{"id":20304,"date":"2022-10-11T18:57:35","date_gmt":"2022-10-11T10:57:35","guid":{"rendered":"https:\/\/chinesemusicarchive.com\/?page_id=20304"},"modified":"2023-07-14T13:05:06","modified_gmt":"2023-07-14T05:05:06","slug":"guqin-pn3","status":"publish","type":"page","link":"https:\/\/chinesemusicarchive.com\/zh\/info-db\/p-notes\/guqin-pn3\/","title":{"rendered":"\u6a02\u66f2\u4ecb\u7d39\u53e4\u74343"},"content":{"rendered":"\t\t
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\u53e4\u7434\u6a02\u66f2\u4ecb\u7d39(3) - Guqin Programme Notes(3)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00a0<\/h3>

\u300a\u9f8d\u6714\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0b\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u9f8d\u6714\u64cd\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u7576\u5143\u5e1d\u6642\uff0c\u6f22\u5ba4\u7a0d\u5f37\uff0c\u5308\u5974\u55ae\u4e8e\u61fc\u5176\u5f81\u4f10\uff0c\u6545\u81ea\u4f86\u671d\uff0c\u9858\u70ba\u6f22\u5a7f\uff0c\u4ee5\u4fdd\u585e\u5916\uff0c\u800c\u5e1d\u9042\u4ee5\u662d\u541b\u8cdc\u4e4b\u3002\u4e14\u662d\u541b\u6700\u7f8e\uff0c\u56e0\u4e0d\u5f97\u70ba\u6f22\u5bae\u4e4b\u5b2a\u5fa1\uff0c\u800c\u5fa9\u5ac1\u65bc\u5937\u72c4\u8165\u7fb6\u4e4b\u4eba\uff0c\u65bc\u662f\u63a9\u9762\u96f6\u6d95\uff0c\u542b\u6068\u5317\u53bb\uff0c\u800c\u6709\u85b0\u8555\u5171\u5668\u4e4b\u7f9e\uff0c\u51b0\u70ad\u540c\u7210\u4e4b\u6028\u3002\u7576\u6642\u4e4b\u4eba\uff0c\u6709\u50b7\u7d05\u984f\u8584\u547d\u4e4b\u5606\uff0c\u6545\u4f5c\u5f26\u6b4c\uff0c\u4ee5\u5f62\u5bb9\u800c\u55df\u60bc\u4e4b\u3002\u201d
\u6b64\u66f2\u300a\u592a\u53e4\u907a\u97f3\u300b\uff08\u8b1d\u7433\uff09\u3001\u300a\u91cd\u4fee\u771f\u50b3\u7434\u8b5c\u300b\u3001\u300a\u7406\u6027\u5143\u96c5\u300b\u8af8\u8b5c\u540d\u4e4b\u66f0\uff1a\u300a\u662d\u541b\u6028\u300b\uff1b\u66f2\u610f\u50b7\u611f\uff0c\u97f3\u97fb\u6dd2\u5176\uff0c\u4e00\u7a2e\u6182\u6028\u73fe\u65bc\u6307\u4e0b\uff0c\u800c\u67d4\u5a9a\u5e7d\u5a49\uff0c\u78ba\u662f\u8277\u8cea\u60c5\u8178\uff0c\u594f\u8005\u9808\u610f\u6703\u4e4b\u3002<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cDuring the Han Dynasty, a northern tribe invaded China, but the Chinese could not defeat the enemy. The emperor granted the beautiful Lady Zhao-jun to the tribal leader as his wife in a hope to make peace with them.\u201d
The music describes the misery of Lady WANG Zhao-jun.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6e58\u6c5f\u6028\u300b<\/strong><\/h3>

\u662f\u4e00\u9996\u660e\u4ee3\u7434\u8b5c\u4e2d\u7684\u7434\u6b4c\u3002\u63cf\u5beb\u4e86\u821c\u7687\u5357\u5de1\u4e0d\u6b78\uff0c\u6b7b\u65bc\u84bc\u68a7\u4e4b\u91ce\uff0c\u5176\u5983\u5a25\u7687\u3001\u5973\u82f1\u60b2\u50b7\u54ed\u6ce3\uff0c\u4ee5\u6dda\u7051\u7af9\uff0c\u7af9\u7686\u67af\u6b7b\u7684\u53e4\u8001\u50b3\u8aaa\u3002\u6a02\u66f2\u7d50\u69cb\u898f\u6574\u6709\u5e8f\uff0c\u65cb\u5f8b\u6d41\u66a2\u800c\u5bcc\u6709\u60c5\u81f4\u3002<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u9ec3\u9daf\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u5143\u2027\u81f3\u5143\u516d\u5e74\uff08\u516c\u5143\u4e00\u4e8c\u516d\u4e5d\u5e74\uff09\u912d\u6c0f\u7a4d\u8aa0\u5802\u523b\u520a\uff0c\u5b8b\u2027\u9673\u5143\u975a\u7de8\u7e82\u7684\u300a\u7e82\u5716\u589e\u985e\u4e8b\u6797\u5ee3\u8a18\u300b\u4e2d\u5373\u6536\u6709\u300a\u958b\u6307\u9ec3\u9daf\u541f\u300b\u4e00\u66f2\uff0c\u662f\u5f48\u7434\u524d\u8abf\u5f04\u7684\u4e00\u9996\u4e0d\u53ef\u591a\u5f97\u7684\u8a5e\u66f2\u5c0f\u4ee4\uff0c\u5176\u610f\u501f\u9ec3\u9daf\u8d77\u8208\uff0c\u8868\u9054\u51fa\u5c0d\u81ea\u7531\u548c\u611b\u60c5\u7684\u56ae\u5f80\uff0c\u97f3\u6a02\u751f\u52d5\u800c\u5bcc\u6709\u6b4c\u5531\u6027\u3002
\u6a02\u66f2\u4e26\u672a\u6a19\u6709\u4f5c\u8005\u59d3\u540d\uff0c\u5176\u9ad4\u88c1\u77ed\u5c0f\u800c\u4e0d\u5206\u6bb5\uff0c\u8b5c\u65c1\u6709\u8a5e\u4e91\uff1a\u201c\u9ec3\u9daf\u9ec3\u9daf\u91d1\u8863\u7c07\uff0c\u96d9\u96d9\u8a9e\uff0c\u6843\u674f\u76ca\u6df1\u8655\u3002\u53c8\u96a8\u7159\u5916\u904a\u8702\u53bb\uff0c\u6063\u72c2\u6b4c\u821e\u3002\u201d\u6a02\u66f2\u77ed\u5c0f\u7cbe\u7149\uff0c\u50c5\u901a\u904e\u4e0a\u4e0b\u5169\u53e5\u6b4c\u8a5e\uff0c\u5c31\u5c07\u6625\u5929\u7684\u666f\u8c61\uff0c\u63cf\u7e6a\u5f97\u5341\u5206\u52d5\u4eba\u3002\u66f2\u8abf\u6e05\u65b0\u59d4\u5a49\uff0c\u6d41\u5229\u5225\u81f4\uff0c\u662f\u4e00\u9996\u4e0d\u53ef\u591a\u5f97\u7684\u85dd\u8853\u5c0f\u54c1\u3002<\/p>

In Yuan Dynasty (1269), Zheng\u2019s Ji Cheng Tang published the Shilin Guangji of CHEN Yuan-jing which included this qin piece and its lyrics. It is a rare specimen of a Ci poem of the Song Dynasty with music notation has been preserved today. The words depicts the orioles flying freely in the beautiful spring, symbolizing the women in the time longing freedom and emancipation from the feudal shackles. The music itself is vivid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u9cf3\u6c42\u51f0\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u56db\u4e5d\u5e74\uff09\u6c6a\u829d\u8f2f\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u5377\u4e8c\u5341\u56db\u4e2d\u3002\u64da\u8a72\u96c6\u4e91\uff1a\u201c\u53f8\u99ac\u76f8\u5982\u8584\u904a\u81e8\u909b\uff0c\u9047\u5353\u738b\u5b6b\u4e4b\u5973\u6587\u541b\uff0c\u65b0\u5be1\uff0c\u4f5c\u6b64\u6311\u4e4b\uff0c\u56e0\u5954\u76f8\u5982\uff0c\u8207\u4ff1\u6b78\u6210\u90fd\uff0c\u5f8c\u9042\u70ba\u4e4b\u7d43\u6b4c\u3002\u201d
\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u672c\u6240\u9304\u70ba\u5341\u6bb5\u5927\u8b5c\uff0c\u5f8c\u4eba\u4f9d\u5176\u6545\u4e8b\uff0c\u53e6\u64ec\u4f5c\u300a\u6587\u541b\u64cd\u300b\uff0c\u53c8\u53e6\u6709\u77ed\u5c0f\u7434\u6b4c\u300a\u9cf3\u6c42\u51f0\u300b\u64cd\uff0c\u5747\u70ba\u7570\u66f2\u540c\u65e8\u3002
This is a piece firstly published in the Xilutang Qintong (1549). According to the explanation notes of this collection, \u201cThis piece was referred to the love story of SIMA Xiang-ru and ZHUO Wen-jun.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u98db\u9cf4\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0b\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u98db\u9cf4\u541f\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u4e0d\u77e5\u4f55\u4eba\u6240\u4f5c\u4e5f\u3002\u7136\u66f2\u4e4b\u8da3\uff0c\u8a00\u9d3b\u4e4b\u70ba\u7269\uff0c\u77e5\u79cb\u800c\u5357\u8cd3\uff0c\u5533\u4e4e\u9704\u6f22\uff0c\u6c7a\u96f2\u842c\u91cc\uff0c\u7ff1\u7fd4\u56db\u6d77\uff0c\u5176\u5fd7\u4f55\u5927\u4e5f\uff01\u6545\u58ef\u5176\u4e8b\u800c\u5bd3\u7109\u3002\u201d
\u662f\u66f2\u5beb\u79cb\u9d3b\u4e4b\u98db\u9cf4\uff0c\u4ee5\u79cb\u6c23\u51dc\u51bd\uff0c\u5929\u9053\u8085\u6bba\uff0c\u6545\u77e5\u79cb\u5357\u8cd3\uff0c\u4ee5\u5176\u8072\uff0c\u54c0\u75db\u60bd\u6158\uff0c\u8207\u79cb\u8072\u800c\u4ff1\u50b7\uff0c\u4ee4\u807d\u4e4b\u8005\uff0c\u5a49\u7136\u6709\u7f88\u65c5\u96e2\u5225\u4e4b\u611f\u3002<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads that, this piece cannot be verified of the composer. The music itself depicts the autumn migration of wild geese. It is frequently played by a qin player before he plays another piece called Wild Geese in Autumn (Qiuhong).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u98a8\u96f7\u5f15\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u4e09\u4e5d\u5e74\uff09\u5fbd\u85e9\u6731\u539a\u721d\u8f2f\u300a\u98a8\u5ba3\u7384\u54c1\u300b\u5377\u4e94\u4e2d\u3002\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u4e91\uff1a\u201c\u5468\u516c\u6771\u5f81\uff0c\u56db\u570b\u6d41\u8a00\uff0c\u5929\u5927\u96f7\u96fb\u4ee5\u98a8\u79be\u76e1\u5043\uff0c\u5927\u6728\u62d4\u3002\u738b\u4e43\u5553\u91d1\u6ed5\u4e4b\u66f8\uff0c\u5f97\u5468\u516c\u4ee5\u8eab\u4ee3\u6b66\u738b\u4e4b\u8aaa\uff0c\u611f\u6ce3\u8fce\u516c\uff0c\u9042\u6709\u6b64\u66f2\u3002\u201d
\u6b64\u66f2\u758f\u66a2\u6e05\u8d8a\uff0c\u901a\u5fb9\u9020\u5316\uff0c\u8fe5\u7136\u795e\u77e3\uff0c\u81ea\u975e\u51e1\u8abf\uff0c\u84bc\u53e4\u5947\u7e31\uff0c\u7a81\u5140\u98c4\u5ffd\uff0c\u7121\u4e00\u6beb\u67d4\u9761\u4e4b\u97f3\u3002\u84cb\u8056\u4eba\u4ee5\u9077\u5584\u6539\u904e\u70ba\u76ca\u4e4b\u5927\uff0c\u5982\u98a8\u4e4b\u70c8\uff0c\u96f7\u4e4b\u8fc5\u4ee5\u9077\u5584\u6539\u904e\u4e5f\uff0c\u805e\u5176\u8072\u4ee4\u4eba\u60d5\u7136\u3002
This is a piece firstly published in the Feng Xuan Xuan Pin (1539). According to the explanatory notes of Xilutang Qintong (1549) reads that, \u201cIt is belived that the god would use wind, thunder and lightning to punish the devil. People should have the good behaviors to avoid the punishment from god.\u201d The tune is plain and natural but sonorous and forceful.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u98a8\u5165\u677e\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u4e09\u4e5d\u5e74\uff09\u5fbd\u85e9\u6731\u539a\u721d\u8f2f\u300a\u98a8\u5ba3\u7384\u54c1\u300b\u5377\u56db\u4e2d\u3002\u64da\u300a\u592a\u53e4\u907a\u97f3\u300b\uff08\u8b1d\u7433\uff09\u4e91\uff1a\u201c\u6309\u7434\u96c6\uff0c\u2018\u98a8\u5165\u677e\uff0c\u4e43\u6649\u5d47\u5eb7\u6240\u4f5c\u4e5f\u3002\u2019\u5eb7\u70ba\u4eba\u6e05\u72c2\u66e0\u9054\uff0c\u9ad8\u65bc\u97f3\u6a02\uff0c\u8a5e\u8abf\u54c1\u683c\u64ad\u4e4b\u7d43\u6b4c\u8005\uff0c\u591a\u985e\u6b64\u3002\u84cb\u5f97\u4e4b\u6e05\u97ff\u689d\u66a2\uff0c\u5c24\u70ba\u4e16\u73cd\u73a9\u8005\u4e5f\u3002\u201d<\/p>

This is a piece firstly published in the Feng Xuan Xuan Pin (1539). According to the explanatory notes of Taigu Yiyin (XIE Lin) (1511) reads that, \u201cSwaying Pine in the Wind was composed by Ji Kang.\u201d Ji Kang is good at music and always express his unruly idea with singing. This piece is fresh and melodic to be fond of by the players.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u96e2\u9a37\u5f04\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u662f\u6881\u9298\u8d8a\u539f\u5275\u65bc\u4e00\u4e5d\u516b\u516b\u5e74\u79cb\u7684\u7434\u66f2\u4f5c\u54c1\u3002\u6881\u6c0f\u56e0\u8b80\u5c48\u539f\u7684\u300a\u96e2\u9a37\u300b\uff0c\u800c\u9ad4\u6703\u5230\u4ed6\u90a3\u61f7\u9109\u6182\u570b\u7684\u60c5\u64cd\uff0c\u53c8\u610f\u8b58\u5230\u4eba\u4e16\u9593\u853d\u7f8e\u5ac9\u8ce2\u7684\u9ed1\u6697\uff0c\u53ca\u653f\u5c40\u4e4b\u5931\u5e38\uff0c\u662f\u975e\u4e4b\u985b\u5012\u3002
\u5f04\u4e5f\uff0c\u4e43\u5373\u8208\u65bc\u7434\u7d43\uff0c\u8abf\u5f04\u5167\u5fc3\u6df1\u8655\u4e4b\u6709\u8a00\u800c\u4e0d\u80fd\u50b3\u7684\u82e6\u695a\u3002\u5f9e\u800c\u5b78\u7fd2\u5c48\u539f\u90a3\u6a23\u7684\u60c5\u64cd\uff0c\u5c48\u5fc3\u6291\u5fd7\uff0c\u5fcd\u5c24\u6518\u8a6c\uff0c\u540c\u6642\u53c8\u8981\u5177\u6709\u201c\u671d\u98f2\u6728\u862d\u589c\u9732\uff0c\u5915\u9910\u79cb\u83ca\u843d\u82f1\u201d\u7684\u9ad8\u6f54\u4fee\u990a\u3002
This piece was the original composition of LIANG Ming-yue based on Lisao in mid 1988. Lisao was a 4th century poem written by the renowned poet QU Yuan from the Chu Kingdom of the Warring States period. QU Yuan is another poet who was banished from the court when he was slandered and his loyalty to the King of Chu was questioned. QU Yuan felt totally wronged and after writing Lisao he drowned himself in the Milo River. Thereafter, Lisao became known throughout history as a poetic sentiment to express the rejection of a superior gentleman and grievances beyond description.
This composition is in an extemporized style of qin music based on the Lisao sentiment. The entire piece was improvised during a single recording session in the studio.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u96c9\u671d\u98db\u300b<\/strong><\/h3>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e2d\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u96c9\u671d\u98db\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u6309\uff0c\u5d14\u8c79\u53e4\u4eca\u6ce8\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u72a2\u7267\u5b50\u6240\u4f5c\u4e5f\u3002\u201d\u5728\u9f4a\u5ba3\u738b\u6642\uff0c\u8655\u58eb\u6cef\u5ba3\uff0c\u884c\u5e74\u4e94\u5341\u800c\u7121\u59bb\uff0c\u56e0\u51fa\u85aa\u65bc\u90ca\uff0c\u898b\u96c4\u96c9\u633e\u96cc\u800c\u98db\uff0c\u4e0d\u89ba\u610f\u52d5\u5fc3\u60b2\uff0c\u4ef0\u5929\u800c\u5606\u66f0\uff1a\u201c\u5927\u8056\u5728\u5929\uff0c\u6069\u53ca\u8349\u6728\u9ce5\u7378\uff0c\u800c\u6211\u7368\u4e0d\u7372\uff01\u201d\u4e43\u70ba\u6b4c\u66f0\uff1a\u201c\u96c9\u671d\u98db\u516e\u9cf4\u76f8\u548c\uff1b\u96cc\u96c4\u7fa4\u98db\u65bc\u5c71\u963f\uff1b\u6211\u7368\u50b7\u516e\u672a\u6709\u5ba4\uff1b\u6642\u5c07\u66ae\u516e\u53ef\u5948\u4f55\uff1b\u55df\u55df\uff0c\u66ae\u516e\u53ef\u5948\u4f55\u3002\u201d\u72a2\u7267\u5b50\u6df1\u60bc\u4e4b\uff0c\u6545\u53d6\u5176\u7fa9\u800c\u70ba\u64cd\u7109\u3002
\u662f\u66f2\u9038\u97fb\u5e7d\u81f4\uff0c\u542b\u60c5\u7121\u9650\uff0c\u6292\u5beb\u8655\uff0c\u7d55\u7121\u60c9\u6eef\uff0c\u771f\u53ef\u70ba\u53e4\u4eca\u5b97\u6cd5\uff0c\u6545\u5947\u97f3\u5999\u8da3\u96c9\u671d\u98db\u70ba\u6700\uff0c\u5b9c\u7d30\u8cde\u5176\u97f3\uff0c\u5be6\u5343\u53e4\u540c\u8abf\u4e4b\u5e78\u4e5f\u3002<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cThe piece was composed by Du Mu Zi.\u201d The music described Min Xuan, who lived in the period of War States, seeing the male and female pheasants flying in the morning. Min was then deeply touched and which caused him to lament his lonely life.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u95dc\u5c71\u6708\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u521d\u898b\u65bc\u738b\u8cd3\u9b6f\u5148\u751f\u6240\u85cf\u7684\u6e05\u2027\u5609\u6176\uff08\u516c\u5143\u4e00\u4e03\u4e5d\u4e5d\u5e74\uff09\u5c71\u6771\u6b77\u57ce\u6bdb\u5f0f\u90c7\u8f2f\u520a\u4e4b\u300a\u9f8d\u541f\u9928\u8b5c\u300b\u6b98\u7a3f\uff0c\u4e00\u4e5d\u4e09\u4e00\u5e74\u5f90\u7acb\u5b6b\u64da\u6b64\u7de8\u8a02\u300a\u6885\u5eb5\u7434\u8b5c\u300b\uff0c\u4e26\u5c07\u672c\u66f2\u6536\u5b58\u3002\u7136\u6b64\uff0c\u60df\u8af8\u57ce\u7434\u6d3e\u6709\u4e4b\uff0c\u5317\u5730\u98a8\u5149\uff0c\u97f3\u97fb\u525b\u5065\uff0c\u66f2\u96d6\u77ed\u5c0f\uff0c\u800c\u6307\u6cd5\u7d14\u6b63\uff0c\u4e43\u5165\u9580\u4e4b\u6b63\u8def\uff0c\u521d\u5b78\u6613\u65bc\u719f\u7fd2\uff0c\u4e14\u53ef\u4f5c\u7389\u74b0\u9ad4\uff0c\u9996\u5c3e\u76f8\u63a5\uff0c\u5982\u74b0\u7121\u7aef\uff0c\u4e45\u5f48\u4e0d\u53ad\uff0c\u5c0d\u521d\u5b78\u5c24\u5b9c\u3002
\u662f\u66f2\u64da\u5f35\u80b2\u747e\u8003\u8b49\uff0c\u70ba\u674e\u898b\u5fe0\u65bc\u4e00\u4e5d\u25cb\u4e00\u5e74\u5728\u5c71\u6771\u6cf0\u5b89\u7e23\u5927\u6c76\u53e3\u7528\u5de5\u5c3a\u8b5c\u5c07\u5c71\u6771\u6c11\u6b4c\u201c\u7f75\u60c5\u4eba\u201d\u8a18\u4e0b\uff0c\u5e36\u56de\u6fdf\u5357\u5f8c\uff0c\u7531\u5c91\u9ad4\u4ec1\u8b6f\u914d\u6210\u53e4\u7434\u8b5c\uff0c\u518d\u7531\u738b\u71d5\u537f\u7a0d\u52a0\u4fee\u6539\u4e26\u589e\u52a0\u4e86\u5e7e\u500b\u8f2a\u6307\uff0c\u6539\u540d\u70ba\u300a\u95dc\u5c71\u6708\u300b\u3002
\u84cb\u7434\u66f2\u300a\u95dc\u5c71\u6708\u300b\uff0c\u6700\u65e9\u898b\u65bc\u300a\u9f8d\u541f\u9928\u8b5c\u300b\uff0c\u5fa9\u898b\u65bc\u300a\u7434\u5b78\u7ba1\u898b\u300b\uff0c\u7e7c\u520a\u65bc\u300a\u6885\u5eb5\u7434\u8b5c\u300b\uff1b\u7531\u6bdb\u5f0f\u90c7\u520a\u884c\u6b77\u767e\u9918\u5e74\u624d\u5230\u738b\u71d5\u537f\u8f29\uff0c\u6cc1\u6211\u4ea6\u7a0d\u4e8b\u5c07\u4e8c\u8b5c\u6bd4\u5c0d\u904e\uff0c\u57fa\u672c\u5c6c\u65bc\u4e00\u81f4\uff0c\u5c31\u7b97\u9023\u8f2a\u6307\u4e5f\u6c92\u6709\u589e\u6dfb\u904e\uff0c\u5176\u5be6\u662f\u540c\u4e00\u8b5c\u6e90\uff0c\u5f35\u6c0f\u7684\u8003\u8b49\uff0c\u4e0d\u77e5\u4f55\u6240\u64da\uff0c\u6545\u4e0d\u8db3\u4fe1\uff1b\u4f46\u662f\uff0c\u6b64\u8b5c\u4f86\u81ea\u6c11\u6b4c\uff0c\u5247\u8f03\u6613\u63a5\u53d7\u3002<\/p>

