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TAM Po-shek<\/strong><\/p>\n\n\n\n TAM Po-shek started to learn the dizi<\/em> since he was a child and was the follower of Lingnan School. Later he began to extensively research the performing styles of different schools both from south and north of China. He developed his special character of performing the xiao<\/em> as a result of integrating the traditional and modern techniques. In 1987, he produced a series of xiao<\/em> which ranged from bass to alto as his researching result. In 1993, he produced the biggest xiao<\/em> in China\u2019s music history. During all these years, he has dedicated himself to studying the performing techniques of xiao<\/em> and making the instrument. He has continually broadened the expressive force of it and has contributed a lot to the art of xiao<\/em>, which has won him favorable comments from people of all circles. He is dedicated to music education as well. On the invitation of the universities and organizations, he has held music lectures for many times. From 1997 to 2002, he has served as the adjudicator for Hong Kong School Music Festival. He also pays attention to composing. In 1977, his work Happy Song of the Canal<\/em> was honored to be the excellent instrumental piece of Guangdong Province. He is engaged in writing in the mean time. He has written columns for many newspapers. His works include Techniques of Dizi<\/em> and prose collection Leaves Falling in the Universe<\/em>.<\/p>","protected":false},"excerpt":{"rendered":" \u7c2b\u3001\u7b1b\u6f14\u594f\u5bb6\u53ca\u9020\u7c2b\u5bb6\u8b5a\u5bf6\u78a9\uff0c\u81ea\u5e7c\u5b78\u7b1b\uff0c\u5e2b\u627f\u5dba\u5357\u6d3e\u4e00\u8108\uff0c\u5f8c\u66f4\u5ee3\u6cdb\u7814\u7fd2\u5357\u5317\u5404\u6d3e\u7684\u5439\u594f\u98a8\u683c\uff0c\u5176\u6d1e\u7c2b\u6280\u6cd5\uff0c\u5247\u7d9c\u5408\u4e86\u50b3\u7d71\u548c\u73fe\u4ee3\u624b\u6cd5\uff0c\u5f62\u6210\u81ea\u5df1\u7368\u7279\u7684\u98a8\u683c\u3002\u4e00\u4e5d\u516b\u4e03\u5e74\uff0c\u8b5a\u6c0f\u7814\u7a76\u88fd\u9020\u51fa\u4f4e\u97f3\u6d1e\u7c2b\uff0c\u5176\u5f8c\u88fd\u9020\u51fa\u5b9a\u8abf\u6d1e\u7c2b\u7cfb\u5217\uff0c\u4e00\u4e5d\u4e5d\u4e09\u5e74\uff0c\u88fd\u9020\u51fa\u4e00\u652f\u5728\u4e2d\u570b\u97f3\u6a02\u53f2\u4e0a\u6700\u5927\u7684\u6d1e\u7c2b\uff0c\u591a\u5e74\u4f86\u81f4\u529b\u65bc\u6d1e\u7c2b\u6f14\u594f\u53ca\u88fd\u4f5c\u7684\u7814\u7a76\uff0c\u5c0d\u6d1e\u7c2b\u85dd\u8853\u8ca2\u737b\u826f\u591a\uff0c\u5099\u53d7\u97f3\u6a02\u754c\u4eba\u58eb\u597d\u8a55\u3002\u8b5a\u6c0f\u81f4\u529b\u97f3\u6a02\u6559\u80b2\uff0c\u66fe\u5148\u5f8c\u5728\u4e2d\u6587\u5927\u5b78\u3001\u9999\u6e2f\u97f3\u5c08\u3001\u6881\u5f0f\u829d\u66f8\u9662\u53ca\u9999\u6e2f\u6f14\u85dd\u5b78\u9662\u51fa\u4efb\u4e2d\u6a02\u5c0e\u5e2b\uff0c\u4e00\u4e5d\u4e5d\u4e03\u5e74\u81f3\u4e8c\u25cb\u25cb\u4e8c\u5e74\uff0c\u51fa\u4efb\u9999\u6e2f\u5b78\u6821\u97f3\u6a02\u7bc0\u8a55\u5224\u3002\u4e00\u4e5d\u4e03\u4e03\u5e74\uff0c\u8b5a\u6c0f\u7684\u4f5c\u54c1\u300a\u904b\u6cb3\u6b61\u6b4c\u300b\u5165\u9078\u70ba\u5ee3\u6771\u7701\u512a\u79c0\u5275\u4f5c\u5668\u6a02\u66f2\uff0c\u8fd1\u5e74\u5275\u4f5c\u6709\u300a\u96f2\u9580\u591c\u96e8\u300b\u7b49\u8d85\u904e\u4e09\u5341\u9996\u7684\u97f3\u6a02\u4f5c\u54c1\u3002\u8b5a\u6c0f\u4ea6\u5f9e\u4e8b\u5beb\u4f5c\u00b7\u8457\u6709\u300a\u7b1b\u5b50\u6280\u6cd5\u300b\u53ca\u6563\u6587\u96c6\u300a\u8449\u843d\u5929\u5730\u9593\u300b\u3002 TAM Po-shek TAM Po-shek started to learn the dizi since he was a child and was the follower of Lingnan School. Later he began to extensively research the performing styles of different schools both from south and north of China. He developed his special character of performing the xiao as a result of integrating the traditional and modern techniques. In 1987, he produced a series of xiao which ranged from bass to alto as his researching result. In 1993, he produced the biggest xiao in China\u2019s music history. During all these years, he has dedicated himself to studying the performing techniques of xiao and making the instrument. He has continually bro<\/p>","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[163,162],"tags":[],"class_list":["post-35503","post","type-post","status-publish","format-standard","hentry","category-owind","category-performer"],"_links":{"self":[{"href":"https:\/\/chinesemusicarchive.com\/en_us\/wp-json\/wp\/v2\/posts\/35503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chinesemusicarchive.com\/en_us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chinesemusicarchive.com\/en_us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chinesemusicarchive.com\/en_us\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/chinesemusicarchive.com\/en_us\/wp-json\/wp\/v2\/comments?post=35503"}],"version-history":[{"count":2,"href":"https:\/\/chinesemusicarchive.com\/en_us\/wp-json\/wp\/v2\/posts\/35503\/revisions"}],"predecessor-version":[{"id":35571,"href":"https:\/\/chinesemusicarchive.com\/en_us\/wp-json\/wp\/v2\/posts\/35503\/revisions\/35571"}],"wp:attachment":[{"href":"https:\/\/chinesemusicarchive.com\/en_us\/wp-json\/wp\/v2\/media?parent=35503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chinesemusicarchive.com\/en_us\/wp-json\/wp\/v2\/categories?post=35503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chinesemusicarchive.com\/en_us\/wp-json\/wp\/v2\/tags?post=35503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}