65bc1999\u5e74\u5275\u4f5c\u3002\u300a\u592a\u967d\u300b\u5beb\u7684\u6e05\u6668\u65e5\u51fa\uff0c\u97f3\u6a02\u5f62\u8c61\u5341\u5206\u9bae\u660e\u3002\u6e05\u65b0\u65cb\u5f8b\u5982\u5189\u5189\u6607\u8d77\u7684\u592a\u967d\uff0c\u5149\u8292\u56db\u5c04\uff0c\u751f\u6a5f\u52c3\u52c3\uff1b\u90a3\u8c50\u5bcc\u7684\u8272\u5f69\u8b8a\u5316\uff0c\u5982\u8000\u773c\u7684\u971e\u5149\uff0c\u5982\u6591\u6595\u6d41\u52d5\u7684\u96f2\u5f69\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u662f\u6210\u516c\u4eae\u65bc<\/strong>2013\u5e747\u6708\u6839\u64da\u5c3c\u6cca\u723e\u74ca\u82f1\u5353\u746a\u7684\u8a60\u5531\u6539\u7de8\u70ba\u53e4\u7434\u66f2\u3002\u74ca\u82f1\u5353\u746a\u7684\u8a60\u5531\uff0c\u860a\u85cf\u8457\u4f5b\u6559\u7684\u60b2\u61ab\u60c5\u61f7\uff0c\u8072\u97fb\u59d4\u5a49\u7d30\u81a9\u3002\u53e4\u7434\u6539\u7de8\u66f2\u529b\u5716\u4fdd\u6301\u9019\u7a2e\u8072\u97fb\u7279\u8272\uff0c\u5de6\u624b\u5927\u6307\u4e0d\u65b7\u5728\u516d\u3001\u4e03\u5f26\u4e0a\u4f86\u56de\u63db\u5f26\u7dbd\u6ce8\uff0c\u662f\u9019\u4e00\u9996\u53e4\u7434\u5c0f\u66f2\u7684\u6307\u6cd5\u7279\u8272\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u53e4\u7434\u6a02\u66f2\u4ecb\u7d39 – Guqin Programme Notes \u6eaf \u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0 Trace Back \u5e7d\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Silence \u84ee\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Lotus \u4f69\u862d\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Fragrant Orchid (Peri Lan) \u5076\u6210\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 By Chance (Oucheng) \u51f1\u6b4c\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A Song of Triumph (Kaige) \u53e4\u6028\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Ancient Sorrow (Gu Yuan) \u56de\u61b6\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Thinking Back with Beautiful Memories (Hui Yi) \u5927\u96c5\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 The Dynastic Song (Da Ya) \u5e7d\u5c45\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Secluded Residence (Youju) \u5e7d\u862d\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Orchid in Seclusion \u5fd8\u6182\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Forgetting the Sorrow (Wangyou) \u61f7\u53e4\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Thinking of Old Times (Huai Gu) \u62db\u96b1\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Recruitment of the Hermitic Friends (Zhao Yin) \u660e\u541b\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 An Intelligent Monarch (Mingjun) \u6625\u98a8\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Spring Breeze (Chun Feng) \u6a35\u6b4c\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Song of Woodcutter (Qiao Ge) \u6b38\u4e43\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sound of Rowing a Boat (Ao Ai) \u6d41\u6c34\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Flowing Water (Liushui) \u6f01\u6b4c\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Song of the Fisherman (Yu Ger) \u7384\u9ed8\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Beyond the Region of Objective Existence (Xuanmo) \u767d\u96ea\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 White Snow (Bai Xue<\/p>","protected":false},"author":2,"featured_media":0,"parent":28,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"footnotes":""},"class_list":["post-2446","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/chinesemusicarchive.com\/zh_cn\/wp-json\/wp\/v2\/pages\/2446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chinesemusicarchive.com\/zh_cn\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chinesemusicarchive.com\/zh_cn\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chinesemusicarchive.com\/zh_cn\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/chinesemusicarchive.com\/zh_cn\/wp-json\/wp\/v2\/comments?post=2446"}],"version-history":[{"count":397,"href":"https:\/\/chinesemusicarchive.com\/zh_cn\/wp-json\/wp\/v2\/pages\/2446\/revisions"}],"predecessor-version":[{"id":28959,"href":"https:\/\/chinesemusicarchive.com\/zh_cn\/wp-json\/wp\/v2\/pages\/2446\/revisions\/28959"}],"up":[{"embeddable":true,"href":"https:\/\/chinesemusicarchive.com\/zh_cn\/wp-json\/wp\/v2\/pages\/28"}],"wp:attachment":[{"href":"https:\/\/chinesemusicarchive.com\/zh_cn\/wp-json\/wp\/v2\/media?parent=2446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}