This is a piece published in the Qin Scores of Meian (1931). Which was edited by XU Li-sun, according to MAO Shi-xun\u2019s Qin Scores of Long Yin Guan preserved by WANG Bin-lu.
The music was prevailed in Shandong and matched to one of LI Bai\u2019s poem with the same name, which therefore, titled the piece. The tune used to be played two or three times repeatedly, so the form also called the \u201cYu Huan Ti\u201d, namely \u201cplay the circle\u201d. Although the tune is small and short, its fingering is quite practical and good for studying.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u9577\u76f8\u601d\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u6e05\u2027\u5eb7\u7199\uff08\u516c\u5143\u4e00\u516d\u4e03\u516d\u5e74\uff09\u8523\u8208\u7587\u50b3\u8b5c\u300a\u548c\u6587\u6ce8\u7434\u8b5c\u300b\uff08\u5167\u5bb9\u540c\u6771\u81ef\u7434\u8b5c\uff09\u4e2d\u3002\u9019\u4ea6\u662f\u6771\u81ef\u79aa\u5e2b\u6240\u8f2f\u7434\u6b4c\u4e4b\u4e00\uff0c\u5176\u66f2\u8a5e\u70ba\uff1a\u201c\u7d05\u6eff\u679d\uff0c\u7da0\u6eff\u679d\uff0c\u5bbf\u96e8\u61e8\u61e8\u7761\u8d77\u9072\uff0c\u9592\u5ead\u82b1\u5f71\u79fb\u3002\u61b6\u6b78\u671f\uff0c\u6578\u6b78\u671f\uff0c\u5922\u898b\u96d6\u591a\u76f8\u898b\u7a00\uff0c\u76f8\u9022\u77e5\u5e7e\u6642\u3002\u201d<\/p>

This is a piece firstly published in the Qin Scores Annotated with Japanese (1676). It was one of the works of JIANG Xing-chou. In the 16th year of Qing Emperor Kangxi, Jiang travelled to Japan to spread Buddhist teachings. Whilst in Japan he also taught qin performance, calligraphy and seal making. As a result, he is also known by various Japanese names such as Toko (Dong Gao) the Monk and Zen Master Shin-Etsu (Shin Yue in Chinese). Jiang himself was likely responsible for setting BAI Ju-yi\u2019s poem to the tune. The sinuous melody sounds fresh and pleasant to the ear but is at the same time tinged with melancholy.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u9041\u4e16\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u6536\u5b58\u5728\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0a\u5377\u592a\u53e4\u795e\u54c1\u4e2d\uff0c\u662f\u8a72\u8b5c\u7684\u7b2c\u4e00\u9996\u7434\u66f2\uff0c\u53c8\u540d\u300a\u7b95\u5c71\u64cd\u300b\uff0c\u5341\u6bb5\u3002\u89e3\u984c\u4e91\uff1a\u201c\u81de\u4ed9\u66f0\uff1a\u662f\u66f2\u8005\uff0c\u8a31\u7531\u4e4b\u6240\u4f5c\u4e5f\u3002\u7434\u53f2\u5167\u66f2\u4e4b\u9ad8\u6f54\u8005\uff0c\u6b62\u6b64\u66f2\u6700\u70ba\u9ad8\u53e4\u3002\u201d\u6a02\u66f2\u501f\u582f\u6b32\u8b93\u5929\u4e0b\u65bc\u8a31\u7531\uff0c\u8a31\u7531\u62d2\u4e4b\u4e26\u906f\u96b1\u65bc\u7b95\u5c71\u7684\u50b3\u8aaa\uff0c\u8868\u9054\u4e86\u53e4\u4ee3\u96b1\u9038\u8005\u56ae\u5f80\u6d88\u9059\u3001\u81ea\u7531\u7684\u60c5\u8da3\u3002\u6b64\u66f2\u65cb\u5f8b\u660e\u5feb\u6d3b\u8e8d\uff0c\u611f\u60c5\u76f4\u7387\u771f\u5207\u3002<\/p>

This is the first piece in Mysterious Scores of Qin (1425), the earliest large scale qin score collection existing in China. The explanatory notes for this piece reads, \u201cComposed by XU You. It is the oldest piece in the ancient qin music.\u201d The story behind this piece of music is about XU You and the ancient emperor Yao. Yao wanted XU You to be his successor to rule the nation, but XU You refused and lived as a recluse in the mountains of Ji. The whole piece is divided into 10 segments, depicting the dream and delight of an ancient recluse. He escaped from the busy world of politics and found peace and happiness in the depths of the mountains, making friends with apes, monkeys and deer, living together with the sun and the moon and the wind and the clouds \u2013 what a life of freedom! This is a precious ancient piece with lively melodies and sincere emotions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u83ef\u80e5\u5f15\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u6536\u9304\u5728\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0a\u5377\u592a\u53e4\u795e\u54c1\u4e2d\u3002\u81de\u4ed9\u6309\uff0c\u300a\u7434\u53f2\u300b\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u592a\u53e4\u4e4b\u66f2\u4e5f\u3002\u5c24\u53e4\u65bc\u906f\u4e16\u64cd\u3002\u4e00\u4e91\u9ec3\u5e1d\u4e4b\u6240\u4f5c\uff0c\u4e00\u4e91\u547d\u4f36\u502b\u6240\u4f5c\u3002\u201d\u50b3\u8aaa\u9ec3\u5e1d\u6182\u616e\u6cbb\u570b\u7684\u56f0\u96e3\uff0c\u4e00\u5929\u5348\u7761\uff0c\u5922\u4e2d\u904a\u5230\u83ef\u80e5\u570b\uff0c\u770b\u5230\u90a3\u88cf\u7684\u767e\u59d3\u7121\u6182\u7121\u616e\uff0c\u81ea\u7531\u81ea\u5728\uff0c\u9192\u4f86\u7d42\u65bc\u609f\u51fa\u6cbb\u570b\u4e4b\u9053\u3002\u300a\u83ef\u80e5\u5f15\u300b\u5373\u4ee5\u6b64\u50b3\u8aaa\u70ba\u984c\u6750\u3002\u6a02\u66f2\u6e05\u65b0\u6d3b\u6f51\uff0c\u6d41\u66a2\u8f15\u5feb\uff0c\u53cd\u6620\u4e86\u53e4\u4ee3\u767e\u59d3\u5c0d\u65bc\u5927\u540c\u4e16\u754c\u7684\u56ae\u5f80\u3002<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425). The explanatory notes for this piece, according to the History of Qin reads, \u201c This is an oldest piece, even older than the Song of a Recluse. The Composer was either the emperor Huang Di or the musician Ling Lun.\u201d It was said that Huang Di always worried about the country and the people. One afternoon, he dreamed to travel in the country Hua Xu. He saw that the people there lived without sorrow and anxiety. He then wake up and understand how to run the country well and give the people peace and security.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u826f\u5bb5\u5f15\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u842c\u66c6\uff08\u516c\u5143\u4e00\u516d\u4e00\u56db\u5e74\uff09\u56b4\u6f82\uff08\u5929\u6c60\uff09\u6240\u96c6\u300a\u677e\u7d43\u9928\u7434\u8b5c\u300b\u4e2d\u3002\u662f\u66f2\u6309\u300a\u5929\u805e\u95a3\u7434\u8b5c\u300b\u4e91\uff1a\u201c\u8cc0\u82e5\u5f3c\u6240\u4f5c\u3002\u7576\u5176\u5929\u9ad8\u6c23\u723d\uff0c\u6708\u6717\u661f\u8f1d\uff0c\u53ef\u4ee5\u5f48\u7434\u5473\u9053\uff0c\u98f2\u9152\u8ce6\u8a69\uff0c\u6b64\u66f2\u7bc0\u77ed\u97fb\u9577\uff0c\u6307\u6cd5\u7c21\u6613\uff0c\u53ef\u70ba\u521d\u5165\u9580\u4e4b\u66f2\u3002\u201d
\u9019\u662f\u4e00\u9996\u5177\u6709\u5178\u578b\u6d59\u6d3e\u5668\u6a02\u5316\u7434\u66f2\u7279\u9ede\u7684\u66f2\u5b50\uff0c\u77ed\u5c0f\u6d17\u7df4\uff0c\u59d4\u5a49\u6e05\u65b0\uff0c\u662f\u5c0d\u7f8e\u597d\u591c\u665a\u7684\u8b9a\u6b4c\u3002<\/p>

This is a piece firstly published in the Qin Scores of Song Xian Guan (1614). It was originally a folk tune from the Ming Dynasty. According to the explanation notes of the Qin Scores of Tian Wen Ge, \u201cWhen the weather is dry, the moon is clear and the stars are bright, it is good to play the qin, to drink and to compose poems.\u201d Although it was a simple piece, it was filled with pleasant atmosphere and was characterized by typically pure, delicate, light and elegant style. The beginning melody of the piece was slow and quiet. It depicted the scene of a pleasant and peaceful night when the moon was bright and the stars were sparse, and then the serene melody expressed the delightful and easy feeling of people in such a beautiful night.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u807d\u6cc9\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u842c\u66c6\uff08\u516c\u5143\u4e00\u4e94\u4e5d\u516d\u5e74\uff09\u80e1\u6587\u7165\u8f2f\u300a\u6587\u6703\u5802\u7434\u8b5c\u300b\u5377\u56db\u4e2d\uff0c\u53c8\u7a31\u300a\u96d9\u6e05\u4e4b\u5f15\u300b\uff0c\u5176\u5f8c\u51fa\u4e4b\u7434\u8b5c\u591a\u7a31\u70ba\u300a\u807d\u6cc9\u541f\u300b\u3002\u6309\u300a\u6307\u6cd5\u532f\u53c3\u78ba\u89e3\u300b\u4e91\uff1a\u201c\u807d\u6cc9\u77ed\u66f2\u8033\u3002\u5bec\u8f49\u5e73\u548c\uff0c\u97f3\u7bc0\u5927\u96c5\uff0c\u975c\u591c\u4ee5\u4e2d\u97f3\u594f\u4e4b\uff0c\u4f55\u7570\u7f6e\u8eab\u6f84\u9593\uff0c\u807d\u5c71\u6e9c\u6e05\u97fb\uff0c\u6d17\u6ecc\u5875\u895f\uff1f\u201d
\u6a02\u66f2\u77ed\u5c0f\u7cbe\u5230\uff0c\u53e4\u6a38\u6df3\u96c5\uff0c\u4f7f\u4eba\u6709\u7f6e\u8eab\u6e05\u6cc9\u7684\u611f\u89ba\u3002\u84cb\u5c0f\u66f2\u4e4b\u50b3\uff0c\u5fc5\u6709\u5999\u7fa9\uff0c\u52ff\u5acc\u5176\u5c0f\u800c\u8f15\u68c4\u4e4b\u3002<\/p>

This is a piece firstly published in the Qin Scores of Wen Hui Tang (1596). According to the comments of the Definitions on Qin Fingerings, this is a short piece of primitive simplicity. It depicts the hermit is fond of the mountains and waters.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u7cbe\u5fe0\u8a5e\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u6e05\u2027\u4e7e\u9686\uff08\u516c\u5143\u4e00\u4e03\u4e09\u4e5d\u5e74\uff09\u738b\u5584\uff08\u5143\u4f2f\uff09\u8f2f\u300a\u6cbb\u5fc3\u9f4b\u7434\u5b78\u7df4\u8981\u300b\u5377\u4e94\u4e2d\u3002\u662f\u66f2\u70ba\u738b\u5143\u4f2f\u4e4b\u4f5c\uff0c\u8b5c\u65c1\u6b4c\u8a5e\u8a3b\u6709\u5cb3\u98db\u300a\u6eff\u6c5f\u7d05\u300b\u539f\u8a5e\uff0c\u6309\u8a72\u66f8\u5f8c\u8a18\u4e91\uff1a\u201c\u6b64\u8a5e\uff0c\u4e43\u5cb3\u6b66\u7a46\u6240\u4f5c\uff0c\u5176\u7cbe\u5fe0\u6b63\u5927\u4e4b\u5fc3\uff0c\u82f1\u96c4\u58ef\u70c8\u4e4b\u53e5\uff0c\u53ef\u8207\u65e5\u6708\u4e26\u8f1d\u3002\u4f59\u656c\u5beb\u65bc\u7d43\u5fbd\uff0c\u4ee5\u8208\u4ef0\u4f01\u4e4b\u601d\u3002\u201d
This is a piece firstly published in the Qinxue Lianyao of Zhi Xin Zhai (1739). The compiler of the book WANG Shan wrote, \u201cThe text of this piece was a poem written by YUE Fei. Its steadfast loyalty and heroic bravery are as brilliant as the sunshine and the moonbeam. I compose the music for the poem to express my respect and admiration.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u7af9\u679d\u8a5e\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u6e05\u2027\u5eb7\u7199\uff08\u516c\u5143\u4e00\u516d\u4e03\u516d\u5e74\uff09\u8523\u8208\u7587\u50b3\u8b5c\u300a\u548c\u6587\u6ce8\u7434\u8b5c\u300b\uff08\u5167\u5bb9\u540c\u6771\u81ef\u7434\u8b5c\uff09\u4e2d\u3002\u9019\u539f\u672c\u662f\u4e00\u9996\u7434\u6b4c\uff0c\u5176\u66f2\u8a5e\u70ba\uff1a\u201c\u975e\u5546\u975e\u7fbd\u8072\u543e\u4f0a\uff0c\u5b9b\u8f49\u6b4c\u5589\u5531\u8277\u8a5e\u3002\u8178\u65b7\u90a3\u4f55\u4eba\u4e0d\u8b58\uff0c\u4e00\u8154\u6e05\u97fb\u6709\u8ab0\u77e5\u3002\u201d\u6b64\u6b4c\u4e0b\u534a\u90e8\u5206\u7a81\u7136\u8f49\u5165\u4e09\u62cd\u5b50\uff0c\u8207\u524d\u534a\u90e8\u5206\u7684\u6162\u901f\u5ea6\u5f62\u6210\u53cd\u5dee\u660e\u986f\u7684\u5c0d\u6bd4\uff0c\u751a\u5177\u7279\u8272\u3002<\/p>

This is a piece firstly published in the Qin Scores Annotated with Japanese (1676). The form of Zhuzhi Ci has been employed in literature by a number of poets at Tang Dynasty. They are rare to be set into music, therefore this version is an exception. The meaning of the words may interpreted as, \u201cAlthough the pitch of singing is ambiguous, the sounds are soft. Listeners hardly ever know the heartbroken of the singer and, it is therefore, the singing is in vain.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u79cb\u98a8\u8a5e\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u898b\u65bc\u4e00\u4e5d\u4e09\u4e00\u5e74\u5f90\u7acb\u84c0\u64da\u738b\u8cd3\u9b6f\u5148\u751f\u6240\u85cf\u7684\u5c71\u6771\u6b77\u57ce\u6bdb\u5f0f\u90c7\u8f2f\u520a\u4e4b\u300a\u9f8d\u541f\u89c0\u8b5c\u300b\u6b98\u7a3f\u6240\u7de8\u8a02\u4e4b\u300a\u6885\u5eb5\u7434\u8b5c\u300b\u3002\u539f\u672c\u9644\u6709\u6b4c\u8a5e\uff0c\u4f46\u8207\u6f22\u6b66\u5e1d\u6240\u4f5c\u4e0d\u540c\uff0c\u4ea6\u53ef\u7368\u5f48\u3002\u66f2\u8abf\u77ed\u5c0f\uff0c\u800c\u8ff4\u74b0\u5f80\u5fa9\uff0c\u610f\u77ed\u60c5\u9577\uff0c\u6309\u6563\u76f8\u61c9\u4e4b\u8655\u751a\u591a\uff0c\u521d\u5b78\u5165\u9580\u9817\u6613\u9818\u6703\uff0c\u800c\u719f\u5f48\u4e4b\u5f8c\uff0c\u4ea6\u4e0d\u53ef\u4ee5\u77ed\u5c0f\u800c\u5ffd\u4e4b\uff0c\u6708\u767d\u98a8\u6e05\u4e4b\u969b\uff0c\u4e00\u5f48\u518d\u9f13\uff0c\u52d5\u7121\u7aae\u4e4b\u5e7d\u8da3\u7109\u3002
This is a piece published in the Qin Scores of Meian (1931). Which was edited by XU Li-sun, according to MAO Shi-xun\u2019s Qin Scores of Long Yin Guan preserved by WANG Bin-lu.
The music itself differs from another qin song of the same name that the words are created by King Wu of the Han Dynasty. This piece has a short and simple tune, but its richness of employing regional glissandos and vibratos are characteristic and stylistic.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u79cb\u585e\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u66f2\u540d\u67e5\u6309\u300a\u898b\u5728\u53e4\u7434\u66f2\u50b3\u8b5c\u3001\u89e3\u984c\u5f59\u7de8\u521d\u7a3f\u300b\uff1a\u6f22\u5510\u4ee5\u4f86\u4e00\u76f4\u6d41\u50b3\u8457\u4f2f\u7259\u5b78\u7434\u65bc\u6210\u9023\u5148\u751f\u7684\u6545\u4e8b\uff0c\u901a\u904e\u79fb\u60c5\u7684\u9ad4\u6703\uff0c\u56e0\u4f5c\u300a\u6c34\u4ed9\u300b\u4e00\u66f2\uff1b\u7136\u6642\u4e0b\u6d41\u50b3\u7684\u300a\u6c34\u4ed9\u300b\uff0c\u66f2\u8b5c\u6700\u65e9\u520a\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u4e94\u4e03\u5e74\uff09\u856d\u9e1e\u8f2f\u300a\u674f\u838a\u592a\u97f3\u88dc\u907a\u300b\u5377\u4e0b\uff0c\u6309\u5176\u89e3\u984c\u4e91\uff1a\u201c\u6642\u83ab\u60b2\u65bc\u79cb\uff0c\u5730\u83ab\u6975\u65bc\u585e\u3002\u9ad8\u79cb\u9060\u585e\uff0c\u98db\u9ce5\u4e0d\u4e0b\uff0c\u8d70\u7378\u5fd8\u7fa4\uff0c\u50b7\u5fc3\u6158\u76ee\uff0c\u5b70\u6709\u904e\u65bc\u6b64\u54c9\uff1f\u6b64\u84cb\u4ee5\u50b7\u662d\u541b\u51fa\u585e\u4e4b\u82e6\u4e5f\u3002\u201d\u7434\u4eba\u5011\u90fd\u5c07\u4e4b\u8868\u8ff0\u70ba\u662d\u541b\u51fa\u585e\u7684\u6b77\u53f2\u6545\u4e8b\uff0c\u4e26\u4ee5\u300a\u79cb\u585e\u541f\u300b\u540d\u4e4b\uff1b\u53ca\u81ea\u300a\u6625\u8349\u5802\u7434\u8b5c\u300b\uff08\u516c\u5143\u4e00\u4e03\u56db\u56db\u5e74\uff09\u5c07\u6b64\u66f2\u9304\u5b58\uff0c\u4e26\u540d\u4e4b\u70ba\u300a\u5c48\u5b50\u5929\u554f\u300b\uff0c\u4ee5\u5f8c\u5404\u8b5c\u591a\u4ee5\u5c48\u539f\u6545\u4e8b\u9644\u6703\uff0c\u4e26\u5c07\u66f2\u540d\u7a31\u4f5c\u300a\u6414\u9996\u554f\u5929\u300b\u3002<\/p>

According to the first edition of the Handed-down and Explanation Notes of the Existing Ancient Scores, we found that the piece had three different names, but they were mutually had relationship. The Water Immortal is always referred to Bo Ya\u2019s study of qin from Cheng Lian. The Song of the Autumn Frontier is referred to the sad story of Lady Zhao Jun. While QU Yuan Sends Regards to the Sky is referred to the story of QU Yuan.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u78a7\u96f2\u6df1\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u662f\u76e7\u5bb6\u70b3\u5148\u751f\u65bc\u4e00\u4e5d\u4e94\uff2f\u5e74\u4ee3\u7684\u539f\u5275\u7434\u66f2\u4f5c\u54c1\uff0c\u5167\u5bb9\u501f\u610f\uff1a\u201c\u7a97\u524d\u9060\u671b\u78a7\u96f2\u6df1\uff0c\u628a\u9152\u8a00\u6b61\u5a49\u8f49\u541f\uff0c\u5fd8\u6a5f\u7fd2\u975c\u9952\u751f\u610f\uff0c\u6c38\u591c\u9059\u60c5\u6708\u5171\u6c89\u3002\u201d\u9817\u5177\u4eba\u8207\u81ea\u7136\u5408\u4e00\u7684\u9053\u6559\u610f\u8b58\u3002<\/p>

This was the original composition of LO Ka-ping in 1950\u2019s. Sitting in the boudoir and looking through the window, the composer found himself filling in the natural world and composed this piece to express his feelings.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u7372\u9e9f\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u89e3\u984c\u898b\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0a\u5377\u592a\u53e4\u795e\u54c1\uff0c\u81de\u4ed9\u6309\uff0c\u7434\u53f2\u66f0\uff1a\u201c\u7372\u9e9f\u8005\uff0c\u9b6f\u54c0\u516c\u5341\u56db\u5e74\uff0c\u897f\u72e9\u5927\u91ce\uff0c\u53d4\u5b6b\u6c0f\u4e4b\u8eca\u5b50\u924f\u5546\u7372\u9e9f\u7109\uff0c\u6298\u524d\u8db3\uff0c\u8f09\u4ee5\u6b78\u3002\u53d4\u5b6b\u4ee5\u70ba\u4e0d\u7965\uff0c\u68c4\u4e4b\u90ed\u5916\uff0c\u4f7f\u4eba\u544a\u5b54\u5b50\u66f0\uff1a\u2018\u6709\u9e95\u800c\u89d2\uff0c\u4f55\u4e5f\uff1f\u2019\u5b54\u5b50\u5f80\u89c0\u4e4b\u66f0\uff1a\u2018\u9e9f\u4e5f\uff0c\u80e1\u70ba\u4e4e\u4f86\u54c9\uff1f\u53cd\u8882\u62ed\u9762\uff0c\u6d95\u6dda\u6cbe\u895f\u3002\u2019\u53d4\u5b6b\u805e\u800c\u53d6\u4e4b\u3002\u5b50\u8ca2\u554f\u66f0\uff1a\u2018\u592b\u5b50\u4f55\u6ce3\u8036\uff1f\u2019\u5b54\u5b50\u66f0\uff1a\u2018\u9e9f\u4e4b\u81f3\u4e5f\uff0c\u70ba\u660e\u4e3b\u51fa\u4e5f\uff0c\u51fa\u975e\u5176\u6642\u800c\u898b\u5bb3\uff0c\u662f\u4ee5\u50b7\u7109\u3002\u2019\u6545\u4f5c\u7372\u9e9f\u64cd\u3002\u201d<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425). The explanatory notes for this piece, according to the History of Qin reads, \u201c The piece described that in 14th year of Lu Ai Gong, a Kylin was caught and hurt on the front feet. Confucius believed that Kylin was a creature of fortune and luck and should not be existing in a time of turmoil.\u201d The music was also to express Confucius\u2019s deep sorrow on not realizing his great ambition in that time.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6fa4\u7554\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0b\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u6fa4\u7554\u541f\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u4e5f\uff0c\u6216\u8a00\u96ea\u6c5f\u4e4b\u6240\u88fd\u4e5f\u3002\u64ec\u5c48\u539f\u4ee5\u6b63\u662f\u541b\uff0c\u8207\u6642\u4e0d\u5408\uff0c\u65bc\u662f\u898b\u653e\uff0c\u4e43\u904a\u65bc\u6c5f\u6ff1\uff0c\u56e0\u4ee5\u5fe0\u541b\u611b\u570b\u4e4b\u5fc3\uff0c\u9042\u81f4\u5f62\u5bb9\u67af\u60b4\u4e4b\u610f\u3002\u53c8\u9644\u9047\u6f01\u7236\u800c\u544a\u4e4b\uff0c\u4ee5\u4f38\u5176\u9b31\u7d50\u8499\u5875\u4e4b\u60c5\uff0c\u4e0d\u610f\u6f01\u7236\u623e\u5df1\uff0c\u9f13\u67bb\u800c\u53bb\u3002\u539f\u56e0\u7121\u6240\u63a7\u8a34\uff0c\u4e0d\u5f97\u5df2\u800c\u6b62\u7109\u3002\u5176\u7121\u53ef\u5948\u4f55\u4e4b\u610f\uff0c\u4f7f\u805e\u8005\u83ab\u4e0d\u611f\u6168\u50b7\u60bc\uff0c\u75db\u54ed\u6d41\u6d95\uff0c\u800c\u6709\u5606\u60dc\u4e0d\u5df2\u4e4b\u610f\u7109\u3002\u201d<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cThis piece was composed by Xue Jiang. The music brings out the indomitable spirit and the courage of upholding the truth of the great patriotic poet QU Yuan.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6f22\u7bc0\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u56db\u4e5d\u5e74\uff09\u6c6a\u829d\u8f2f\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u5377\u4e8c\u5341\u4e00\u4e2d\u3002\u8a72\u8b5c\u89e3\u984c\u4e91\uff1a\u201c\u8607\u5b50\u537f\u5728\u5308\u5974\u5341\u4e5d\u5e74\uff0c\u5927\u7bc0\u51dc\u7136\u3002\u5bd2\u971c\u70c8\u65e5\uff0c\u6f20\u5ef7\u51b0\u96ea\uff0c\u80fd\u7121\u672a\u592e\u4e4b\u98db\u5922\u8036\uff1f\u66f2\u610f\u85f9\u7136\uff0c\u4e00\u5531\u4e09\u5606\u3002\u201d
\u672c\u66f2\u53c8\u540d\u300a\u8607\u6b66\u601d\u541b\u300b\uff0c\u8a18\u8607\u6b66\u6b78\u81ea\u55ae\u4e8e\u4e4b\u4e8b\uff0c\u5f8c\u4eba\u4ef0\u5176\u8d64\u5fc3\u5fe0\u7fa9\uff0c\u4e43\u63f4\u5176\u60c5\u800c\u5beb\u4e4b\uff0c\u6545\u6709\u662f\u64cd\u3002<\/p>

This is a piece firstly published in the Xilutang Qintong (1549). According to the explanation notes of this collection, \u201cSU Wu was a prominent minister of the Hanwu Emperor. He visited the Xiongnu people as an ambassador, but he was detained by them for 19 years. In this period, he had a hard life but he remained faithful to his country.\u201d
This piece is also named Su Wu Si Jun. It was composed to depict the story of SU Wu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6f22\u5bae\u79cb\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u56db\u4e5d\u5e74\uff09\u6c6a\u829d\u8f2f\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u5377\u4e8c\u5341\u4e2d\u3002\u8a72\u66f8\u89e3\u984c\u4e91\uff1a\u201c\u6f22\u73ed\u5a55\u59a4\u5931\u5bf5\u51fa\u5c45\uff0c\u70ba\u5718\u6247\u79cb\u98a8\u4e4b\u6068\uff0c\u6b64\u66f2\u84cb\u4ea6\u5beb\u5176\u6dd2\u6dbc\u7162\u7368\u4e4b\u610f\u8005\u3002\u201d\u300a\u7434\u82d1\u5fc3\u50b3\u300b\u5247\u8b02\uff1a\u201c\u6309\u662f\u66f2\uff0c\u66f9\u5927\u5bb6\u4f5c\u3002\u84cb\u4ee5\u5bae\u95c8\u6dd1\u5973\uff0c\u7576\u6b64\u79cb\u591c\uff0c\u5176\u6100\u7136\u6291\u9b31\u4e4b\u614b\uff0c\u61ae\u7136\u60c6\u60b5\u4e4b\u61f7\uff0c\u8207\u6642\u4ff1\u96c6\uff0c\u4e0d\u52dd\u60bd\u60bd\uff0c\u6545\u4f5c\u6b64\u4ee5\u5beb\u4e4b\u3002\u5176\u97f3\u97fb\u6028\u61df\uff0c\u5982\u6ce3\u5982\u8a34\uff0c\u895f\u61f7\u6ea2\u65bc\u8a00\u5916\u77e3\u3002\u201d
\u672c\u66f2\u53c8\u540d\u300a\u79cb\u6247\u541f\u300b\u6216\u300a\u79cb\u6028\u300b\uff0c\u660e\u5b63\u7434\u5bb6\u4ff1\u63a8\u6b64\u70ba\u96c5\u8abf\uff0c\u95dc\u7762\u4e4b\u907a\u97ff\uff0c\u9577\u7a7a\u842c\u91cc\u7121\u96f2\uff0c\u6e05\u79cb\u4e00\u8f2a\u7693\u6708\uff0c\u5e7d\u601d\u9038\u81f4\uff0c\u5480\u5473\u7121\u7aae\u3002<\/p>

This is a piece firstly published in the Xilutang Qintong (1549). This piece is also named Qiushan Yin or Qiu Yuan. It was a traditional piece to depict the sorrowful feelings of the palace maid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6e58\u5983\u6028\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u6b63\u5fb7\uff08\u516c\u5143\u4e00\u4e94\u4e00\u4e00\u5e74\uff09\u8b1d\u7433\uff08\u96ea\u5cf0\uff09\u64b0\u300a\u592a\u53e4\u907a\u97f3\u300b\u5377\u4e4b\u4e00\u4e2d\u3002\u8a72\u66f8\u4e91\uff1a\u201c\u6309\u66f8\u6709\u9c25\u592b\u5728\u4e0b\u3001\u582f\u59bb\u4ee5\u4e8c\u5973\uff0c\u9577\u66f0\u5a25\u7687\uff0c\u5c11\u66f0\u5973\u82f1\u3002\u821c\u65e2\u70ba\u5929\u5b50\uff0c\u662f\u70ba\u4e8c\u5983\u3002\u821c\u5357\u5de1\u72e9\uff0c\u5d29\u65bc\u84bc\u68a7\u4e4b\u91ce\uff0c\u4e8c\u5983\u6ce3\u4e4b\uff0c\u4ee5\u6dda\u7051\u7af9\uff0c\u7af9\u7686\u67af\u6b7b\u3002\u5f8c\u4eba\u88ab\u4e4b\u4ee5\u7d43\u7ba1\uff0c\u662f\u70ba\u6e58\u5983\u6028\u3002\u201d
\u6b64\u66f2\u53c8\u540d\u300a\u6e58\u6c5f\u6028\u300b\uff0c\u7d50\u69cb\u898f\u6574\u6709\u5e8f\uff0c\u65cb\u5f8b\u6d41\u66a2\u800c\u5bcc\u6709\u60c5\u81f4\u3002<\/p>

This is a piece firstly published in the Taigu Yiyin (XIE Lin) (1511). The explanatory notes reads that, a legendary story of the King Shun, who died in the wildness while out touring the south. His two wives E Huang and Nu Ying wept at the heartbroken news leaning against the bamboo. The bamboo, washed by the tears, withered away and died. The music is sentiment and the structural simplicity is the feature of the piece.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6cdb\u6ec4\u6d6a\u300b<\/strong><\/h3>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0b\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u6cdb\u6ec4\u6d6a\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u4ea6\u4e91\u90ed\u695a\u671b\u6240\u4f5c\u3002\u5fd7\u5728\u99d5\u6241\u821f\u65bc\u4e94\u6e56\uff0c\u68c4\u529f\u540d\u5982\u907a\u82a5\uff1b\u8f09\u98a8\u6708\u800c\u64ad\u5f04\u96f2\u6c34\uff0c\u6e3a\u4e16\u4e8b\u4e4b\u82e5\u6d6e\u6f1a\uff0c\u9053\u5f18\u4eca\u53e4\uff0c\u5fc3\u5408\u592a\u865b\uff0c\u5176\u8da3\u4e5f\u82e5\u662f\u3002\u201d
\u6b64\u66f2\u9ad4\u73fe\u4e86\u695a\u8fad\u4e2d\u201c\u6ec4\u6d6a\u4e4b\u6c34\u6e05\u516e\uff0c\u53ef\u4ee5\u6fef\u6211\u7e93\uff1b\u6ec4\u6d6a\u4e4b\u6c34\u6fc1\u516e\uff0c\u53ef\u4ee5\u6fef\u6211\u8db3\u3002\u201d\u4e4b\u610f\u3002\u6a02\u66f2\u65cb\u5f8b\u5225\u81f4\uff0c\u7bc0\u594f\u8dcc\u5ca9\uff0c\u807d\u4f86\u4ee4\u4eba\u6709\u99d5\u821f\u65bc\u4e94\u6e56\uff0c\u5fc3\u548c\u592a\u865b\u4e4b\u8da3\uff0c\u582a\u70ba\u7434\u4e2d\u4e4b\u9038\u54c1\u3002<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cThis piece was said to be composed by GUO Chu-wang. It expresses the thoughts of a person who abandoned his fame and wealth in the world and sailed his boat around freely on the waters.\u201d
The music depicts the natural life and lofty scorn attitude of an itinerant hermit. It is frequently played by a qin player before he plays another piece called Mist and Clouds over Xiao- Xiang Rivers.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6c34\u4ed9\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u66f2\u540d\u67e5\u6309\u300a\u898b\u5728\u53e4\u7434\u66f2\u50b3\u8b5c\u3001\u89e3\u984c\u5f59\u7de8\u521d\u7a3f\u300b\uff1a\u6f22\u5510\u4ee5\u4f86\u4e00\u76f4\u6d41\u50b3\u8457\u4f2f\u7259\u5b78\u7434\u65bc\u6210\u9023\u5148\u751f\u7684\u6545\u4e8b\uff0c\u901a\u904e\u79fb\u60c5\u7684\u9ad4\u6703\uff0c\u56e0\u4f5c\u300a\u6c34\u4ed9\u300b\u4e00\u66f2\uff1b\u7136\u6642\u4e0b\u6d41\u50b3\u7684\u300a\u6c34\u4ed9\u300b\uff0c\u66f2\u8b5c\u6700\u65e9\u520a\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u4e94\u4e03\u5e74\uff09\u856d\u9e1e\u8f2f\u300a\u674f\u838a\u592a\u97f3\u88dc\u907a\u300b\u5377\u4e0b\uff0c\u6309\u5176\u89e3\u984c\u4e91\uff1a\u201c\u6642\u83ab\u60b2\u65bc\u79cb\uff0c\u5730\u83ab\u6975\u65bc\u585e\u3002\u9ad8\u79cb\u9060\u585e\uff0c\u98db\u9ce5\u4e0d\u4e0b\uff0c\u8d70\u7378\u5fd8\u7fa4\uff0c\u50b7\u5fc3\u6158\u76ee\uff0c\u5b70\u6709\u904e\u65bc\u6b64\u54c9\uff1f\u6b64\u84cb\u4ee5\u50b7\u662d\u541b\u51fa\u585e\u4e4b\u82e6\u4e5f\u3002\u201d\u7434\u4eba\u5011\u90fd\u5c07\u4e4b\u8868\u8ff0\u70ba\u662d\u541b\u51fa\u585e\u7684\u6b77\u53f2\u6545\u4e8b\uff0c\u4e26\u4ee5\u300a\u79cb\u585e\u541f\u300b\u540d\u4e4b\uff1b\u53ca\u81ea\u300a\u6625\u8349\u5802\u7434\u8b5c\u300b\uff08\u516c\u5143\u4e00\u4e03\u56db\u56db\u5e74\uff09\u5c07\u6b64\u66f2\u9304\u5b58\uff0c\u4e26\u540d\u4e4b\u70ba\u300a\u5c48\u5b50\u5929\u554f\u300b\uff0c\u4ee5\u5f8c\u5404\u8b5c\u591a\u4ee5\u5c48\u539f\u6545\u4e8b\u9644\u6703\uff0c\u4e26\u5c07\u66f2\u540d\u7a31\u4f5c\u300a\u6414\u9996\u554f\u5929\u300b\u3002<\/p>

According to the first edition of the Handed-down and Explanation Notes of the Existing Ancient Scores, we found that the piece had three different names, but they were mutually had relationship. The Water Immortal is always referred to Bo Ya\u2019s study of qin from Cheng Lian. The Song of the Autumn Frontier is referred to the sad story of Lady Zhao Jun. While QU Yuan Sends Regards to the Sky is referred to the story of QU Yuan.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6a13\u862d\u6563\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u662f\u4f5c\u66f2\u5bb6\u91d1\u6e58\u7684\u539f\u5275\u4f5c\u54c1\uff0c\u6a02\u66f2\u4ee5\u53e4\u6642\u897f\u57df\u6a13\u862d\u570b\uff08\u73fe\u4eca\u65b0\u7586\u7f85\u5e03\u6cca\u5730\u5340\uff09\u4e4b\u98a8\u8c8c\u3001\u97f3\u6a02\u98a8\u683c\u70ba\u80cc\u666f\uff0c\u53d6\u5176\u4e00\u4e8c\uff0c\u96a8\u610f\u6563\u6210\u3002\u53e4\u98a8\u6a38\u6a38\uff0c\u7434\u8072\u931a\u931a\uff0c\u4eba\u53bb\u6a13\u7a7a\uff0c\u6d77\u5bc2\u661f\u6c89\u2026\u2026\u3002<\/p>

This piece was the original composition of JIN Xiang. The composition takes the ancient country Loulan (now the Luobubo Lake area) and its ancient tunes as its background. As the music develops, the antique flavor reveals with the plucking. An emptiness fills the deserted ancient castle. The sea is silent. The stars are without trace.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6885\u5712\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u662f\u8a31\u570b\u83ef\u3001\u9f94\u4e00\u5408\u4f5c\u65bc\u4e00\u4e5d\u4e03\u516b\u5e74\u7684\u7434\u66f2\u4f5c\u54c1\uff0c\u4f5c\u8005\u5f9e\u5bcc\u6709\u6c5f\u5357\u7279\u8272\u7684\u6c11\u6b4c\u8207\u8001\u7058\u8abf\u4e2d\uff0c\u63d0\u7149\u51fa\u5225\u5177\u98a8\u97fb\u7684\u97f3\u6a02\u8a9e\u8a00\uff0c\u4f5c\u70ba\u5c0d\u6885\u5712\u4e2d\u6885\u82b1\u7684\u8b9a\u8a60\uff0c\u4ee5\u793a\u8868\u9054\u51fa\u5c0d\u9769\u547d\u5148\u8f29\u7684\u656c\u4ef0\u548c\u6df1\u5207\u7684\u61f7\u5ff5\u3002\u66f2\u4e2d\u501f\u6885\u82b1\u5a40\u5a1c\u591a\u59ff\u7684\u4e30\u91c7\u548c\u50b2\u971c\u9b25\u96ea\u7684\u54c1\u683c\uff0c\u5e36\u51fa\u8449\u854a\u6012\u653e\uff0c\u842c\u91cc\u98c4\u9999\u7684\u76db\u666f\uff0c\u610f\u8da3\u6df1\u9060\uff0c\u4ee4\u4eba\u6687\u60f3\u56de\u5473\u3002<\/p>

This piece was the original composition of XU Guo-hua and GONG Yi in 1978. The musical theme was extracted from the traditional folk tunes to praise the plum. In another way, it is a praise song to the memory of ZHOU En-lai who loves to travel in the plum garden.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u666e\u5eb5\u5492\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u842c\u66c6\uff08\u516c\u5143\u4e00\u4e94\u4e5d\u4e8c\u5e74\uff09\u5f35\u5fb7\u65b0\uff08\u8cd3\u6850\uff09\u7e82\u300a\u4e09\u6559\u540c\u8072\u7434\u8b5c\u300b\u4e2d\uff0c\u539f\u540d\u300a\u91cb\u8ac7\u7ae0\u300b\uff0c\u5167\u9644\u68b5\u8a9e\u66f2\u8fad\uff0c\u8d77\u9996\u66f0\uff1a\u201c\u5357\u7121\u666e\u5eb5\u5e2b\u83e9\u85a9\u201d\uff0c\u672b\u6bb5\u53c8\u4e91\uff1a\u201c\u666e\u5eb5\u5230\u6b64\u767e\u7121\u7981\u5fcc\u201d\u3002\u5176\u5f8c\u6d41\u50b3\u767c\u5c55\uff0c\u5206\u6210\u300a\u91cb\u8ac7\u7ae0\u300b\u53ca\u300a\u666e\u5eb5\u5492\u300b\u4e8c\u66f2\u3002\u539f\u8a3b\u4e91\uff1a\u6b64\u4f5b\u66f2\u4e5f\uff0c\u7434\u8b5c\u6d41\u50b3\u6709\u4e8c\uff0c\u4e00\u6709\u8fad\u5373\u666e\u5b89\u79aa\u5e2b\u4e4b\u5492\u8a9e\uff0c\u4e00\u7121\u8fad\u5c08\u5beb\u9418\u78ec\u9403\u9238\u5531\u8b9a\u4e4b\u8072\uff0c\u807d\u4e4b\u4e0d\u557b\u9b5a\u5c71\u805e\u68b5\uff0c\u4eca\u6240\u594f\u8005\u662f\u4e5f\u3002<\/p>

This is a piece firstly published in the Sanjiao Tongsheng Qinpu (1592). According to the Encyclopedia of Buddhism, \u201cPu-an was the alternative name of Yin-su, grandson of Lin-qi the twelfth and Monk MU An-cheng\u2019s successor. He died during Song Emperor Xiao-zong\u2019s reign\u201d. The Sanskrit text in the tablature is thought to be Pu-an\u2019s incantation, set to music by later generations in order to facilitate the learning of Sanskrit pronunciation. Gradually the music was detached from the text and became a self-contained solo piece. Today there are two versions in circulation, one with the words, which represents Monk Pu-an\u2019s incantation, and one without words, which seems to characterize the sound of Buddhist chant on top of bells and cymbals.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6625\u66c9\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u56db\u4e5d\u5e74\uff09\u6c6a\u829d\u8f2f\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u5377\u5341\u516d\u4e2d\u3002\u6309\u300a\u7434\u8b5c\u6790\u5fae\u300b\u4e91\uff1a\u201c\u6c23\u4e4b\u96cd\u548c\u53ef\u89aa\u8005\uff0c\u65bc\u6b72\u70ba\u6625\uff0c\u65bc\u665d\u70ba\u66c9\u3002\u64ad\u4e4b\u8072\u97f3\u93d7\u7136\u5165\u8033\u8005\uff0c\u4ea6\u7136\u3002\u9b6f\u541b\u5f0f\u548c\uff0c\u5de5\u8a69\u66f8\uff0c\u4e14\u5584\u7434\uff0c\u4e00\u5f48\u518d\u9f13\u4e4b\u4e0b\uff0c\u60a0\u63da\u76e1\u5584\uff0c\u4ea6\u6709\u6625\u98a8\u6247\u7269\uff0c\u66c9\u9732\u6ecb\u69ae\u4e4b\u6982\u3002\u601d\u8207\u9b6f\u541b\u63a5\u8005\uff0c\u4e0d\u6c42\u4e4b\u6d77\u6c34\u6773\u51a5\u6642\uff0c\u76f4\u65bc\u662f\u8b5c\u9047\u4e4b\u77e3\u3002\u201d
\u6625\u66c9\u541f\u8005\uff0c\u541f\u8aa6\u6625\u610f\u76ce\u7136\uff0c\u66c9\u9732\u6ecb\u69ae\u4e5f\uff0c\u66f2\u8abf\u77ed\u5c0f\u7cbe\u7149\uff0c\u66f2\u610f\u96cb\u6c38\uff0c\u8868\u73fe\u4e86\u5927\u5730\u56de\u6625\u6b23\u6b23\u5411\u69ae\u7684\u666f\u8c61\u3002<\/p>

This is a piece firstly published in the Xilutang Qintong (1549). This is a song sung at a time when spring is very much in the air and the earth is moistened by dewdrops. The melody is tranquil and pleasant. Though it is short and concise, it depicts a lively and prosperous spring scene.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6625\u5149\u597d\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u662f\u738b\u8fea\u6839\u64da\u590f\u6ea5\u9f4b\u6240\u85cf\u6e05\u2027\u5eb7\u7199\uff08\u516c\u5143\u4e00\u516d\u4e03\u516d\u5e74\uff09\u8523\u8208\u7587\u50b3\u8b5c\u4e4b\u300a\u6771\u81ef\u7434\u8b5c\u300b\u672c\u5b9a\u8b5c\uff0c\u7434\u66f2\u65c1\u6ce8\u6709\u8a5e\uff0c\u662f\u4e94\u4ee3\u7684\u6b50\u967d\u70af\u6240\u4f5c\u3002\u8a5e\u4e91\uff1a\u201c\u5929\u521d\u6696\uff0c\u65e5\u521d\u9577\uff0c\u597d\u6625\u5149\u3002\u842c\u532f\u6b64\u6642\u7686\u5f97\u610f\uff0c\u7af6\u82ac\u82b3\u3002\u7b0b\u8ff8\u82d4\u9322\u5ae9\u7da0\uff0c\u82b1\u504e\u96ea\u5862\u6fc3\u9999\u3002\u8ab0\u628a\u91d1\u7d72\u88c1\u526a\u537b\uff0c\u639b\u659c\u967d\u3002\u82b1\u6ef4\u9732\uff0c\u67f3\u6416\u7159\uff0c\u8277\u967d\u5929\u3002\u96e8\u973d\u5c71\u6afb\u7d05\u6b32\u721b\uff0c\u8c37\u9daf\u9077\u3002\u98f2\u8655\u4ea4\u98db\u7389\u659d\uff0c\u6e38\u6642\u5012\u628a\u91d1\u97ad\u3002\u98a8\u98ad\u4e5d\u8862\u6986\u8449\u52d5\uff0c\u7c07\u9752\u9322\u3002\u201d\u9019\u9996\u8a5e\u5beb\u6625\u56de\u5927\u5730\uff0c\u751f\u6a5f\u76ce\u7136\u7684\u666f\u8272\u3002\u66f2\u8abf\u6e05\u96c5\u6d17\u7149\uff0c\u6d3b\u6f51\u751f\u52d5\uff0c\u5225\u5177\u4e00\u683c\u3002<\/p>

This is a piece firstly published in the Qin Scores Annotated with Japanese (1676), which was preserved by XIA Pu-zhai. The words of the music was set by OUYANG Jiong of five Imperial historical period. The meaning of the words may interpreted as to describe the spring comes to the earth and everything looked fresh and gay. The music is lively, peaceful and harmony with spring.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u65b0\u7586\u597d\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u662f\u5433\u666f\u7565\u5148\u751f\u65bc\u4e00\u4e5d\u4e94\u4e5d\u5e74\u96a8\u6587\u806f\u201c\u53bb\u65b0\u7586\u6170\u554f\u5718\u201d\u8d74\u65b0\u7586\u6f14\u51fa\u6642\uff0c\u6839\u64da\u5289\u71be\u7de8\u66f2\u7684\u4e00\u9996\u540c\u540d\u7684\u65b0\u7586\u98a8\u683c\u6b4c\u66f2\u79fb\u690d\u800c\u6210\u7684\u7434\u66f2\u3002\u66f2\u8abf\u77ed\u5c0f\u3001\u6109\u5feb\u3001\u89aa\u5207\u3001\u512a\u7f8e\uff0c\u63cf\u8ff0\u65b0\u7586\u7f8e\u9e97\u7684\u7530\u5712\uff0c\u9ea5\u7a57\u91d1\u9ec3\u7a3b\u82b1\u9999\uff0c\u98a8\u5439\u8349\u4f4e\u898b\u725b\u7f8a\uff0c\u90a3\u7a2e\u53ef\u611b\u7684\u5bb6\u9109\u666f\u8272\u3002
It is a well known song with Xinjiang minority nationality style by LIU Zhi, WU Jing-lue arranged the qin tablature in 1959 and played it when he toured many places in the North West of China. It was a big surprise that playing a minority melody on an instrument like qin, because of the historical, cultural and technical reasons.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6587\u738b\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u6b63\u5fb7\uff08\u516c\u5143\u4e00\u4e94\u4e00\u4e00\u5e74\uff09\u8b1d\u7433\uff08\u96ea\u5cf0\uff09\u64b0\u300a\u592a\u53e4\u907a\u97f3\u300b\u5377\u4e4b\u4e00\u4e2d\u3002\u6309\u53e4\u7434\u64cd\uff0c\u7d02\u70ba\u7121\u9053\uff0c\u5929\u4e0b\u7686\u670d\u6587\u738b\u4e4b\u5316\u3002\u7576\u662f\u6642\uff0c\u9e92\u9e9f\u898b\u65bc\u90ca\u85ea\uff0c\u9cf3\u51f0\u5de2\u65bc\u963f\u95a3\u3002\u6587\u738b\u4ee5\u70ba\u4e82\u6975\u5c07\u6cbb\uff0c\u4f5c\u70ba\u6b64\u66f2\uff0c\u88ab\u4e4b\u7d43\u6b4c\u3002\u8b1d\u5e0c\u9038\u7434\u8ad6\u66f0\uff1a\u201c\u6587\u738b\u64cd\uff0c\u6587\u738b\u4f5c\u4e5f\u3002\u201d
\u6a02\u66f2\u838a\u56b4\u8085\u7a46\u800c\u53c8\u5145\u6eff\u4ec1\u611b\uff0c\u662f\u5c0d\u53e4\u4ee3\u8056\u8ce2\u7684\u4ef0\u6155\u3002\u300a\u674f\u838a\u592a\u97f3\u88dc\u907a\u300b\u8b9a\u7f8e\u90a3\u5d07\u9ad8\u8056\u6f54\u201c\u5929\u9053\u4e0d\u5df2\u201d\u7684\u601d\u60f3\uff0c\u53ef\u4ee5\u6de8\u5316\u4eba\u5011\u7684\u5fc3\u9748\uff1a\u201c\u9f13\u6b64\u66f2\u4ee4\u4eba\u8569\u6ecc\u90aa\u7a62\uff0c\u6d88\u878d\u6e23\u6ed3\u201d\u3002
This is a piece firstly published in the Taigu Yiyin (XIE Lin) (1511). The music is grand and dignified, but at the same time filled with love and compassion, which reflects the admiration for the ancient sage. It has been said that playing and listening to this piece was a way to purify the human mind.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6417\u8863\u66f2\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u4e09\u4e5d\u5e74\uff09\u5fbd\u85e9\u6731\u539a\u721d\u8f2f\u300a\u98a8\u5ba3\u7384\u54c1\u300b\u5377\u56db\u4e2d\u3002\u64da\u300a\u592a\u53e4\u907a\u97f3\u300b\uff08\u694a\u6384\uff09\uff1a\u201c\u6309\u65af\u66f2\uff0c\u4e43\u5510\u4eba\u6f58\u5ef7\u5805\u6240\u4f5c\uff0c\u50b7\u95a8\u6028\u4e5f\u3002\u84cb\u8a00\u620d\u5a66\u8655\u5e7d\u7368\u4e4b\u4e2d\uff0c\u800c\u592b\u620d\u908a\u9685\uff0c\u8ce2\u52de\u738b\u4e8b\uff0c\u662f\u4ee5\u805e\u87f2\u9cf4\u3001\u89a9\u87bd\u8e8d\u3001\u89af\u8568\u8587\u800c\u672a\u898b\u541b\u5b50\uff0c\u5247\u6182\u5f9e\u4e2d\u4f86\u3002\u6545\u53e4\u8a69\u6709\u4e91\uff1a\u2018\u5ffd\u898b\u964c\u982d\u694a\u67f3\u8272\uff0c\u6094\u6559\u592b\u5a7f\u8993\u5c01\u4faf\uff01\u2019\u84cb\u6b64\u610f\u4e5f\u3002\u800c\u6f58\u541b\u6417\u8863\u4e4b\u66f2\uff0c\u53c8\u6a21\u5beb\u60c5\u72c0\uff0c\u5fd7\u8da3\u9ad8\u9060\uff0c\u6028\u800c\u4e0d\u6012\uff0c\u6709\u98a8\u4eba\u4e4b\u7fa9\u7109\u3002\u59cb\u5247\u611f\u79cb\u98a8\u800c\u6417\u8863\uff0c\u5c0d\u660e\u6708\u800c\u5f98\u5f8a\uff1b\u65e2\u5247\u50b7\u9b5a\u96c1\u4e4b\u6773\u7136\uff0c\u60b2\u7f88\u65c5\u4e4b\u5be5\u843d\uff1b\u7d42\u5247\u98db\u5922\u9b42\u65bc\u585e\u5317\uff0c\u6558\u96e2\u601d\u4e4b\u53c3\u5546\uff1b\u800c\u53c8\u6068\u9396\u6625\u5c71\uff0c\u6dda\u6ea2\u79cb\u6c34\uff0c\u4e00\u884c\u66f8\u3001\u5343\u884c\u6dda\uff0c\u53ea\u6b32\u8863\u5148\u65bc\u5bd2\uff0c\u5bd2\u5f8c\u65bc\u8863\uff0c\u800c\u529f\u540d\u5bcc\u8cb4\uff0c\u8d05\u4e4b\u696e\u672b\u3002\u84cb\u60df\u77e5\u7be4\u592b\u5a66\u4e4b\u7fa9\uff0c\u800c\u7b49\u540d\u5229\u5982\u571f\u6897\u77e3\u3002\u5176\u4e2d\u541f\u97fb\u856d\u689d\uff0c\u51b0\u7d43\u6dd2\u6158\uff0c\u6709\u5b64\u9e1e\u5be1\u9d60\u4e4b\u614b\u4e91\u3002\u201d
\u6417\u8863\u662f\u5728\u6cb3\u908a\u7528\u6728\u68d2\u939a\u6253\u8863\u670d\u7684\u53e4\u4ee3\u6d17\u8863\u65b9\u6cd5\u3002\u6b64\u66f2\u5beb\u6230\u722d\u5e74\u4ee3\uff0c\u59bb\u5b50\u5728\u6cb3\u908a\u6d17\u8863\u6642\u601d\u5ff5\u4e08\u592b\u7684\u5fc3\u60c5\u3002<\/p>

This is a piece firstly published in the Feng Xuan Xuan Pin (1539). According to the explanatory notes of Taigu Yiyin (YANG Lun) (1609) reads that, \u201cThis is a piece composed by PAN Ting-jian.\u201d In ancient time, clothes were cleaned by beating with a wooden hammer stick. The piece describes the lonely wives missing their soldier men when beating clothes at the riverside.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u6168\u53e4\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u674e\u5b54\u5143\u6240\u594f\u300a\u6168\u53e4\u541f\u300b\u4e00\u66f2\uff0c\u8207\u6b77\u4ee3\u7434\u8b5c\u4e2d\u7684\u300a\u6168\u53e4\u541f\u300b\u3001\u300a\u6168\u53e4\u5f15\u300b\u6216\u300a\u592a\u53e4\u541f\u300b\u90fd\u4e0d\u540c\uff0c\u662f\u8b5c\u51fa\u81ea\u676d\u5dde\u897f\u6e56\u5ee3\u5316\u5bfa\u50e7\u6167\u7a7a\u4e0a\u4eba\u7684\u6284\u672c\u7434\u66f2\uff0c\u50b3\u8207\u80e1\u7469\u5802\u5f8c\uff0c\u6210\u70ba\u5176\u201c\u7720\u7434\u5ba4\u201d\u9580\u4eba\u5f1f\u5b50\u5b78\u7fd2\u64cd\u7e35\u7684\u5165\u9580\u66f2\u76ee\u3002\u9019\u9996\u77ed\u5c0f\u7684\u66f2\u5b50\uff0c\u610f\u5728\u8868\u9054\u4eca\u6614\u8b8a\u9077\uff0c\u53e4\u9053\u4e0d\u5fa9\u7684\u611f\u6168\uff0c\u5c24\u5176\u672b\u6bb5\u6cdb\u97f3\uff0c\u66f4\u80fd\u5145\u5206\u9ad4\u73fe\u53e4\u7434\u97f3\u6a02\u300c\u81f4\u4e2d\u548c\u300d\u800c\u4e0d\u8655\u6027\u60c5\u4e4b\u6975\u7684\u7406\u60f3\u3002
\u67e5\u961c\u897f\u5148\u751f\u5f48\u5531\u7684\u300a\u6168\u53e4\u541f\u300b\u4e00\u66f2\uff0c\u662f\u67e5\u5148\u751f\u65bc\u4e00\u4e5d\u4e00\uff2f\u5e74\u5728\u5927\u5eb8\u5f9e\u5176\u5e2b\u4fde\u5473\u8493\u5b78\u5230\u6b64\u66f2\uff0c\u4e26\u65bc\u4e00\u4e5d\u4e00\u4e00\u5e74\u53c8\u4f9d\u7530\u66e6\u660e\u5e2b\u7684\u7bc0\u594f\u5531\u6cd5\u8a02\u6b63\u7684\u3002<\/p>

The one performed by LI Kong-yuan was completely different from the traditional ones. It came from the Copy of Qin Scores passed down by Monk Wei Kong of Hangzhou to HU Ying-tang. He then passed it down to his fellow students.
The one which was a tanchang copy performed by ZHA Fu-xi was passed down in 1910 by his instructor Mr. YU Wei-chun at Da Yong. And concluded in 1911 according to the singing rhythm of TIAN Xi-ming.
The music is short. It depicts the changes from the past to the date.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u601d\u8ce2\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u4e09\u25cb\u5e74\uff09\u9ec3\u9f8d\u5c71\u8f2f\u300a\u65b0\u520a\u767c\u660e\u7434\u8b5c\u300b\u5377\u4e4b\u4e0a\u3002\u694a\u6384\u8b02\u4e4b\uff1a\u201c\u662f\u66f2\u4e5f\uff0c\u5b54\u8056\u9580\u5f92\u4e09\u5343\uff0c\u60df\u984f\u5b50\u6700\u8ce2\u800c\u654f\uff0c\u7c1e\u74e2\u6a02\u9053\uff0c\u4e0d\u5e78\u5929\u547d\u4e9f\u596a\uff0c\u6545\u8056\u4eba\u60bc\u9053\u5b78\u7121\u50b3\uff0c\u4f5c\u662f\u7434\u4ee5\u5f14\u4e4b\u3002\u5176\u97f3\u60b2\u621a\u60a0\u63da\uff0c\u975e\u6df1\u8655\u9053\u8005\uff0c\u83ab\u80fd\u77e5\u5176\u5fae\u5999\u3002\u201d
\u672c\u96c6\u6240\u6536\u70ba\u53e6\u4e00\u7248\u672c\uff0c\u66fe\u520a\u65bc\u300a\u4eca\u865e\u7434\u520a\u300b\uff08\u516c\u5143\u4e00\u4e5d\u4e09\u4e03\u5e74\uff09\uff0c\u53c8\u540d\u300a\u6ce3\u984f\u56de\u300b\uff0c\u662f\u5f90\u5143\u767d\u5148\u751f\u64da\u7435\u7436\u66f2\u79fb\u690d\u5165\u7434\uff0c\u6709\u5e8f\u66f0\uff1a\u201c\u300a\u6ce3\u984f\u56de\u300b\u53e4\u8abf\u5e37\u6d41\u50b3\u6d77\u6ff1\u7c2b\u7ba1\u4e2d\uff0c\u5148\u56b4\u6708\u79cb\u516c\u96c5\u64c5\u7435\u7436\uff0c\u719f\u7fd2\u6b64\u64cd\uff0c\u97f3\u6c38\u97fb\u60b2\uff0c\u805e\u8005\u5606\u606f\uff0c\u5143\u767d\u5c11\u6642\u591c\u8b80\uff0c\u5373\u4f0f\u6795\u6b32\u7791\uff0c\u805e\u6b64\u66f2\u5247\u9b42\u5922\u4ff1\u6e05\uff0c\u4e43\u70ba\u8b5c\u5165\u7434\u53e5\u3002\u201d<\/p>

This is a piece firstly published in the Faming Qinpu (1530). Another version is collected in the Jinyu Qin Magazine (1937). It was adapted from pipa music by Mr. XU Yuan-bai. The preface contains these comments, \u201cThe ancient tune of Weeping for Yan Hui was only heard in woodwind instruments of coastal areas. My late father was fond of this piece. He was also a master of pipa. His playing was impressive enough to move the audience to sigh. When I was a small boy I used to read books at night. Sometimes I felt sleepy, and I would lay my head on the pillow, waiting for the dream. But whenever I heard this piece, my dream disappeared, and my soul would fly high. That\u2019s why I adapted this music into qin piece.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u5f7c\u5cb8\u5f15\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u51fa\u81ea\u6c11\u570b\u521d\u5e74\u5f35\u53cb\u9db4\u5148\u751f\u6240\u50b3\u300a\u624b\u6284\u7434\u8b5c\u300b\u3002\u7434\u66f2\u5e73\u7de9\u5e7d\u96c5\uff0c\u8868\u73fe\u975c\u9038\u8d85\u812b\u7684\u5fc3\u5883\uff0c\u4f7f\u4eba\u56de\u6b78\u81ea\u7136\u7a7a\u9748\u7684\u5883\u754c\u3002<\/p>

This is a piece firstly seen in the Copy of Qin Scores passed down by ZHANG You-he (1910\u2019s). It is a gentle and elegant piece, the tranquility and peaceful feelings were described..\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u5ee3\u5bd2\u79cb\u300b<\/strong><\/h3>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\uff0c\u4e2d\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6536\u6709\u300a\u5ee3\u5bd2\u79cb\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u82e5\u7576\u6e05\u79cb\u4e4b\u969b\uff0c\u591c\u6dbc\u4eba\u975c\uff0c\u5929\u5b87\u662d\u66e0\uff0c\u87fe\u9b44\u9a30\u8f1d\uff0c\u7d20\u5a25\u7814\u8272\uff0c\u6563\u6e05\u9999\u65bc\u516d\u5408\uff0c\u98c4\u4e39\u6842\u65bc\u4e5d\u5929\uff0c\u4e2d\u6709\u5f9c\u5f89\u4e4b\u6a02\uff0c\u800c\u81ea\u5f97\u5176\u8da3\u77e3\u3002\u8c48\u5eb8\u4eba\u53ef\u5f97\u800c\u6e2c\u8b58\u54c9\uff1f\u6545\u5beb\u8208\u65bc\u7434\u7109\u3002\u60df\u5438\u98a8\u98f2\u9732\u8005\u5f97\u4e4b\u3002\u201d
This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cThis is a music depicting the cool and refreshing breeze in autumn. The tang can only be affected by the one who has a special will.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u5c71\u6c34\u60c5\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u662f\u91d1\u5fa9\u8f09\u539f\u5275\u65bc\u4e00\u4e5d\u516b\u516b\u5e74\u7528\u53e4\u7434\u914d\u97f3\u7684\u52d5\u756b\u96fb\u5f71\u300a\u5c71\u6c34\u60c5\u300b\u4e4b\u4e3b\u984c\u97f3\u6a02\uff0c\u5f8c\u7d93\u6539\u7de8\u70ba\u53e4\u7434\u7368\u594f\u66f2\u3002
\u5f71\u7247\u63cf\u8ff0\u4e86\u7d30\u96e8\u7dbf\u7dbf\u7684\u79cb\u65e5\uff0c\u5c71\u9ad8\u6c34\u6df1\uff0c\u7434\u8072\u60a0\u63da\uff0c\u8001\u7434\u5e2b\u8207\u6f01\u7ae5\u7d50\u4e0b\u4e86\u9ad8\u5c71\u6d41\u6c34\u4e4b\u60c5\u8abc\u7684\u6545\u4e8b\u3002\u7434\u66f2\u300a\u5c71\u6c34\u60c5\u300b\uff0c\u76ca\u66f4\u80fd\u9ad4\u6703\u51fa\u60c5\u8da3\u6de1\u6cca\uff0c\u610f\u5883\u5e7d\u6df1\u7684\u666f\u6cc1\uff0c\u7336\u5982\u4e00\u5e45\u8001\u7df4\u7c21\u6f54\u7684\u6de1\u7b46\u6c34\u58a8\u756b\u3002<\/p>

This piece was composed by JIN Fu-zhai in 1988. Being originally music for the cartoon film Lofty Sentiments of Deep Friendship which has won many Prizes and has now adapted to the qin solo.
The cartoon film tells of a moving story about the deep friendship between an old qin player and a young fishing boy. The music shows a picture of an autumn day with drizzling rain against a background of great scenic beauty. The adapted version seems to give a picture in water colour which is filled with peace and tranquility.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u5c71\u5c45\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e2d\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u5c71\u5c45\u541f\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u5b8b\u6bdb\u4ef2\u7fc1\u6240\u4f5c\u3002\u5176\u8da3\u4e5f\uff0c\u5de2\u96f2\u677e\u65bc\u4e18\u58d1\u4e4b\u58eb\uff0c\u6fb9\u7136\u8207\u4e16\u5169\u5fd8\uff0c\u4e0d\u727d\u5875\u7db2\uff0c\u4e43\u4ee5\u5927\u5c71\u70ba\u5c4f\uff0c\u6e05\u6d41\u70ba\u5e36\uff0c\u5929\u5730\u70ba\u4e4b\u5eec\uff0c\u8349\u6728\u70ba\u4e4b\u8863\uff0c\u6795\u6d41\u6f31\u77f3\uff0c\u5f9c\u5f89\u5176\u9593\u3002\u81f3\u82e5\u5c71\u6708\u6c5f\u98a8\u4e4b\u8da3\uff0c\u9ce5\u557c\u82b1\u843d\u4e4b\u97f3\uff0c\u6b64\u7686\u53d6\u4e4b\u7121\u76e1\uff0c\u7528\u4e4b\u7121\u8b01\u8005\u4e5f\u3002\u6240\u8b02\u6a02\u592b\u5929\u547d\u8005\uff0c\u6709\u4ee5\u4e5f\u592b\u3002\u53c8\u5c0d\u7518\u8001\u6cc9\u77f3\u4e4b\u5fc3\uff0c\u5c24\u5f97\u4e4b\u77e3\u3002\u201d\u6b64\u66f2\u662f\u5ee3\u9675\u7434\u5b78\u7684\u5165\u9580\u66f2\u76ee\uff0c\u53c8\u7a31\u300a\u5c0f\u6a35\u6b4c\u300b\uff0c\u66f2\u5b50\u96d6\u77ed\uff0c\u60df\u97f3\u8abf\u7bec\u53e4\u606c\u975c\uff0c\u7bc0\u594f\u8d77\u4f0f\u8dcc\u5b95\u3002<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cThe composer of the piece was MAO Min-zhong of the Southern Song Dynasty.\u201d The tone of the music was vigorous with ancient appeal, the structure was complicated, the melody was magic and unconstrained, and the fingering was a best integration of strength and softness. All of these made it different from other pieces. It described that the recluses took the sky and earth as bed and stone as pillow, and without being involved with the trifles in the world. They fully enjoyed the beauty of mountains and rivers.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u5c0f\u80e1\u7b33\u300b<\/strong><\/h3>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\uff0c\u4e0a\u5377\u592a\u53e4\u795e\u54c1\u4e2d\u6709\u300a\u5c0f\u80e1\u7b33\u300b\u4e00\u66f2\uff0c\u6731\u6b0a\u8a8d\u70ba\u662f\u5f8c\u5510\u8463\u5ead\u862d\u6240\u4f5c\u3002\u63cf\u8ff0\u6f22\u4ee3\u8521\u9095\u4e4b\u5973\u8521\u6587\u59ec\u56e0\u6f22\u672b\u5927\u4e82\uff0c\u70ba\u80e1\u9a0e\u6240\u64c4\uff0c\u5165\u756a\u70ba\u738b\u540e\uff0c\u5341\u6709\u4e8c\u5e74\uff0c\u751f\u4e8c\u5b50\u3002\u6625\u5929\u6642\uff0c\u805e\u80e1\u7b33\u4e4b\u8072\u9042\u6372\u8606\u8449\u70ba\u7b33\u800c\u5439\u4e4b\uff0c\u5176\u97f3\u751a\u54c0\uff0c\u8463\u5ead\u862d\u4ee5\u7434\u5beb\u80e1\u7b33\u8072\uff0c\u70ba\u5927\u3001\u5c0f\u80e1\u7b33\u3002\u300a\u5c0f\u80e1\u7b33\u300b\u662f\u6292\u767c\u8521\u6587\u59ec\u5728\u80e1\u7684\u54c0\u61f7\u601d\u6545\u4e4b\u60c5\u3002<\/p>

The compiler of the Mysterious Scores of Qin (1425) attributes the piece to DONG Ting-lan. The music described lady CAI Wen-ji\u2019s story of Han Dynasty. She was captured by the barbarian and became the empress then. She lived with northwestern barbarians for twelve years and had two sons. When she heard of the music from the barbarian pipe in spring, she was very sad in thinking of the motherland..
The most characteristic feature of qin music Little Tune of the Barbarian Pipe is the imitation of Hujia\u2019s (barbarian pipe) sound. The music itself expresses lady CAI Wen-ji\u2019s nostalgic feeling.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u5b64\u7af9\u541b\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u56db\u4e5d\u5e74\uff09\u6c6a\u829d\u8f2f\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u5377\u4e8c\u5341\u4e94\u4e2d\u3002\u64da\u7434\u7d71\u89e3\u984c\u4e91\uff1a\u201c\u2018\u51a2\u4e0a\u4e00\u7aff\u7af9\uff0c\u98a8\u5439\u5e38\u88ca\u88ca\uff1b\u4e0b\u6709\u767e\u5e74\u4eba\uff0c\u9577\u7720\u4e0d\u77e5\u66c9\u3002\u2019\u6b64\u6649\u4eba\u89e3\u9005\u5893\u4e2d\u8a9e\u4e5f\u3002\u5176\u7a31\u5b64\u7af9\u541b\uff0c\u8a00\u591a\u6134\u5207\uff0c\u7336\u80fd\u4f7f\u4eba\u60d5\u7136\u3002\u592b\u589f\u5893\u4e4b\u611f\uff0c\u53e4\u4eca\u6240\u540c\uff0c\u532a\u6709\u8499\u838a\u4e4b\u9054\uff0c\u9bae\u80fd\u91cb\u7109\u8005\u3002\u805e\u65af\u9f13\u4e5f\uff0c\u52ff\u79fb\u5176\u8072\u53ef\u77e3\u3002\u201d
This is a piece firstly published in the Xilutang Qintong (1549). The piece includes ten parts. The tune is delicate, unwounded and bright. The philosophical perception it conveys could not be paralleled by other Ming or Qing music pieces. It expressed the thought of Zhuang Zi about the life and death.
To play this piece, the qin should be tuned specially in what was called Quan Ming Diao. This tuning could only be found in this piece and the Flying Phoenix in the Xilutang Qintong.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u5927\u80e1\u7b33\u300b<\/strong><\/h3>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0b\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u5927\u80e1\u7b33\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u6309\uff0c\u7434\u53f2\u66f0\uff1a\u201c\u6f22\u66f8\u8f09\u8521\u7430\uff0c\u5b57\u6587\u59ec\uff0c\u8521\u9095\u4e4b\u5973\u4e5f\u3002\u535a\u5b78\u6709\u624d\u8faf\uff0c\u53c8\u5999\u65bc\u97f3\u5f8b\u3002\u5176\u7236\u9095\u591c\u5f48\u7434\u7d43\u7d55\uff0c\u7430\u805e\u4e4b\u66f0\uff1a\u2018\u7b2c\u4e00\u7d43\u4e5f\u2019\uff1b\u5fa9\u65b7\uff0c\u805e\u4e4b\u66f0\uff1a\u2018\u7b2c\u56db\u7d43\u4e5f\u2019\uff1b\u7236\u751a\u7570\u4e4b\u3002\u5f8c\u9069\u6cb3\u6771\u885b\u4ef2\u9053\uff0c\u592b\u4ea1\u6b78\u5be7\u3002\u6f22\u672b\u5927\u4e82\uff0c\u7430\u70ba\u80e1\u9a0e\u6240\u63a0\uff0c\u5165\u756a\u70ba\u738b\u540e\uff0c\u5341\u4e8c\u5e74\u751f\u4e8c\u5b50\uff0c\u738b\u751a\u91cd\u4e4b\u3002\u6625\u6708\u767b\u80e1\u8eca\uff0c\u7430\u611f\u7b33\u4e4b\u97f3\uff0c\u4f5c\u8a69\u8a00\u5fd7\u66f0\uff1a\u2018\u80e1\u7b33\u52d5\u516e\u908a\u99ac\u9cf4\uff0c\u5b64\u96c1\u6b78\u516e\u8072\u56b6\u56b6\u3002\u2019\u5f8c\u6b66\u5e1d\u8207\u9095\u6709\u820a\uff0c\u52c5\u5927\u5c07\u8ecd\u8d16\u6587\u59ec\u6b78\u6f22\uff0c\u4e8c\u5b50\u7559\u80e1\u4e2d\u3002\u5f8c\u80e1\u4eba\u601d\u6155\u6587\u59ec\uff0c\u4e43\u6372\u8606\u8449\u70ba\u5439\u7b33\u594f\u54c0\u6028\u4e4b\u97f3\u3002\u5f8c\u5510\u8463\u5ead\u862d\u5584\u70ba\u6c88\u5bb6\u8072\u795d\u5bb6\u8072\uff0c\u4ee5\u7434\u5beb\u80e1\u7b33\u8072\uff0c\u70ba\u5927\u5c0f\u80e1\u7b33\u662f\u4e5f\u3002\u201d
\u674e\u980e\u5728\u300a\u807d\u8463\u5927\u5f48\u80e1\u7b33\u8072\u300b\u4e2d\u66f0\uff1a\u201c\u8521\u5973\u6614\u9020\u80e1\u7b33\u8072\uff0c\u4e00\u5f48\u4e00\u5341\u6709\u516b\u62cd\u3002\u201d\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e2d\u7684\u300a\u5927\u80e1\u7b33\u300b\u6b63\u662f\u5341\u516b\u6bb5\uff0c\u6b64\u5373\u300a\u80e1\u7b33\u5341\u516b\u62cd\u300b\u4e00\u66f2\u4e5f\u3002\u5f8c\u4e16\u6709\u7434\u6b4c\u300a\u80e1\u7b33\u5341\u516b\u62cd\u300b\uff0c\u5728\u984c\u6750\u4e0a\u76f8\u540c\uff0c\u97f3\u6a02\u5247\u6beb\u7121\u5171\u540c\u4e4b\u8655\u3002<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cAccording to the History of Qin, this piece was said to be written by CAI Yan. Yan alias Wen-ji, was the daughter of CAI Yong. At the end of the Han Dynasty, Yan was seized by the army of a foreign country and became the queen of that country. She gave birth to two boys in 12 years, and the foreign king liked her very much. In a moonlit night in spring, Yan was travelling in a carriage when she heard the sad sound of hujia (a wind instrument of the foreign country made from leaves). In melancholy, she wrote a poem. CAO Cao, a Chinese general and a friend of CAI Yong, felt pity for Yong because he had no descendants. Cao sent a messenger to the foreign country to bring back Yan by giving the foreign king a great piece of gold as a gift. The two sons of Yan were left in that country. People of that country missed Yan very much and played the hujia to express their sadness.\u201d
DONG Ting-lan, a qin player of the Tang Dynasty, was good at playing this piece, depicting the sound of the hujia by the qin. Li Qi wrote the following words in a poem titled \u201cListening to Dong producing the sound of hujia\u201d, \u201cThe daughter of Cai wrote the music with the sound of hujia and divided it into 18 parts.\u201d In Mysterious Scores of Qin, the music consists of exactly 18 parts. Later, a song with qin accompaniment was composed with the title \u201cSound of Hujia with 18 Parts\u201d which was inspired by the same story, but had nothing musically in common with this piece.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u585e\u4e0a\u9d3b\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u842c\u66c6\uff08\u516c\u5143\u4e00\u516d\u25cb\u4e5d\u5e74\uff09\u694a\u6384\u8f2f\u300a\u4f2f\u7259\u5fc3\u6cd5\u300b\u5377\u4e0b\uff0c\u539f\u8b5c\u96c6\u89e3\u984c\u4e91\uff1a\u201c\u6309\u65af\u66f2\uff0c\u84cb\u50b7\u620d\u908a\u800c\u4f5c\u4e5f\u3002\u5f7c\u9ec3\u96f2\u79cb\u585e\uff0c\u5343\u91cc\u856d\u689d\uff0c\u6975\u76ee\u7159\u5875\uff0c\u897f\u98a8\u782d\u9aa8\uff1b\u666f\u7269\u6dd2\u6dbc\uff0c\u65bc\u65af\u6975\u77e3\u3002\u9867\u77bb\u9d3b\u96c1\uff0c\u7ff1\u7fd4\u65bc\u9752\u9704\u4e4b\u4e0a\uff0c\u5639\u56a6\u65bc\u7d2b\u585e\u4e4b\u9109\uff1b\u8072\u5639\u56a6\u800c\u8a9e\u54c0\u54c0\uff0c\u2018\u738b\u4e8b\u9761\u76ec\uff0c\u4e0d\u9051\u6b78\u8655\u3002\u2019\u611f\u61f7\u8005\uff0c\u500d\u70ba\u8178\u65b7\uff1b\u805e\u4e4b\u8005\uff0c\u6d95\u6dda\u4ea4\u9824\u3002\u662f\u66f2\u8072\u5f8b\u6158\u60bd\uff0c\u97f3\u97fb\u60b2\u50b7\uff0c\u5beb\u51fa\u4e00\u6bb5\u5f81\u4eba\u61f7\u9109\u6182\u570b\u4e4b\u97f3\uff0c\u771f\u865e\u5f26\u4e2d\u4e4b\u767d\u7709\u8005\u4e5f\u3002\u201d<\/p>

This is a piece firstly published in the Boya Xinfa (YANG Lun) (1609). According to the explanation notes, this is a piece which made use of the migration geese to reflect the homesick of the one at the frontier.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u56db\u5927\u666f\u300b<\/strong><\/h3>

\u3000\u3000\u6e05\u2027\u9053\u5149\uff08\u516c\u5143\u4e00\u516b\u4e8c\u4e94\u5e74\uff09\u6c88\u6d69\uff08\u5922\u82b1\uff09\u9078\u8a02\u4e4b\u300a\u5cf0\u62b1\u6a13\u7434\u8b5c\u300b\u53ca\u6e05\u2027\u9053\u5149\uff08\u516c\u5143\u4e00\u516b\u56db\u56db\u5e74\uff09\u5f35\u693f\uff08\u97a0\u7530\uff09\u50b3\u8b5c\uff0c\u912d\u50b3\u7fb9\u7de8\u8a02\u4e4b\u300a\u5f35\u97a0\u7530\u7434\u8b5c\u300b\u7a3f\u672c\u4e2d\u7686\u6536\u6709\u6b64\u66f2\uff0c\u662f\u4e00\u9996\u901a\u904e\u56db\u5b63\u666f\u8272\u4f86\u6292\u5beb\u611f\u60c5\u7684\u300a\u5433\u8072\u5b50\u591c\u56db\u6642\u6b4c\u300b\u3002\u4f46\u6e05\u2027\u5ba3\u7d71\u4e8c\u5e74\u81f3\u6c11\u570b\u5341\u4e5d\u5e74\uff08\u7d04\u516c\u5143\u4e00\u4e5d\u4e00\uff2f\u5e74\uff09\u694a\u5b97\u7a37\uff08\u6642\u767e\uff09\u7e82\u8f2f\u7684\u300a\u7434\u5b78\u53e2\u66f8\u300b\u6240\u6536\u4e4b\u300a\u56db\u5927\u666f\u300b\u8207\u4e4b\u4e26\u4e0d\u76f8\u540c\uff0c\u64da\u694a\u8446\u5143\u5148\u751f\u7a31\uff1a\u201c\u6b64\u66f2\u50b3\u81ea\u9ec3\u52c9\u4e4b\u7684\u9214\u672c\uff0c\u6700\u521d\u662f\u7531\u8607\u5dde\u7684\u5c0f\u8abf\u6539\u7de8\u7684\u3002\u201d
\u5f9e\u6a02\u66f2\u7684\u9ad4\u88c1\u4f86\u770b\uff0c\u5b83\u4e5f\u8207\u50b3\u7d71\u7434\u66f2\u4e0d\u540c\uff0c\u6709\u8457\u6c11\u9593\u5c0f\u8abf\u7684\u66f2\u5f0f\u3002<\/p>

This is a piece firstly published in the Qin Scores of Feng Bao Lou (1825). This qin piece is adapted from the traditional folk pieces of Jiangsu and passed down by HUANG Mian-zhi. It depicts the sceneries of the four seasons.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u53e4\u98a8\u64cd\u300b<\/strong><\/h3>

\u3000\u6b64\u66f2\u6700\u65e9\u6536\u9304\u5728\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0a\u5377\u592a\u53e4\u795e\u54c1\u4e2d\u3002\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u53e4\u66f2\u4e5f\uff0c\u6587\u738b\u6240\u4f5c\u3002\u5176\u70ba\u8da3\u4e5f\uff0c\u8ffd\u592a\u9f13\u4e4b\u6df3\u98a8\u3002\u8b02\u4e0d\u6cbb\u800c\u4e0d\u4e82\uff0c\u4e0d\u8a00\u800c\u81ea\u4fe1\uff0c\u4e0d\u5316\u800c\u81ea\u884c\u3002\u8569\u8569\u4e4e\uff0c\u6c11\u7121\u80fd\u540d\u7109\u3002\u5176\u4fd7\u4e5f\uff0c\u7199\u7199\u7136\u5982\u767b\u6625\u81fa\uff1b\u4ee5\u9053\u5b58\u751f\uff0c\u4ee5\u5fb7\u5b89\u5f62\u3002\u5176\u6c11\u7518\u98df\u800c\u6a02\u5c45\uff0c\u61f7\u571f\u800c\u91cd\u751f\uff0c\u5f62\u6709\u52d5\u4f5c\uff0c\u5fc3\u7121\u597d\u60e1\u3002\u96de\u72ac\u4e4b\u8072\u76f8\u805e\uff0c\u6c11\u81f3\u8001\u6b7b\u4e0d\u76f8\u5f80\u4f86\uff0c\u7121\u6709\u597d\u60e1\uff0c\u7121\u6709\u55dc\u617e\uff0c\u6b64\u592a\u6a38\u4e4b\u4fd7\u898b\u65bc\u4e16\u4e5f\u3002\u201d\u6a02\u66f2\u7684\u65cb\u5f8b\u542b\u6709\u897f\u57df\u7570\u65cf\u97fb\u5f8b\uff0c\u7591\u662f\u5510\u6642\u7434\u5bb6\u5c07\u5165\u50b3\u4e2d\u539f\u7684\u5916\u65cf\u97f3\u6a02\u8a18\u6210\u7434\u66f2\u3002<\/p>

This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cThis is an ancient piece of music, composed by the emperor Wen Wang. It is a reminiscence of the lifestyle in the ancient times, when life was happy, free, and everyone lived in peace.\u201d Analyzing the music from the structure of its melody, it appears that the music contains the musical style of foreign countries northwest of China. You can hear the sound of worshipping and singing activities in ancient times. During the Tang Dynasty, Many pieces of foreign music were carried out to the central part of China, so it was likely that this was a foreign piece of music recorded as qin music by qin players.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u53e4\u7434\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u842c\u66c6\uff08\u516c\u5143\u4e00\u4e94\u516b\u4e94\u5e74\uff09\u694a\u8868\u6b63\uff08\u897f\u5cf0\uff09\u64b0\u300a\u91cd\u4fee\u771f\u50b3\u7434\u8b5c\u300b\u4e2d\u3002\u6b64\u66f2\u4ea6\u7a31\u300a\u76f8\u601d\u66f2\u300b\uff0c\u300a\u91cd\u4fee\u771f\u50b3\u7434\u8b5c\u300b\u4e91\uff1a\u201c\u6614\u8607\u5b50\u651c\u5993\u62b1\u7434\uff0c\u5e38\u904a\u74ca\u5dde\u7d05\u62c2\u5bfa\u3002\u800c\u5f8c\u5993\u5ffd\u67d3\u75be\u4ea1\uff0c\u5373\u4ee5\u7434\u6b89\uff0c\u846c\u4e4b\u5bfa\u5f8c\u7c89\u7246\u897f\u3002\u5f8c\u5dde\u5b88\u591c\u5bbf\u5179\u5bfa\uff0c\u5ffd\u805e\u5973\u5b50\u54fd\u54bd\u60b2\u6b4c\uff0c\u66f4\u6b21\u4e0d\u53bb\u3002\u66c9\uff0c\u4e43\u7a76\u50e7\u96b1\u6deb\u4e4b\u7f6a\uff0c\u773e\u83ab\u77e5\u5176\u7531\u3002\u8001\u50e7\u7a1f\u66f0\uff1a\u2018\u805e\u524d\u671d\u8607\u5b78\u58eb\u651c\u846c\u4e00\u5993\u65bc\u5bfa\u5f8c\uff0c\u60f3\u6b64\u5993\u4e4b\u9b42\u6b5f\uff1f\u2019\u9042\u547d\u767c\u68fa\uff0c\u898b\u5973\u62b1\u7434\uff0c\u8a8c\u8a5e\u4e00\u95cb\uff0c\u540d\u66f0\u76f8\u601d\u66f2\uff0c\u8207\u591c\u6b4c\u540c\uff0c\u5bfa\u50e7\u65b9\u91cb\u3002\u5176\u66f2\u96d6\u5c0f\uff0c\u5bd3\u610f\u4ea6\u5999\u800c\u5fae\u4e5f\u3002\u201d
\u6b64\u66f2\u501f\u57cb\u5728\u7246\u9670\u7684\u53e4\u7434\uff0c\u6bd4\u55bb\u88ab\u4eba\u907a\u68c4\u4e4b\u60c5\uff0c\u4ee5\u8868\u9054\u5176\u5fc3\u4e2d\u7684\u54c0\u6028\u3002<\/p>

This is a piece firstly published in the Chongxiu Zhenchuan Qinpu (1585). According to it\u2019s explanation, Song Dynasty poet SU Dong-po heard a female song while lodging in a mountain temple. The sorrow voice was traced to vanish under a wall. A qin was unearthed in the next day and led to the composition of a song with the same title. The lyrics were about a woman abandoned by her love. An analogy was made of the abandoned qin underground and the fate of deserted women.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u535c\u7b97\u5b50\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u6e05\u2027\u5eb7\u7199\uff08\u516c\u5143\u4e00\u516d\u516b\u4e8c\u5e74\uff09\u7a0b\u96c4\uff08\u7a4e\u5eb5\uff09\u9078\u8a02\u300a\u677e\u98a8\u95a3\u7434\u8b5c\u300b\uff08\u9644\uff1a\u6292\u61f7\u64cd\uff09\u4e2d\u3002\u539f\u66f2\u70ba\u7a0b\u96c4\u81ea\u5ea6\u66f2\uff0c\u7531\u66f9\u6eb6\u586b\u8a5e\uff0c\u73fe\u7d93\u5433\u6587\u5149\u6539\u914d\u9678\u6e38\u300a\u8a60\u6885\u300b\u8a5e\u7684\u540c\u6642\uff0c\u9084\u5c07\u53e4\u8b5c\u7684\u9ec3\u9418\u8abf\u7d43\u6cd5\u63db\u6210\u6b63\u8abf\uff0c\u4e26\u7528\u96d9\u6cdb\u97f3\u6f14\u594f\u3002\u662f\u66f2\u65cb\u5f8b\u96cb\u6c38\u4e2d\u7565\u5e36\u50b7\u611f\uff0c\u53ef\u70ba\u5b78\u8005\u7df4\u7fd2\u6cdb\u97f3\u4e4b\u7528\u3002<\/p>

This is a piece firstly published in the Shuhuai Cao (1682), supplement of the Qin Scores of Song Feng Ge (1677). The title is a labeled tune of Ci Poem, written by CAO Rong (words) and CHENG Xiong (music and qin fingering). WU Wen-guang changed the words to LU You\u2019s Ode to the Plum Blossom from the original and transposed the melody from the key of C to the key of F. Playing the harmonics in interval is unique and good for beginner\u2019s practice.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u5357\u98a8\u6b4c\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u6b63\u5fb7\uff08\u516c\u5143\u4e00\u4e94\u4e00\u4e00\u5e74\uff09\u8b1d\u7433\uff08\u96ea\u5cf0\uff09\u64b0\u300a\u592a\u53e4\u907a\u97f3\u300b\u5377\u4e4b\u4e00\u4e2d\u3002\u6309\u53f2\uff0c\u821c\u65e2\u5373\u4f4d\uff0c\u5ee3\u958b\u8996\u807d\uff0c\u6c42\u8ce2\u4eba\u4ee5\u81ea\u8f14\uff0c\u606d\u5df1\u7121\u70ba\uff0c\u4ee5\u8272\u6a02\u5316\u5929\u4e0b\u3002\u5176\u6a02\u66f0\uff1a\u201c\u97f6\u201d\uff0c\u5b50\u8b02\uff1a\u201c\u97f6\uff0c\u76e1\u7f8e\u77e3\uff0c\u53c8\u76e1\u5584\u4e5f\u201d\uff1b\u66f8\u66f0\uff1a\u201c\u7c2b\u97f6\u4e5d\u6210\uff0c\u9cf3\u51f0\u4f86\u5100\u201d\u662f\u77e3\u3002\u6b64\u66f2\u4e43\u5176\u4e94\u7d43\u6240\u5f48\u8005\uff0c\u800c\u5f8c\u4eba\u64ec\u800c\u7e79\u4e4b\uff0c\u7136\u89c0\u6240\u8a00\u6709\u9ec3\u9f8d\u516e\uff0c\u81ea\u51fa\u65bc\u6cb3\uff1b\u8ca0\u66f8\u5716\u516e\u86c7\u7f85\u6c99\u3002\u5176\u6587\u53e4\u77e3\uff0c\u56e0\u8a73\u8457\u4e4b\u3002<\/p>

This is a piece firstly published in the Taigu Yiyin (XIE Lin) (1511). The explanatory notes reads that, this piece was close to the ancient famous music called \u201cshao\u201d. Which is the highest standard of pretty and moral implications for artistic achievement.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u5357\u85b0\u6b4c\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5f18\u6cbb\uff08\u516c\u5143\u4e00\u56db\u4e5d\u4e00\u5e74\uff09\u9f94\u7d93\uff08\u7a3d\u53e4\uff09\u7de8\u91cb\u7684\u300a\u6d59\u97f3\u91cb\u5b57\u7434\u8b5c\u300b\u5377\u4e4b\u4e0a\u3002\u5e0c\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u4e5f\uff0c\u7956\u81ea\u865e\u821c\uff0c\u800c\u5f8c\u4eba\u589e\u76ca\u4e4b\u3002\u7956\u738b\u8b5c\u7121\u6b64\u66f2\uff0c\u6309\u53f2\u8a18\u4e91\uff1a\u2018\u821c\u5f48\u4e94\u7d43\u4e4b\u7434\uff0c\u6b4c\u5357\u98a8\u4e4b\u8a69\u800c\u5929\u4e0b\u6cbb\uff0c\u8a69\u66f0\uff1a\u5357\u4f86\u4e4b\u98a8\u85b0\u516e\uff0c\u53ef\u4ee5\u89e3\u543e\u6c11\u4e4b\u614d\u516e\uff1b\u5357\u4f86\u4e4b\u98a8\u6642\u516e\uff0c\u53ef\u4ee5\u961c\u543e\u6c11\u4e4b\u8ca1\u516e\u3002\u2019\u566b\uff0c\u5176\u6cbb\u77e3\u4e4e\uff01\u201d
\u6b64\u66f2\u53c8\u540d\u300a\u5357\u98a8\u6b4c\u300b\uff0c\u662f\u4ee5\u8868\u73fe\u4eba\u5011\u5c0d\u7406\u60f3\u793e\u6703\u7684\u56ae\u5f80\u4e4b\u60c5\u3002<\/p>

This is a piece firstly published in the Zheyinshizi Qinpu (1491). The explanatory notes reads that, this piece was come from the prehistory emperor Yu and Shun. According to the History Record, \u201cIn Confucius\u2019 literature, it was written that emperor Shun hails \u2018Southern Wind\u2019 as an ideology that can dispel illness and bring fortunes.\u201d This piece is about the desire for an ideal society.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u52dd\u5229\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u662f\u5433\u666f\u7565\u5148\u751f\u65bc\u4e00\u4e5d\u4e94\u4e09\u5e74\u7684\u539f\u5275\u7434\u66f2\u4f5c\u54c1\uff0c\u5433\u5148\u751f\u9664\u4e86\u904b\u7528\u50b3\u7d71\u7684\u7434\u6a02\u6280\u6cd5\u5916\uff0c\u9084\u589e\u6dfb\u4e86\u5e7e\u7a2e\u65b0\u7684\u6307\u6cd5\uff0c\u4f86\u53cd\u6620\u4eba\u6c11\u6176\u795d\u52dd\u5229\uff0c\u7206\u7af9\u885d\u9704\uff0c\u947c\u9f13\u55a7\u5929\uff0c\u8f09\u6b4c\u8f09\u821e\uff0c\u71b1\u70c8\u6b61\u9a30\u7684\u559c\u6176\u5834\u9762\u3002
This was the original composition of WU Jing-lue in 1953. The music is full of a festive atmosphere depicted by combining a series arpeggio and the imitation of percussive sounds.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u51cc\u865b\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e2d\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u51cc\u865b\u541f\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u4e4b\u88fd\u4e5f\uff0c\u5fc5\u838a\u3001\u5217\u4e4b\u5f92\uff0c\u937e\u3001\u5442\u4e4b\u670b\u3002\u84cb\u66f2\u4e4b\u8da3\uff0c\u82e5\u9577\u541f\u65bc\u68b5\u6e05\u7389\u865b\u4e4b\u5883\uff0c\u6b65\u865b\u65bc\u9b31\u7f85\u7d2b\u9704\u4e4b\u4e0a\uff0c\u6b63\u6240\u8b02\u2018\u591c\u975c\u6708\u660e\u5929\u4f3c\u6c34\uff0c\u865b\u7a7a\u60df\u6709\u6b65\u865b\u8072\u2019\u3002\u201d\u6b64\u66f2\u5bc4\u8208\u9ad8\u9060\uff0c\u4e0d\u843d\u51e1\u8fd1\uff0c\u5982\u5f91\u5c3a\u96f2\u5c71\uff0c\u7159\u6ce2\u842c\u9803\u3002
This is a piece firstly published in the Mysterious Scores of Qin (1425). It is customary that many large scale traditional qin musics have an introduction, so Singing in the Space is such a case as it is an introduction to Liezi Riding on the Wind (Liezi Yufeng). Though small in structure, it is well-knit in form. As you listen to the melodies, it gives you a clear picture what is like to travel in the space, with the wind blowing on your face.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u4fee\u798a\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u5609\u9756\uff08\u516c\u5143\u4e00\u4e94\u56db\u4e5d\u5e74\uff09\u6c6a\u829d\u8f2f\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u5377\u516d\u4e2d\u3002\u53e4\u6642\u8fb2\u66c6\u4e09\u6708\u4e09\u65e5\uff0c\u6709\u81e8\u6c34\u4fee\u8909\u6452\u9664\u4e0d\u7965\u4e4b\u796d\u4e8b\uff0c\u5f8c\u4e16\u4eba\u85c9\u6b64\u4f5c\u70ba\u6625\u904a\u7bc0\u6176\u3002\u66f2\u8ff0\u6216\u81e8\u6c60\u5bb4\u6a02\uff0c\u6216\u4f5c\u6a02\u8ce6\u8a69\u4e4b\u610f\u3002
This is a piece firstly published in the Xilutang Qintong (1549). Traditionally in lunar March 3 was the Spring Festival which was a grand gathering of poets, musicians and artists. The piece depicts the gathering functions of the festival.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u4f10\u6a80\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u6e05\u2027\u4e7e\u9686\uff08\u516c\u5143\u4e00\u4e03\u56db\u56db\u5e74\uff09\u8607\u749f\uff08\u7434\u5c71\uff09\u64b0\u8f2f\u300a\u6625\u8349\u5802\u7434\u8b5c\u300b\u5377\u4e09\u4e2d\u3002\u6309\u8a72\u8b5c\u89e3\u984c\u4e91\uff1a\u201c\u4f10\u6a80\u64cd\u8005\uff0c\u9b4f\u570b\u5973\u4e4b\u6240\u4f5c\u4e5f\u3002\u50b7\u8ce2\u8005\u96b1\u907f\uff0c\u7d20\u9910\u5728\u4f4d\uff0c\u9594\u50b7\u6028\u66e0\uff0c\u5931\u5176\u5609\u6703\u3002\u592b\u8056\u738b\u4e4b\u5236\uff0c\u80fd\u6cbb\u4eba\u8005\u98df\u65bc\u4eba\uff0c\u6cbb\u65bc\u4eba\u8005\u98df\u65bc\u7530\u3002\u4eca\u8ce2\u8005\u96b1\u9000\u4f10\u6728\uff0c\u5c0f\u4eba\u5728\u4f4d\u98df\u797f\uff0c\u7e23\u73cd\u5947\uff0c\u7a4d\u767e\u7a40\uff0c\u4e26\u5305\u6709\u571f\u3002\u5fb7\u6fa4\ue030\u52a0\u767e\u59d3\uff0c\u50b7\u75db\u5df2\u4e0d\u77e5\u738b\u9053\u4e4b\u4e0d\u65bd\uff0c\u4ef0\u5929\u9577\u5606\uff0c\u63f4\u7434\u800c\u9f13\u4e4b\u3002\u201d
This is a piece firstly published in the Qin Scores of Chun Cao Tang(1744). According to the explanation notes, \u201cThis piece was composed by a lady of Wei. The music depicted one who was wise and able became hermit and the villains controlled the important positions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u4ed9\u7fc1\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u5373\u300a\u9673\u640f\u5f97\u9053\u6b4c\u300b\uff0c\u662f\u5165\u9580\u8abf\u7d43\u4e4b\u66f2\u3002\u660e\u2027\u842c\u66c6\uff08\u516c\u5143\u4e00\u4e94\u4e5d\u516d\u5e74\uff09\u80e1\u6587\u7165\u8f2f\u300a\u6587\u6703\u5802\u7434\u8b5c\u300b\u9304\u7a31\u300a\u8abf\u7d43\u5165\u5f04\u300b\uff1b\u6e05\u2027\u5eb7\u7199\uff08\u516c\u5143\u4e00\u516d\u4e03\u516d\u5e74\uff09\u8523\u8208\u7587\u50b3\u8b5c\u300a\u548c\u6587\u6ce8\u7434\u8b5c\u300b\u4ea6\u7a31\u300a\u8abf\u7d43\u5165\u5f04\u300b\uff1b\u6e05\u2027\u9053\u5149\uff08\u516c\u5143\u4e00\u516b\u4e8c\u516b\u5e74\uff09\u9451\u6e56\u9038\u58eb\u77f3\u537f\u7de8\u8a02\u300a\u7434\u5b78\u8ed4\u7aef\u300b\u5247\u7a31\u300a\u8abf\u7d43\u4ed9\u7fc1\u6307\u5357\u300b\u3002
\u201c\u4ed9\u7fc1\u201d\u4e8c\u5b57\u662f\u5728\u4e0d\u540c\u7434\u7d43\u4e0a\u7522\u751f\u7684\u540c\u5ea6\u97f3\u61c9\u548c\u7684\u72c0\u8072\u8a5e\uff0c\u672c\u66f2\u662f\u4e00\u9996\u521d\u5b78\u8005\u7684\u5fc5\u7fd2\u4e4b\u66f2\u3002\u539f\u672c\u6709\u8a5e\uff1a\u201c\u5f97\u9053\u4ed9\u7fc1\uff0c\u5f97\u9053\u9673\u640f\u4ed9\u7fc1\uff0c\u5f97\u9053\u9673\u640f\u4ed9\u7fc1\uff0c\u5f97\u9053\u9673\u640f\u4ed9\u7fc1\uff0c\u5f97\u9053\u9673\u640f\u4ed9\u7fc1\u3002\u9673\u640f\u4ed9\u7fc1\uff0c\u9673\u640f\u4ed9\u7fc1\uff0c\u5f97\u9053\u4ed9\u7fc1\uff0c\u5f97\u9053\u4ed9\u7fc1\uff0c\u9673\u5e0c\u5937\u5f97\u9053\u4ed9\u7fc1\u3002\u201d
It has been a tune for qin beginners since the Song Dynasty. A basic characteristic is the unison or octave of syntactic cadence, which traditionally imitated by Xian Weng (literally mean immortal) two Chinese characters. And this method is also applied for tuning, it is therefore, when a beginner starts to play the qin, he or she has to get familiar with Xian Weng system for tuning and some other fingerings. The meaning of the words is the repetition of \u201cgreat immortal, great CHEN Bo immortal.\u201d According to the Guqin Chujie, the rhythm is a 2+3 regular compounds and, structurally, the first sentence is a leading voice and the ending is in harmonics.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u9f8d\u7fd4\u64cd\u300b<\/strong><\/h3>

\u3000\u3000\u6a02\u8b5c\u6700\u65e9\u898b\u65bc\u6e05\u521d\u300a\u6f84\u9452\u5802\u7434\u8b5c\u300b\uff08\u4e00\u516d\u516b\u516d\u5e74\uff09\uff0c\u7576\u6642\u6b64\u66f2\u6240\u7528\u7684\u6a19\u984c\u70ba\u300a\u662d\u541b\u6028\u300b\uff0c\u6309\u6a19\u984c\u7684\u610f\u601d\u8207\u66f2\u8da3\u7121\u95dc\uff0c\u56e0\u53e6\u6709\u300a\u9f8d\u6714\u64cd\u300b\u4e00\u66f2\uff0c\u820a\u7a31\u300a\u662d\u541b\u6028\u300b\uff0c\u53ef\u80fd\u56e0\u6b64\u800c\u8aa4\u6df7\u70ba\u540c\u4e00\u64cd\uff0c\u5be6\u70ba\u4e8c\u66f2\uff1b\u662f\u66f2\u8207\u300a\u5fbd\u8a00\u79d8\u65e8\u300b\uff08\u4e00\u516d\u56db\u4e03\u5e74\uff09\u4e4b\u300a\u79cb\u6c34\u300b\u53ca\u300a\u4e94\u77e5\u9f4b\u7434\u8b5c\u300b\uff08\u4e00\u4e03\u4e8c\u4e8c\u5e74\uff09\u4e4b\u300a\u795e\u5316\u5f15\u300b\u5927\u540c\u5c0f\u7570\uff0c\u300a\u8549\u5eb5\u7434\u8b5c\u300b\uff08\u4e00\u516b\u516d\u516b\u5e74\uff09\u5247\u7528\u300a\u9f8d\u7fd4\u64cd\u300b\u70ba\u540d\u3002\u5168\u66f2\u7bc0\u594f\u8dcc\u5ca9\u81ea\u7531\uff0c\u6709\u9a30\u8e8d\u81ea\u5f97\uff0c\u8d85\u7136\u795e\u5999\uff0c\u8b8a\u5316\u83ab\u6e2c\u4e4b\u8da3\uff0c\u4f7f\u4eba\u806f\u60f3\u9f8d\u5728\u96f2\u6d77\u88cf\u98db\u7fd4\u7684\u751f\u52d5\u666f\u8c61\u3002<\/p>

\u5f35\u5b50\u8b19\uff1a\u4e00\u4e5d\u4e94\u516b\u5e74\u5341\u4e8c\u6708\u4e09\u5341\u65e5\u64da\u300a\u8549\u5eb5\u7434\u8b5c\u300b\u672c \u00a04:21<\/strong><\/p>

\u00a0<\/strong><\/p>

Soaring Dragon <\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The score was first documentated on the Qin Scores of Chengjian Tang<\/em>(1686) of the early Qing Dynasty. It was titled Grief of Zhaojun<\/em> at that time while the content of the music actually had nothing to do with the title. Since there was another piece also named Soaring Dragon<\/em>, which was originally named Grief of Zhaojun<\/em>, it was likely that the two pieces were thus confused to be one. But in fact, these two were completely two different ones. The piece to be introduced had little difference from the Autumn Water <\/em>from Sublime Words about Secret Point <\/em>(1647) and Magical Yin <\/em>from Qin Scores of Wu Zhi Zhai<\/em> (1722), and was titled Soaring Dragon<\/em> in Qin Scores of Jiaoan<\/em> (1868). The melody was free and unconstrained, full of the magical, changeful atmosphere, which enabled the listeners to imagine the vivid scene of soaring dragon in the sea of clouds.<\/p>

ZHANG Zi-qian <\/strong>: Transcribed on December 30, 1958 according to the Qin Scores of Jiaoan<\/em>\u00a0\u00a0 4:21<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u70cf\u591c\u557c\u300b<\/strong><\/h3>

\u3000\u3000\u5510\u4ee3\u674e\u52c9\u300a\u7434\u8aaa\u300b\uff08\u516c\u5143\u516b\u4e16\u7d00\uff09\u66f0\uff1a\u300c\u5f8c\u6f22\u4f55\u5bb4\u4e4b\u5973\u5152\u807d\u5230\u70cf\u9d09\u557c\u8072\uff0c\u8a8d\u70ba\u662f\u9810\u5146\u5979\u88ab\u56da\u7981\u7684\u7236\u89aa\u5c07\u8981\u7372\u91cb\uff0c\u56e0\u4f5c\u6b64\u66f2\u3002\u300d\u4f46\u6d41\u884c\u7684\u7434\u8b5c\u4e2d\u537b\u6709\u53e6\u4e00\u7a2e\u8aaa\u6cd5\uff1a\u300c\u5357\u5317\u671d\u6642\uff0c\u5b8b\u81e8\u5ddd\u738b\u5289\u7fa9\u6176\u56e0\u53d7\u7687\u5e1d\u7591\u5fcc\uff0c\u64d4\u5fc3\u5c07\u6709\u5927\u798d\u81e8\u982d\uff0c\u4ed6\u7684\u59ec\u59be\u807d\u5230\u70cf\u9d09\u591c\u557c\uff0c\u544a\u77e5\u5c07\u8981\u7372\u8d66\u3002\u5f8c\u4f86\u679c\u7136\u61c9\u9a57\uff0c\u56e0\u800c\u4f5c\u6b64\u66f2\u3002\u300d\u5169\u500b\u6545\u4e8b\u90fd\u4ee5\u70cf\u591c\u557c\u70ba\u559c\u4e8b\u4e4b\u5fb5\u5146\uff0c\u8868\u9054\u6e34\u6c42\u81ea\u7531\u7684\u9858\u671b\u3002<\/p>

\u694a\u65b0\u502b\uff1a\u4e00\u4e5d\u4e94\u516d\u5e74\u64da\u300a\u609f\u96ea\u5c71\u623f\u7434\u8b5c\u300b\uff08\u4e00\u516b\u4e09\u516d\u5e74\uff09\u672c \u00a06:44<\/strong><\/p>

\u00a0<\/strong><\/p>

The Midnight Crow<\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In the book About qin<\/em>, writtenby LI Mian of the Tang Dynasty, we note that \u201cHe-Yian\u2019s daughter heard the sound of crows. She considered it an auspicious omen that her imprisoned father might be released soon and wrote the music.\u201d However, according to some popular editions there was another story : LIU Yi-qing, the Duke of Lin Chuan during the Northern and Southern Dynasties, was worried about an imminent threat to his life, as he had attracted the envy and hate of the King. Upon hearing the sound of crows in the night, his concubine predicted that he would be granted amnesty soon. Her prediction did come true and music was composed to mark the event. Both stories conceived the cry of crows as a good sign and expressed the yearning for freedom.<\/p>

YANG Xin-lun <\/strong>: Transcribed in 1956 according to the Qin Scores of Wu Xue Shan Fang <\/em>(1836)\u00a0\u00a0 6:44<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u9577\u9580\u6028\u300b<\/strong><\/h3>

\u3000\u3000\u6f22\u4ee3\u7684\u76f8\u548c\u6b4c\u4e2d\u6709\u300a\u9577\u9580\u6028\u300b\u4e4b\u66f2\u540d\uff0c\u5176\u984c\u6750\u8868\u73fe\u9673\u7687\u540e\u963f\u5b0c\u88ab\u6f22\u6b66\u5e1d\u51b7\u843d\u5728\u9577\u9580\u5bae\u6642\u7684\u54c0\u6028\u5fc3\u60c5\u3002\u8fd1\u4ee3\u6d41\u884c\u7684\u540c\u540d\u7434\u66f2\u5728\u300a\u6885\u5eb5\u7434\u8b5c\u300b\uff08\u4e00\u4e5d\u4e09\u4e00\u5e74\uff09\u4e2d\u520b\u51fa\uff0c\u5177\u6709\u5c71\u6771\u5730\u65b9\u97f3\u6a02\u7684\u98a8\u683c\uff0c\u53ef\u80fd\u662f\u5f8c\u4eba\u6309\u5176\u610f\u800c\u64ec\u4f5c\uff0c\u662f\u8af8\u57ce\u7434\u6d3e\u7684\u4ee3\u8868\u66f2\u76ee\u4e4b\u4e00\u3002<\/p>

\u5f90\u7acb\u84c0\uff1a\u4e00\u4e5d\u4e94\u516b\u5e74\u5341\u4e8c\u6708\u4e09\u5341\u65e5\u64da\u300a\u6885\u5eb5\u7434\u8b5c\u300b\u672c \u00a03:23<\/strong><\/p>

\u00a0<\/strong><\/p>

Lament at the Chang Men Palace<\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The music is about the sorrow of the ancient Empress Chen in Chang Men Palace where she was deserted by the Emperor Han. The version here has the style of Shandong folk music.<\/p>

XU Li-sun <\/strong>: Transcribed on December 30, 1958 according to the Qin Scores of Meian <\/em>(1931)\u00a0\u00a0 7:10<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u795e\u4eba\u66a2\u300b<\/strong><\/h3>

\u3000\u3000\u4e01\u627f\u904b\u64da\u50c5\u898b\u8f09\u9304\u65bc\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\uff08\u4e00\u4e94\u56db\u4e5d\u5e74\uff09\u8b5c\u672c\u6253\u8b5c\uff0c\u662f\u66f2\u70ba\u5c62\u898b\u8457\u9304\u7684\u9060\u53e4\u907a\u97ff\uff0c\u897f\u6f22\u6853\u8b5a\u3001\u516d\u671d\u8b1d\u838a\u7686\u7a31\u6b64\u66f2\u70ba\u5510\u582f\u6240\u4f5c\u3002\u6a02\u66f2\u8868\u73fe\u795e\u8207\u4eba\u7684\u4ea4\u6d41\uff0c\u4ee5\u8f15\u6e05\u838a\u56b4\u7684\u6cdb\u97f3\u8c61\u5fb5\u795e\uff0c\u800c\u5176\u8c6a\u723d\u8dcc\u5ca9\u7684\u7bc0\u594f\u3001\u5947\u53e4\u5f37\u608d\u7684\u66f2\u8abf\uff0c\u9817\u4f3c\u5148\u6c11\u5011\u4e09\u4eba\u64cd\u725b\u5c3e\uff0c\u6295\u8db3\u800c\u6b4c\u7684\u796d\u7940\u6a02\u821e\u3002\u5168\u66f2\u4e00\u6c23\u6d41\u8f49\uff0c\u6dcb\u96e2\u9163\u66a2\uff0c\u52d5\u4eba\u5fc3\u9b44\u3002\u4f86\u6e90\u4e45\u9060\uff0c\u7576\u7121\u53ef\u7591\u3002<\/p>

\u4e01\u627f\u904b\uff1a\u4e00\u4e5d\u516b\u4e09\u5e74\u4e94\u6708\u64da\u300a\u897f\u9e93\u5802\u7434\u7d71\u300b\u672c \u00a04:03<\/strong><\/p>

\u00a0<\/strong><\/p>

The Song of King Yao <\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Xilutang Qintong<\/em> (1549) is the only source of this piece. The music, believed to be written by King Yao of ancient Tang Dynasty, is in the form of Chang<\/em>, a remote ancient qin<\/em> form. It\u2019s strong and unpolished style pressing reminds the audience the primitive dancing scene of our forefathers. The music is only being played on five strings. This feature undoubtedly gives the piece an ancient origin.<\/p>

DING Cheng-yun <\/strong>: Transcribed in May 1983 according to Xilutang Qintong\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0\u00a0 4:03<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u5ee3\u9675\u6563\u300b<\/strong><\/h3>

\u3000\u3000\u64da\u300a\u7434\u64cd\u300b\uff08\u4e00\u516b\u25cb\u25cb\u5e74\uff09\u8a18\u8f09\uff1a\u6230\u570b\u8076\u653f\u7684\u7236\u89aa\uff0c\u70ba\u97d3\u738b\u9444\u528d\uff0c\u56e0\u5ef6\u8aa4\u65e5\u671f\uff0c\u800c\u6158\u906d\u6bba\u5bb3\u3002\u8076\u653f\u7acb\u5fd7\u70ba\u7236\u5831\u4ec7\uff0c\u5165\u5c71\u5b78\u7434\u5341\u5e74\uff0c\u8eab\u6210\u7d55\u6280\u5f8c\u56db\u8655\u6f14\u594f\uff0c\u540d\u63da\u97d3\u570b\uff0c\u97d3\u738b\u53ec\u4ed6\u9032\u5bae\u6f14\u594f\uff0c\u8076\u653f\u7d42\u65bc\u5be6\u73fe\u4e86\u523a\u6bba\u97d3\u738b\u5831\u4ec7\u7684\u5919\u9858\uff0c\u81ea\u5df1\u6bc0\u5bb9\u800c\u6b7b\uff0c\u5f8c\u4eba\u6839\u64da\u9019\u500b\u6545\u4e8b\uff0c\u8b5c\u6210\u7434\u66f2\uff0c\u6177\u6168\u6fc0\u6602\uff0c\u6c23\u52e2\u5b8f\u5049\uff0c\u70ba\u53e4\u7434\u8457\u540d\u5927\u66f2\u4e4b\u4e00\u3002<\/p>

\u674e\u7965\u9706\uff1a\u4e00\u4e5d\u4e5d\u4e09\u5e74\u64da\u300a\u795e\u5947\u79d8\u8b5c\u300b\u672c \u00a013:13<\/strong><\/p>

\u00a0<\/strong><\/p>

Guang Ling Verse <\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 According to the Qin Music Collection<\/em> (1800), in Warring States Period, NIE Zheng\u2019s father was killed by the King of Han due to delay in the sword-casting. NIE Zheng made up his mind to revenge for his father. He went into the mountain to learn to play the qin<\/em> for ten years and became a famous player, giving performance all over the country. The King of Han heard of his fame and asked him to perform in the palace. NIE Zheng realized his long-chrished wish to kill the King and committed suicide afterwards. The story was told among the people and a qin<\/em> piece was written to praise NIE\u2019s great courage. The music is considered as one of the famous qin<\/em> pieces because of its impassion and great momentum.<\/p>

LI Xiang-ting <\/strong>: Transcribed in 1993 according to the Mysterious Scores of Qin\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0\u00a0 13:13<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u975c\u89c0\u541f\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u8523\u514b\u8b19\u6240\u7de8\u300a\u7434\u66f8\u5927\u5168\u300b\uff08\u4e00\u4e94\u4e5d\u25cb\u5e74\uff09\uff0c\u7a31\u70ba\u300a\u975c\u89c0\u97f3\u300b\u3002\u76f8\u50b3\u70ba\u5510\u674e\u52c9\u6240\u4f5c\uff0c\u674e\u52c9\u5584\u65bc\u5f48\u7434\uff0c\u800c\u4e14\u81ea\u5df1\u6709\u6240\u5275\u4f5c\u3002\u672c\u66f2\u7684\u66f2\u610f\uff0c\u662f\u8aaa\uff0c\u51b7\u975c\u5730\u89c0\u5bdf\u4e8b\u7269\uff0c\u81ea\u7136\u80fd\u5f97\u5230\u4e8b\u7269\u7684\u771f\u76f8\u3002\u674e\u52c9\u751f\u6d3b\u5728\u9b5a\u671d\u6069\u3001\u76e7\ueb93\u7b49\u5978\u81e3\u7576\u6b0a\u7684\u6642\u4ee3\uff0c\u672c\u66f2\u82e5\u771f\u662f\u4ed6\u6240\u4f5c\uff0c\u5247\u53ef\u4ee5\u8aaa\u662f\u8868\u73fe\u4e86\u4ed6\u56b4\u6b63\u7684\u8655\u4e16\u614b\u5ea6\u3002<\/p>

\u590f\u4e00\u5cf0\uff1a\u4e00\u4e5d\u4e94\u4e00\u5e74\u64da\u300a\u6284\u672c\u7434\u8b5c\u300b\u672c \u00a03:21<\/strong><\/p>

\u00a0<\/strong><\/p>

Observing Calmly <\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The score was first documentated on the edited collections of JIANG Ke-qian\u2019s Great Book on Qin Music<\/em> (1590). In which, this piece was called Observing the Sound Calmly.<\/em> The music was said to be composed by LI Mian of the Tang Dynasty and tried to tell us that if you wanted to get the truth, you should observed calmly of the things.<\/p>

XIA Yi-feng<\/strong>: Transcribed in 1951 according to the Copy of Qin Scores\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0\u00a0 3:21<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u61b6\u6545\u4eba\u300b<\/strong><\/h3>

\u3000\u3000\u6b64\u8b5c\u8f09\u65bc\u8fd1\u4ee3\u7434\u5bb6\u5f6d\u7949\u537f\u5bb6\u50b3\u7684\u300a\u7406\u7434\u8ed2\u7434\u8b5c\u300b\uff08\u672a\u520a\u5370\uff09\uff0c\u4e8c\u5341\u4e16\u7d00\u4e09\u5341\u5e74\u4ee3\u7531\u5f6d\u7949\u537f\u5728\u7434\u4eba\u96c5\u96c6\u4e2d\u5f48\u51fa\u4e4b\u5f8c\u5373\u98a8\u884c\u5927\u6c5f\u5357\u5317\u3002\u7576\u6642\uff0c\u5f6d\u7949\u537f\u9996\u5148\u5c07\u6b64\u66f2\u6559\u7d66\u4ed6\u7684\u7434\u58c7\u597d\u53cb\u5f35\u5b50\u8b19\u3002\u300a\u4eca\u865e\u7434\u520a\u300b\uff08\u4e00\u4e5d\u4e09\u4e03\u5e74\uff09\u9996\u6b21\u516c\u958b\u520a\u5370\u4e86\u5f35\u5b50\u8b19\u5148\u751f\u624b\u6284\u7684\u6e1b\u5b57\u8b5c\u3001\u5de5\u5c3a\u8b5c\u4e26\u5217\u7684\u300a\u61b6\u6545\u4eba\u300b\u7434\u8b5c\u3002\u300a\u61b6\u6545\u4eba\u300b\u4ee5\u7c21\u7df4\u96c6\u4e2d\u7684\u97f3\u6a02\u7d20\u6750\u8868\u73fe\u51fa\u6df1\u6c89\u7684\u60c5\u611f\uff1a\u6216\u611f\u65bc\u6642\u52e2\u3001\u6216\u61f7\u53e4\u601d\u6b78\u3001\u6216\u50b7\u611f\u60bc\u5ff5\u3002\u5404\u6bb5\u5c3e\u591a\u6b21\u51fa\u73fe\u7684\u7531\u5de6\u624b\u5e36\u8d77\u7a7a\u5f26\u548c\u6309\u97f3\u69cb\u6210\u7684\u300c\u653e\u5408\u300d\u6307\u6cd5\u97f3\u8abf\uff0c\u8868\u73fe\u4e86\u7e8f\u7dbf\u5f80\u5fa9\u3001\u4e0d\u76e1\u4f9d\u4f9d\u4e4b\u60c5\u3002<\/p>

\u6210\u516c\u4eae\uff1a\u4e00\u4e5d\u4e5d\u4e09\u5e74\u64da\u300a\u7406\u7434\u8ed2\u7434\u8b5c\u300b\u672c \u00a09:03<\/strong><\/p>

\u00a0<\/strong><\/p>

Memories of an Old Friend <\/em><\/strong><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 This piece is found in the Qin Scores of Li Qin Xuan<\/em> (unpublished), which has been handed down in the family of the contemporary qin<\/em> player PENG Zhi-qing. It became very popular all over China in 1930\u2019s after its first performance by Peng at Jinyu Qin Musicians Association<\/em>. Peng then passed it on to his good friend, also a qin <\/em>player, ZHANG Zhi-qian. The hand-written music, in tablature as well as in traditional notation, was first published in Jinyu Qin Magazine<\/em> in 1937 by ZHANG Zhi-qian. The succinct musical materials and terse style help to bring out some very deep feelings, at times emotional, occasionally nostalgic or sentiment. The ever-recurring left-hand pizzicato symbolizes a lingering reluctance to part.<\/p>

CHENG Gong-liang <\/strong>: Transcribed in 1993 according to the Qin Scores of Li Qin Xuan\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0\u00a0 9:03<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h3>

\u300a\u91f5\u982d\u9cf3\u300b<\/strong><\/h3>

\u300a\u91f5\u982d\u9cf3\u300b\u5357\u5b8b\u8a5e\u4eba\u9678\u6e38\u548c\u5510\u742c\u7684\u8457\u540d\u8a5e\u7bc7\uff1a\u201c\u7d05\u9165\u624b\uff0c\u9ec3\u85e4\u9152\uff0c\u6eff\u57ce\u6625\u8272\u5bae\u7246\u67f3\u3002\u6771\u98a8\u60e1\uff0c\u6b61\u60c5\u8584\u3002\u4e00\u61f7\u6101\u7dd2\uff0c\u5e7e\u5e74\u96e2\u7d22\u3002\u932f\u3002\u932f\u3002\u932f\u3002\u6625\u5982\u820a\uff0c\u4eba\u7a7a\u7626\uff0c\u6dda\u75d5\u7d05\u6d65\u9bab\u7d83\u900f\u3002 \u6843\u82b1\u843d\uff0c\u9591\u6c60\u95a3\u3002\u5c71\u76df\u96d6\u5728\uff0c\u9326\u66f8\u96e3\u6258\u3002\u83ab\u3002\u83ab\u3002\u83ab\u3002
\u4eba\u60c5\u60e1\uff0c\u4e16\u60c5\u8584\uff0c\u96e8\u9001\u9ec3\u660f\u82b1\u6613\u843d\u3002\u66c9\u98a8\u4e7e\uff0c\u6dda\u75d5\u6b98\u3002\u6b32\u7b8b\u5fc3\u4e8b\uff0c\u7368\u8a9e\u659c\u95cc\u3002\u96e3\u3002\u96e3\u3002\u96e3\u3002\u4eba\u6210\u5404\uff0c\u4eca\u975e\u6628\uff0c\u75c5\u9b42\u5e38\u4f3c\u79cb\u5343\u7d22\u3002\u89d2\u8072\u5bd2\uff0c\u591c\u95cc\u73ca\u3002\u6015\u4eba\u5c0b\u554f\uff0c\u54bd\u6dda\u88dd\u6b61\u3002\u779e\u3002\u779e\u3002\u779e\u3002\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u975c\u591c\u601d\u300b<\/strong><\/p>

\u662f\u674e\u7965\u9706\u6839\u64da\u5510\u4ee3\u8a69\u4eba\u674e\u767d\u300a\u975c\u591c\u601d\u300b\u8a69\u610f\u6240\u4f5c\u7684\u5373\u8208\u6f14\u594f\u3002\u539f\u8a69\uff1a\u300c\u5e8a\u524d\u660e\u6708\u5149\uff0c\u7591\u662f\u5730\u4e0a\u971c\u3002\u8209\u982d\u671b\u660e\u6708\uff0c\u4f4e\u982d\u601d\u6545\u9109\u3002\u300d<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u6168\u53e4\u5f15\u300b<\/strong><\/p>

\u662f\u7c21\u77ed\u7684\u53e4\u7434\u5165\u9580\u6a02\u66f2\uff0c\u4f46\u9817\u6709\u610f\u8da3\u3002\u539f\u66f2\u9644\u6709\u6b4c\u8a5e\uff0c\u53ef\u4ee5\u81ea\u5f48\u81ea\u5531\u3002\u6b4c\u8a5e\u672b\u6bb5\u662f\uff1a\u300c\u6168\u7576\u5e74\u9f8d\u722d\u864e\u9b25\uff0c\u534a\u751f\u4e8b\u696d\u53c8\u4f55\u591a\u3002\u300d\u6d41\u9732\u5c0d\u4eba\u751f\u7684\u6168\u6b4e\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u633e\u4ed9\u904a\u300b<\/strong><\/p>

\u9996\u898b\u65bc\u300a\u53e4\u97f3\u6b63\u5b97\u300b\uff081634\u5e74\uff09\u3002\u300a\u6885\u5eb5\u7434\u8b5c\u300b\uff081931\u5e74\uff09\u5c31\u6b64\u66f2\u4e4b\u89e3\u984c\u66f0\uff1a\u300c\u6885\u5eb5\u8af8\u66f2\u4e2d\uff0c\u6307\u6cd5\u4ee5\u300a\u6414\u9996\u554f\u5929\u300b\u70ba\u6700\u8907\u96dc\uff0c\u4f46\u53d6\u97f3\u4e4b\u6df3\u6a38\u6eab\u539a\u5247\u4ee5\u672c\u66f2\u70ba\u6700\u96e3\uff0c\u4e45\u5f48\u65b9\u80fd\u77e5\u4e4b\u3002\u672c\u66f2\u5167\u5bb9\u8f15\u9b06\u6109\u5feb\uff0c\u9817\u6709\u98c4\u98c4\u6b32\u4ed9\u4e4b\u610f\u3002\u76f8\u50b3\u70ba\u9ec3\u5e1d\u6240\u4f5c\uff0c\u4ea6\u4ee5\u9ec3\u5e1d\u7cbe\u65bc\u990a\u751f\u4e4b\u9053\u800c\u5047\u6258\u4e4b\u3002\u300d<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u53e4\u71d5\u884c\u300b<\/strong><\/p>

\u5c55\u73fe\u53e4\u6a38\u97f3\u97fb\uff0c\u6177\u6168\u60c5\u61f7\uff0c\u6216\u601d\u53e4\u4eba\uff0c\u6216\u611f\u820a\u4e8b\uff0c\u84bc\u832b\u71d5\u8d99\u5927\u5730\uff0c\u591a\u5c11\u50b3\u5947\u5982\u6b4c\u2026\u2026<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u6885\u82b1\u5f15\u300b<\/strong><\/p>

\u53c8\u7a31\u300a\u6885\u82b1\u4e09\u5f04\u300b\u3001\u300a\u6885\u82b1\u66f2\u300b\u7b49\u3002\u6700\u65e9\u662f\u4e00\u9996\u7b1b\u66f2\uff0c\u76f8\u50b3\u6771\u6649\u738b\u5b50\u7337\u805e\u6853\u4f0a\u5584\u5439\u7b1b\uff0c\u800c\u4e0d\u76f8\u8b58\u3002\u4e00\u65e5\u8def\u4e0a\u5076\u9047\uff0c\u738b\u5b50\u7337\u8acb\u6853\u4f0a\u70ba\u594f\u4e00\u66f2\uff0c\u6853\u4f0a\u5373\u51fa\u7b1b\u594f\u66f2\uff0c\u97f3\u97fb\u9ad8\u5999\u6e05\u502b\uff0c\u540d\u201c\u6885\u82b1\u4e09\u5f04\u201d\u3002\u5f8c\u4eba\u4ee5\u6b64\u8abf\u8b5c\u5165\u7434\u4e2d\uff0c\u800c\u5ee3\u70ba\u6d41\u50b3\u3002\u66f2\u4e2d\u76f8\u540c\u6cdb\u97f3\u66f2\u8abf\u4e09\u6b21\u51fa\u73fe\uff0c\u9ad8\u97f3\u6bb5\u843d\u82e5\u51cc\u98a8\u621b\u7389\uff0c\u53d6\u97f3\u53e4\u6fb9\u6e05\u96c5\uff0c\u6b63\u5207\u6885\u82b1\u50b2\u96ea\u51cc\u971c\u4e4b\u98a8\u97fb\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u4e9e\u8056\u64cd\u300b<\/strong><\/p>

\u984f\u56de\uff1a\u201c\u4e00\u7c1e\u98df\uff0c\u4e00\u74e2\u98f2\uff0c\u5728\u964b\u5df7\uff0c\u4eba\u4e0d\u582a\u5176\u6182\uff0c\u56de\u4e5f\u4e0d\u6539\u5176\u6a02\u3002\u201d\u5b54\u5b50\u7a31\u8b9a\u5176\u201c\u8ce2\u54c9\u56de\u4e5f\uff01\u201d\u3002\u984f\u56de\u65e9\u55aa\uff0c\u5b54\u5b50\u5927\u54ed\u201c\u5929\u55aa\u4e88\uff01\u5929\u55aa\u4e88\u201d\uff0c\u662f\u8b02\u5112\u5bb6\u5927\u9053\u5f8c\u7e7c\u7121\u4eba\u4e4b\u611f\u6168\u3002\u5f8c\u4eba\u4f5c\u6b64\u66f2\uff0c\u201c\u97f3\u60b2\u621a\u60a0\u63da\u201d\uff0c\u4ee5\u8ff0\u5c0d\u984f\u56de\u4e4b\u61f7\u5ff5\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u662d\u541b\u5f15\u300b<\/strong><\/p>

\u53c8\u540d\u300a\u9f8d\u6714\u64cd\u300b\u3002\u53d6\u6750\u65bc\u6b77\u53f2\u4e0a\u8457\u540d\u7684\u201c\u662d\u541b\u51fa\u585e\u201d\u7684\u5178\u6545\u3002\u6f22\u5143\u5e1d\u6642\uff0c\u738b\u662d\u541b\u88ab\u4f5c\u70ba\u201c\u7d05\u7c89\u548c\u620e\u201d\u7684\u4f7f\u8005\uff0c\u88ab\u9060\u5ac1\u7d66\u585e\u5916\u5308\u5974\u55ae\u4e8e\u3002\u5f8c\u4eba\u611f\u50b7\u662d\u541b\u4e4b\u7d05\u984f\u8584\u547d\uff0c\u4f5c\u6b64\u66f2\u4ee5\u55df\u61f7\u3002\u7434\u66f2\u6a19\u4ee5\u201c\u6028\u6068\u51fa\u5bae\u201d\u3001\u201c\u842c\u91cc\u91cd\u9670\u201d\u3001\u201c\u60b5\u671b\u80e1\u5929\u201d\u7b49\u5c0f\u6a19\u984c\uff0c\u4e00\u8a60\u4e09\u5606\uff0c\u5f62\u8c61\u5730\u63cf\u5beb\u4e86\u738b\u662d\u541b\u67d4\u7f8e\u5e7d\u5a49\u3001\u4e0d\u5fcd\u96e2\u53bb\u7684\u6182\u50b7\u60c5\u7dd2\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u592a\u53e4\u5f15\u300b<\/strong><\/p>

\u300a\u795e\u5947\u79d8\u8b5c\u300b\u89e3\u984c\u66f0\uff1a\u300c\u5176\u8da3\u6fb9\u7136\u6c89\u975c\uff0c\u9f13\u4e4b\u8005\uff0c\u5b51\u7136\u82e5\u907a\u4e16\u7368\u7acb\u65bc\u7121\u4f55\u4e4b\u9109\u4e5f\u3002\u53ef\u4ee5\u56de\u53e4\u98a8\u65bc\u6307\u4e0b\u3002\u4ee5\u4eca\u8ffd\u6614\uff0c\u53ef\u4ee5\u611f\u8208\u50b7\u61f7\u65bc\u4e00\u5531\u4e09\u6b4e\u4e4b\u9593\u800c\u6709\u9918\u97f3\u4e5f\u3002\u300d\u3002<\/strong>
\u3000\u3000\u300a\u674f\u838a\u592a\u97f3\u7e8c\u8b5c\u300b\u89e3\u984c\u66f0\uff1a\u300c\u81ea\u53e4\u53ca\u4eca\uff0c\u4e0d\u77e5\u5e7e\u4eba\u7a31\u738b\uff0c\u5e7e\u4eba\u7a31\u9738\uff0c\u5e7e\u8208\uff0c\u5e7e\u5ee2\u77e3\u3002\u6240\u8b02\u4e00\u4e16\u4e4b\u96c4\uff0c\u800c\u4eca\u5b89\u5728\u54c9\u3002\u300d
\u3000\u3000\u8b5c\u672c\uff1a\u53c8\u7a31\u300a\u6168\u53e4\u5f15\u300b\uff0c\u6b64\u66f2\u6700\u65e9\u898b\u65bc\u660e\u2027\u6d2a\u7199\u5143\u5e74\u300a\u795e\u5947\u79d8\u8b5c\u300b\u3001\u5609\u9756\u5341\u516b\u5e74\u300a\u98a8\u5ba3\u7384\u54c1\u300b\u548c\u5609\u9756\u4e09\u5341\u4e5d\u5e74\u300a\u674f\u838a\u592a\u97f3\u7e8c\u8b5c\u300b\uff0c\u90fd\u662f\u7121\u8a5e\u4e4b\u66f2\u3002\u73fe\u6642\u7434\u4eba\u6240\u5f48\u7684\u90fd\u662f\u53e6\u4e00\u500b\u6709\u8a5e\u7684\u50b3\u6284\u672c\uff0c\u90fd\u662f\u4e09\u6bb5\u5c0f\u66f2\uff0c\u4f46\u65cb\u5f8b\u4e0d\u540c\u3002\u9019\u88e1\u63a1\u7528\u7684\u6284\u672c\u70ba\u6e56\u5357\u6c11\u9593\u85dd\u4eba\u9f94\u5b50\u8f1d\u50b3\u8b5c\uff0c\u67e5\u961c\u897f\u5148\u751f\u5e7c\u5e74\u5728\u5927\u5eb8\u5f9e\u4fde\u5473\u8493\u5b78\uff0c\u53c8\u4f9d\u7167\u7530\u66e6\u660e\u7684\u7bc0\u594f\u5531\u6cd5\u8a02\u6b63\u800c\u6210\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u6797\u9418\u610f\u300b<\/strong><\/p>

\u201c\u610f\u201d\u662f\u53e4\u4ee3\u7434\u66f2\u4e2d\u7684\u4e00\u7a2e\u7d50\u69cb\u9ad4\u88c1\u3002\u59cb\u898b\u65bc1425\u5e74\u300a\u795e\u5947\u79d8\u8b5c\u300b\u3002
\u3000\u3000\u5b83\u77ed\u5c0f\u7cbe\u5e79\uff0c\u5217\u65bc\u6578\u9996\u540c\u985e\u6a02\u66f2\u4e4b\u9996\uff0c\u8d77\u5230\u8a72\u985e\u6a02\u66f2\u8abf\u6027\u3001\u65cb\u5f8b\u5171\u6027\u7684\u63d0\u793a\u4f5c\u7528\u3002
\u3000\u3000\u201c\u6797\u9418\u201d\u70ba\u8abf\u9ad8\u6216\u97f3\u9ad8\u540d\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u6168\u53e4\u541f\u300b<\/strong><\/p>

\u7434\u6b4c\u5f48\u5531\u300a\u6168\u53e4\u541f\u300b\u53ea\u898b\u65bc\u660e\u521d\u6731\u6b0a\uff08<\/strong>1373-1448\uff09\u6240\u7de8\u7684\u300a\u795e\u5947\u79d8\u8b5c\u300b\uff081425\uff09\uff0c\u660e\u4e2d\u8449\u300a\u98a8\u5ba3\u7384\u54c1\u300b\uff081539\uff09\uff0c\u4f46\u90fd\u7121\u8a5e\u3002\u53e6\u4e00\u500b\u6709\u8a5e\u7684\u50b3\u9214\u672c\uff0c\u5404\u5730\u7686\u540c\u3002\u660e\u672c\u548c\u50b3\u9214\u672c\u90fd\u662f\u4e09\u6bb5\u5c0f\u66f2\uff0c\u4f46\u65cb\u5f8b\u90fd\u5168\u4e0d\u76f8\u540c\u3002\u73fe\u6642\u7434\u4eba\u5f48\u7684\uff0c\u662f\u50b3\u9214\u672c\u6709\u8a5e\u7684\u7434\u66f2\u3002
\u3000\u3000\u4e00\u4e5d\u4e00\u96f6\u5e74\uff0c\u67e5\u961c\u897f\u5148\u751f\u5728\u5927\u5eb8\u5f9e\u4fde\u5473\u8493\u5b78\u5f48\u6b64\u66f2\uff0c\u4e00\u4e5d\u4e00\u4e00\u5e74\u53c8\u4f9d\u7530\u66e6\u660e\u7684\u7bc0\u594f\u5531\u6cd5\u8a02\u6b63\u3002\u50b3\u9214\u672c\u4e2d\u6536\u6709\u5982\u4e0b\u7684\u5531\u8a5e\uff1a
\u3000\u3000\u4eca\u53e4\u60a0\u60a0\uff0c\u4e16\u4e8b\u7684\u90a3\u6d6e\u9dd7\uff0c\u7fa4\u96c4\u6b7b\u76e1\u4e0d\u56de\u982d\u3002\u5915\u967d\u897f\u4e0b\uff0c\u6c5f\u6c34\u7684\u90a3\u6771\u6d41\uff0c\u5c71\u5dbd\u7684\u90a3\u8352\u4e18\u3002\u6101\u6d88\u53bb\uff0c\u662f\u9152\u9189\u4e86\u7684\u90a3\u65b9\u4f11\u3002\u60f3\u4e0d\u76e1\u695a\u706b\u7684\u90a3\u79e6\u7070\uff0c\u671b\u4e0d\u898b\u5433\u8d8a\u7684\u90a3\u6a13\u81fa\u3002\u4e16\u9060\u4eba\u4f55\u5728\uff0c\u660e\u6708\u7167\u53bb\u53c8\u7167\u4f86\uff1b\u6545\u9109\u98a8\u666f\uff0c\u7a7a\u81ea\u7684\u90a3\u82b1\u958b\u3002\u65e5\u6708\u5982\u68ad\uff0c\u884c\u96f2\u6d41\u6c34\u5982\u4f55\uff1b\u55df\u7f8e\u4eba\u5475\uff0c\u6771\u98a8\u82b3\u8349\u7684\u90a3\u6028\u6101\u591a\uff0c\u516d\u671d\u820a\u4e8b\u662f\u7a7a\u904e\u3002\u6f22\u5bb6\u7c2b\u9f13\uff0c\u9b4f\u5317\u7684\u90a3\u5c71\u6cb3\uff1b\u5929\u8352\u5730\u8001\uff0c\u7e3d\u662f\u7684\u90a3\u6d88\u78e8\uff0c\u6d88\u78e8\u6d88\u78e8\u66f4\u6d88\u78e8\u3002<\/strong>\u6168\u7576\u5e74\u9f8d\u722d\u864e\u9b25\uff0c\u534a\u751f\u4e8b\u696d\u53c8\u4f55\u591a\uff1f<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u5eb7\u8862\u8b20\u300b<\/strong><\/p>

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\u300a\u8336 \u4e00\u5473\u300b<\/strong><\/p>

\u8336\uff0c\u878d\u6c34\u4e4b\u6f64\u3001\u6728\u4e4b\u8403\u3001\u571f\u4e4b\u9748\u3001\u91d1\u4e4b\u6027\u3001\u706b\u4e4b\u5149\uff0c\u79aa\uff1a\u51a5\u601d\u3001\u7d14\u539a\u3001\u67af\u5bc2\u3001\u6d1e\u5fb9\uff0c\u89e3\u8336\u4e4b\u66e0\u9054\u96a8\u5fc3\uff0c\u91cb\u8336\u4e4b\u5713\u878d\u81ea\u5728\uff0c\u91d1\u6728\u6c34\u706b\u571f\u4e43\u8336\u4e4b\u4e94\u6027\uff0c\u8336\u8207\u79aa\uff0c\u4e43\u81f3\u771f\u81f3\u62d9\u81f3\u5929\u7136\u3002<\/strong>
\u3000\u3000\u300a\u4e00\u5473\u300b\u5f9e\u8336\u7684\u8272\u3001\u9999\u3001\u5473\u958b\u59cb\u3002\u5f9e\u8868\u9762\u7684\u4e94\u611f\u516d\u89ba\uff0c\u96a8\u8457\u6a02\u97f3\u7684\u6f38\u5165\uff0c\u9010\u6f38\u5167\u5316\u6df1\u5165\u5230\u79aa\u7684\u610f\u5883\uff0c\u5728\u8336\u79aa\u4ea4\u878d\u4e2d\uff0c\u54c1\u5473\u7269\u6211\u5408\u4e00\u7684\u5883\u754c\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u5fc3 \u7121\u5875\u300b<\/strong><\/p>

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\u300a\u7a7a\u57ce\u5f15\u300b<\/strong><\/p>

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\u300a\u5ee3\u9675\u6563\u300b<\/strong><\/p>

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\u300a\u7435\u7436\u8a9e\u300b<\/strong><\/p>

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\u00a0<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u81e5\u9f8d\u541f\u300b<\/strong><\/p>

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\u300a\u846c\u82b1\u541f\u300b<\/strong><\/p>

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\u300a\u9577\u76f8\u601d\u300b<\/strong><\/p>

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\u00a0<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u300a\u4e2d\u570b\u5922\u300b<\/strong><\/p>

\u9019\u662f\u4e00\u9996\u6210\u516c\u4eae\u5148\u751f\u65bc<\/strong>1989\u5e74\u5728\u8377\u862d\u9304\u88fd\u7684\u53e4\u7434\u5373\u8208\u6f14\u594f\u4f5c\u54c1\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u53e4\u7434\u6a02\u66f2\u4ecb\u7d39(3) – Guqin Programme Notes(3) \u00a0 \u300a\u9f8d\u6714\u64cd\u300b \u3000\u3000\u660e\u2027\u6d2a\u7199\uff08\u516c\u5143\u4e00\u56db\u4e8c\u4e94\u5e74\uff09\u6731\u6b0a\uff08\u81de\u4ed9\uff09\u8f2f\u520a\u7684\u5927\u578b\u8b5c\u96c6\u300a\u795e\u5947\u79d8\u8b5c\u300b\u4e0b\u5377\u971e\u5916\u795e\u54c1\u4e2d\u6709\u300a\u9f8d\u6714\u64cd\u300b\u4e00\u66f2\uff0c\u81de\u4ed9\u66f0\uff1a\u201c\u662f\u66f2\u8005\uff0c\u7576\u5143\u5e1d\u6642\uff0c\u6f22\u5ba4\u7a0d\u5f37\uff0c\u5308\u5974\u55ae\u4e8e\u61fc\u5176\u5f81\u4f10\uff0c\u6545\u81ea\u4f86\u671d\uff0c\u9858\u70ba\u6f22\u5a7f\uff0c\u4ee5\u4fdd\u585e\u5916\uff0c\u800c\u5e1d\u9042\u4ee5\u662d\u541b\u8cdc\u4e4b\u3002\u4e14\u662d\u541b\u6700\u7f8e\uff0c\u56e0\u4e0d\u5f97\u70ba\u6f22\u5bae\u4e4b\u5b2a\u5fa1\uff0c\u800c\u5fa9\u5ac1\u65bc\u5937\u72c4\u8165\u7fb6\u4e4b\u4eba\uff0c\u65bc\u662f\u63a9\u9762\u96f6\u6d95\uff0c\u542b\u6068\u5317\u53bb\uff0c\u800c\u6709\u85b0\u8555\u5171\u5668\u4e4b\u7f9e\uff0c\u51b0\u70ad\u540c\u7210\u4e4b\u6028\u3002\u7576\u6642\u4e4b\u4eba\uff0c\u6709\u50b7\u7d05\u984f\u8584\u547d\u4e4b\u5606\uff0c\u6545\u4f5c\u5f26\u6b4c\uff0c\u4ee5\u5f62\u5bb9\u800c\u55df\u60bc\u4e4b\u3002\u201d\u6b64\u66f2\u300a\u592a\u53e4\u907a\u97f3\u300b\uff08\u8b1d\u7433\uff09\u3001\u300a\u91cd\u4fee\u771f\u50b3\u7434\u8b5c\u300b\u3001\u300a\u7406\u6027\u5143\u96c5\u300b\u8af8\u8b5c\u540d\u4e4b\u66f0\uff1a\u300a\u662d\u541b\u6028\u300b\uff1b\u66f2\u610f\u50b7\u611f\uff0c\u97f3\u97fb\u6dd2\u5176\uff0c\u4e00\u7a2e\u6182\u6028\u73fe\u65bc\u6307\u4e0b\uff0c\u800c\u67d4\u5a9a\u5e7d\u5a49\uff0c\u78ba\u662f\u8277\u8cea\u60c5\u8178\uff0c\u594f\u8005\u9808\u610f\u6703\u4e4b\u3002 This is a piece firstly published in the Mysterious Scores of Qin (1425).The explanatory notes reads, \u201cDuring the Han Dynasty, a northern tribe invaded China, but the Chinese could not defeat the enemy. The emperor granted the beautiful Lady Zhao-jun to the tribal leader as his wife in a hope to make peace with them.\u201dThe music describes the misery of Lady WANG Zhao-jun. \u00a0 \u300a\u6e58\u6c5f\u6028\u300b \u662f\u4e00\u9996\u660e\u4ee3\u7434\u8b5c\u4e2d\u7684\u7434\u6b4c\u3002\u63cf\u5beb\u4e86\u821c\u7687\u5357\u5de1\u4e0d\u6b78\uff0c\u6b7b\u65bc\u84bc\u68a7\u4e4b\u91ce\uff0c\u5176\u5983\u5a25\u7687\u3001\u5973\u82f1\u60b2\u50b7\u54ed\u6ce3\uff0c\u4ee5\u6dda\u7051\u7af9\uff0c\u7af9\u7686\u67af\u6b7b\u7684\u53e4\u8001\u50b3\u8aaa\u3002\u6a02\u66f2\u7d50\u69cb\u898f\u6574\u6709\u5e8f\uff0c\u65cb\u5f8b\u6d41\u66a2\u800c\u5bcc\u6709\u60c5\u81f4\u3002 \u00a0 \u300a\u9ec3\u9daf\u541f\u300b \u3000\u3000\u5143\u2027\u81f3\u5143\u516d\u5e74\uff08\u516c\u5143\u4e00\u4e8c\u516d\u4e5d\u5e74\uff09\u912d\u6c0f\u7a4d\u8aa0\u5802\u523b\u520a\uff0c\u5b8b\u2027\u9673\u5143\u975a\u7de8\u7e82\u7684\u300a\u7e82\u5716\u589e\u985e\u4e8b\u6797\u5ee3\u8a18\u300b\u4e2d\u5373\u6536\u6709\u300a\u958b\u6307\u9ec3\u9daf\u541f\u300b\u4e00\u66f2\uff0c\u662f\u5f48\u7434\u524d\u8abf\u5f04\u7684\u4e00\u9996\u4e0d\u53ef\u591a\u5f97\u7684\u8a5e\u66f2\u5c0f\u4ee4\uff0c\u5176\u610f\u501f\u9ec3\u9daf\u8d77\u8208\uff0c\u8868\u9054\u51fa\u5c0d\u81ea\u7531\u548c\u611b\u60c5\u7684\u56ae\u5f80\uff0c\u97f3\u6a02\u751f\u52d5\u800c\u5bcc\u6709\u6b4c\u5531\u6027\u3002\u6a02\u66f2\u4e26\u672a\u6a19\u6709\u4f5c\u8005\u59d3\u540d\uff0c\u5176\u9ad4\u88c1\u77ed\u5c0f\u800c\u4e0d\u5206\u6bb5\uff0c\u8b5c\u65c1\u6709\u8a5e\u4e91\uff1a\u201c\u9ec3\u9daf\u9ec3\u9daf\u91d1\u8863\u7c07\uff0c\u96d9\u96d9\u8a9e\uff0c\u6843\u674f\u76ca\u6df1\u8655\u3002\u53c8\u96a8\u7159\u5916\u904a\u8702\u53bb\uff0c\u6063\u72c2\u6b4c\u821e\u3002\u201d\u6a02\u66f2\u77ed\u5c0f\u7cbe\u7149\uff0c\u50c5\u901a\u904e\u4e0a\u4e0b\u5169\u53e5\u6b4c\u8a5e\uff0c\u5c31\u5c07\u6625\u5929\u7684\u666f\u8c61\uff0c\u63cf\u7e6a\u5f97\u5341\u5206\u52d5\u4eba\u3002\u66f2\u8abf\u6e05\u65b0\u59d4\u5a49\uff0c\u6d41\u5229\u5225\u81f4\uff0c\u662f\u4e00\u9996\u4e0d\u53ef<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":28,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"footnotes":""},"class_list":["post-20304","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/chinesemusicarchive.com\/zh\/wp-json\/wp\/v2\/pages\/20304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chinesemusicarchive.com\/zh\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chinesemusicarchive.com\/zh\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chinesemusicarchive.com\/zh\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/chinesemusicarchive.com\/zh\/wp-json\/wp\/v2\/comments?post=20304"}],"version-history":[{"count":231,"href":"https:\/\/chinesemusicarchive.com\/zh\/wp-json\/wp\/v2\/pages\/20304\/revisions"}],"predecessor-version":[{"id":28951,"href":"https:\/\/chinesemusicarchive.com\/zh\/wp-json\/wp\/v2\/pages\/20304\/revisions\/28951"}],"up":[{"embeddable":true,"href":"https:\/\/chinesemusicarchive.com\/zh\/wp-json\/wp\/v2\/pages\/28"}],"wp:attachment":[{"href":"https:\/\/chinesemusicarchive.com\/zh\/wp-json\/wp\/v2\/media?parent=20304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}